Quotes with utilitarian

a spider and a flyi heard a spiderand a fly arguingwait said the flydo not eat mei serve a great purposein the worldyou will have toshow me said the spideri scurry aroundgutters and sewersand garbage canssaid the fly and gatherup the germs oftyphoid influenzaand pneumonia on my feetand wingsthen i carry these germsinto households of menand give them diseasesall the people whohave lived the rightsort of life recoverfrom the diseasesand the old soaks whohave weakened their systemswith liquor and iniquitysuccumb it is my missionto help rid the worldof these wicked personsi am a vessel of righteousnessscattering seeds of justiceand serving the noblest usesit is true said the spiderthat you are moreuseful in a ploddingmaterial sort of waythan i am but i do notserve the utilitarian deitiesi serve the gods of beautylook at the gossamer websi weave they float in the sunlike filaments of songif you get what i meani do not work at anythingi play all the timei am busy with the stuffof enchantment and the materialsof fairyland my workstranscend utilityi am the artista creator and demi godit is ridiculous to supposethat i should be deniedthe food i need in orderto continue to createbeauty i tell youplainly mister fly it is alldamned nonsense for that foodto rear up on its hind legsand say it should not be eatenyou have convinced mesaid the fly say no moreand shutting all his eyeshe prepared himself for dinnerand yet he said i couldhave made out a casefor myself too if i hadhad a better line of talkof course you could said the spiderclutching a sirloin from himbut the end would have beenjust the same if neither ofus had spoken at allboss i am afraid that whatthe spider said is trueand it gives me to thinkfuriously upon the futilityof literaturearchy

Across the centuries the moral systems from medival chivalry to Bruce Springsteen love anthems have worked the same basic way. They take immediate selfish interests and enmesh them within transcendent, spiritual meanings. Love becomes a holy cause, an act of self-sacrifice and selfless commitment.But texting and the utilitarian mind-set are naturally corrosive toward poetry and imagination. A coat of ironic detachment is required for anyone who hopes to withstand the brutal feedback of the marketplace. In today's world, the choice of a Prius can be a more sanctified act than the choice of an erotic partner.This does not mean that young people today are worse or shallower than young people in the past. It does mean they get less help. People once lived within a pattern of being, which educated the emotions, guided the temporary toward the permanent and linked everyday urges to higher things. The accumulated wisdom of the community steered couples as they tried to earn each other's commitment.Today there are fewer norms that guide that way. Today's technology seems to threaten the sort of recurring and stable reciprocity that is the building block of trust.

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition.

Only the middle distance and what may be called the remoter foreground are strictly human. When we look very near or very far, man either vanishes altogether or loses his primacy. The astronomer looks even further afield than the Sung painter and sees even less of human life. At the other end of the scale the physicist, the chemist, the physiologist pursue the close-up – the cellular close-up, the molecular, the atomic and subatomic. Of that which, at twenty feet, even at arm’s length, looked and sounded like a human being no trace remains.Something analogous happens to the myopic artist and the happy lover. In the nuptial embrace personality is melted down; the individual (it is the recurrent theme of Lawrence’s poems and novels) ceases to be himself and becomes a part of the vast impersonal universe.And so it is with the artist who chooses to use his eyes at the near point. In his work humanity loses its importance, even disappears completely. Instead of men and women playing their fantastic tricks before high heaven, we are asked to consider the lilies, to meditate on the unearthly beauty of ‘mere things,’ when isolated from their utilitarian context and rendered as they are, in and for themselves. Alternatively (or, at an earlier stage of artistic development, exclusively), the nonhuman world of the near-point is rendered in patterns. These patterns are abstracted for the most part from leaves and flowers – the rose, the lotus, the acanthus, palm, papyrus – and are elaborated, with recurrences and variations, into something transportingly reminisce

The chief qualification of a mass leader has become unending infallibility: he can never admit an error.....The propaganda effect of infallibility, the striking success of posing as a mere interpreting agent of predictable forces, has encouraged in totalitarian dictators the habit of announcing their political intentions in the form of prophecy....Mass leaders in power have one concern wich overrules all utilitarian considerations: to make their predictions come true.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

I discovered in nature the non utilitarian delights that I sought in art. Both were a form of magic, both were a game of intricate enchantment and deception.

I am charmed by the idea that there is an activity known as work and another as play, although even in grade school the distinction eluded me. I remember how full of hope I was sitting in first-period home room listening to the teacher divide up our activities into purposeful sections. I got a grip on her process, at last, by picturing it in the following way: A cow stands in clover. When she is milked, that is her work; when she is merely eating, that is her play. But the problem lay, then as now, in the realization that, in any case, she is standing in clover. Not a handsome or elegant analogy, but it approximates for me the habit of reading - standing in a world of clover, the eating of which is occasionally utilitarian, usually nourishing, because that's what one does

In our hurry of utilitarian progress, we have either forgotten the Indian altogether, or looked upon him only in a business point of view, as we do almost everything else; as a thriftless, treacherous, drunken fellow, who knows just enough to be troublesome, and who must be cajoled or forced into leaving his hunting-grounds for the occupation of very orderly and virtuous white people, who sell him gunpowder and whiskey, but send him now and then a missionary to teach him that it is wrong to get drunk and murder his neighbor.

I feel as though dispossessed from the semblances of some crystalline reality to which I’d grown accustomed, and to some degree, had engaged in as a participant, but to which I had, nevertheless, grown inexplicably irrelevant. But the elements of this phenomenon are now quickly dissolving from memory and being replaced by reverse-engineered Random Access actualizations of junk code/DNA consciousness, the retro-coded catalysts of rogue cellular activity. The steel meshing titters musically and in its song, I hear a forgotten tale of the Interstitial gaps that form pinpoint vortexes at which fibers (quanta, as it were) of Reason come to a standstill, like light on the edge of a Singularity. The gaps, along their ridges, seasonally infected by the incidental wildfires in the collective unconscious substrata.Heat flanks passageways down the Interstices. Wildfires cluster—spread down the base trunk Axon in a definitive roar: hitting branches, flaring out to Dendrites to give rise to this release of the very chemical seeds through which sentience is begotten. Float about the ether, gliding a gentle current, before skimming down, to a skip over the surface of a sea of deep black with glimmering waves. And then, come to a stop, still inanimate and naked before any trespass into the Field, with all its layers that serve to veil. Plunge downward into the trenches. Swim backwards, upstream, and down through these spiraling jets of bubbles. Plummet past the threshold to trace the living history of shadows back to their source virus. And acquire this sense that the viruses as a sample, all of the outlying populations withstanding: they have their own sense of self-importance, too. Their own religion. And they mine their hosts barren with the utilitarian wherewithal that can only be expected of beings with self-preservationist motives.

From a nonpatriarchal metaethical standpoint, however, Singer's and Regan's theoretical similarities are as significant as their differences. In particular, both Singer's utilitarian theory and Regan's rights approach are developed within a framework of patriarchal norms, which includes the subordinatin of emotion to reason, the privileging of abstract principles of conduct, the perception of ethical discussion as a battle between adversaries, and the presumption that ethics shoudl function as a means of social control.

Many of the innovations in science and philosophy have come from unbelievers, some of whom died for their 'unbeliefs.' Without unbelief, we might well be living in the Dark Ages or at least in the intellectual equivalent of that time.In past centuries many theists savagely attacked atheists on the ground that someone without a belief in God must be a moral 'monster,' who would permit any action. This argument is rarely heard today, as the number of people who are openly atheists has become so large that its falsity is self-evident. Atheists do have a moral code to guide them. It is usually based upon the Golden Rule, plus a variety of utilitarian reasons, although there are a number of other possible systems. Rather than being immoral, most atheists are extremely moral.There are a large number of people who can and do manage to lead decent upright lives with no use for a belief in God as a guide. Atheists do not care whether others believe as they do. They do ask, however, for the right to believe as they wish ....

The crisis besetting America is not just an economic or political crisis; something deeper is wreaking havoc across the land, a mercenary and utilitarian attitude that demonstrates little empathy for people's actual well-being, that dismisses imagination and thought, branding passion for knowledge as irrelevant.