Inspirational quotes with unreal.
Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father.But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore.Are those real islands?' asked the young prince.Of course they are real islands,' said the man in evening dress.And those strange and troubling creatures?'They are all genuine and authentic princesses.'Then God must exist!' cried the prince.I am God,' replied the man in full evening dress, with a bow.The young prince returned home as quickly as he could.So you are back,' said the father, the king.I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully. The king was unmoved.Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully.The king was unmoved.Neither real islands, nor real princesses, nor a real God exist.'I saw them!'Tell me how God was dressed.'God was in full evening dress.'Were the sleeves of his coat rolled back?'The prince remembered that they had been. The king smiled.That is the uniform of a magician. You have been deceived.'At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress.My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.'The man on the shore smiled.It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.'The prince pensively returned home. When he saw his father, he looked him in the eyes.Father, is it true that you are not a real king, but only a magician?'The king smiled, and rolled back his sleeves.Yes, my son, I am only a magician.'Then the man on the shore was God.'The man on the shore was another magician.'I must know the real truth, the truth beyond magic.'There is no truth beyond magic,' said the king.The prince was full of sadness.He said, 'I will kill myself.'The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses.Very well,' he said. 'I can bear it.'You see, my son,' said the king, 'you too now begin to be a magician.
The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That's the only lasting thing you can create.
The boundaries we erect to divide heaven from earth, mind from matter, real from unreal are mere conveniences. Having made the boundaries, we can unmake them just as easily.
It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life.
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
We can't believe what we believe to be untrue, and we can't love what we believe to be unreal.
It would be well to realize that the talk of ‘humane methods of warfare’, of the ‘rules of civilized warfare’, and all such homage to the finer sentiments of the race are hypocritical and unreal, and only intended for the consumption of stay-at-homes. There are no humane methods of warfare, there is no such thing as civilized warfare; all warfare is inhuman, all warfare is barbaric; the first blast of the bugles of war ever sounds for the time being the funeral knell of human progress… What lover of humanity can view with anything but horror the prospect of this ruthless destruction of human life. Yet this is war: war for which all the jingoes are howling, war to which all the hopes of the world are being sacrificed, war to which a mad ruling class would plunge a mad world.
Why do people complain when your crabby but the moment there crabby you tell them to stop moaning they moan so fuckin unreal
I continue to marvel at the reluctancy of people to look into the mirror and see all the darkness that's within them: all the deceit, the dishonesty, the insincerity, the lack, the need, the want, the lies...they would rather look upon the mural of themselves that they've painted on the wall, and stare at that inanimate portrait of beauty, all the while telling themselves that it is the mirror image of them! This is a falsity, this is unreal! It is only when you turn to the unveiled mirror and bravely face your light and your darkness at once, that you will be able to see the true image of you! How can you pull the thorns from your skin if you are too afraid to open your eyes and look at them? You must open your eyes first, look at the thorns where they are piercing your flesh, and only then can you pull them out!
When every hope is gone, 'when helpers fail and comforts flee,' I find that help arrives somehow, from I know not where. Supplication, worship, prayer are no superstition; they are acts more real than the acts of eating, drinking, sitting or walking. It is no exaggeration to say that they alone are real, all else is unreal.
Endings are abstruse, mystic and unreal. They are but depleted beginnings purposed to be substituted with newer ones.A transition of outlook and time, similar to our differing moods before and after slumber. Before the act we witness an exhaustion, a sulkiness but on gaining consciousness, we’re rejuvenated and good humored. The wakefulness is the new beginning whereas the tension the disturbance we perceive each night is the weariness of the beginnings, of each day. So there never really is an end, all that there are are beginnings.Beginnings which are promising, which offer hope, which have a new leash on life, which neither denounce nor belittle rather soothe and console by reconstructing the broken pieces of yesterday, mending them and reinforcing them with courage and beauty like never before.
Unreal City, Under the brown fog of a winter dawn,A crowd flowed over London Bridge, so many,I had not thought death had undone so many.Sighs, short and infrequent, were exhaled,And each man fixed his eyes before his feet.Flowed up the hill and down King William Street,To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine.There I saw one I knew, and stopped him crying: 'Stetson!You, who were with me in the ships at Mylae!That corpse you planted last year in your garden,Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed?Oh keep the Dog far hence, that's friend to men,Or with his nails he'll dig it up again!You! hypocrite lecteur!-mon semblable,-mon frere!
A child's reaction to this type of calamity is twofold and extreme. Not knowing how deeply, powerfully, life drops anchor into its vast sources of recuperation, he is bound to envisage, at once, the very worst; yet at the same time, because of his inability to imagine death, the worst remains totally unreal to him. Gerard went on repeating: "Paul's dying; Paul's going to die"' but he did not believe it. Paul's death would be part of the dream, a dream of snow, of journeying forever.
…the longer I think about it the more it seems to me that we who are still alive are unreal in the eyes of the dead, that only occasionally, in certain lights and atmospheric conditions, do we appear in their field of vision.
Want of imagination makes things unreal enough to be destroyed. By imagination I mean knowledge and love. I mean compassion. People of power kill children, the old send the young to die, because they have no imagination. They have power. Can you have power and imagination at the same time? Can you kill people you don’t know and have compassion for them at the same time?
I couldn't tell fact from fiction,Or if the dream was trueMy only sure predictionIn this world was you.I'd touch your features inchly. Beard love and dared the cost, The sented spiel reeled me unreal And I found my senses lost.
Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
The philosophy of Atheism represents a concept of life without any metaphysical Beyond or Divine Regulator. It is the concept of an actual, real world with its liberating, expanding and beautifying possibilities, as against an unreal world, which, with its spirits, oracles, and mean contentment has kept humanity in helpless degradation.
When people want to be rid of Heaven it is logical to start by creating an atmosphere in which spiritual things appear out of place; in order to be able to declare successfully that God is unreal they have to construct around man a false reality, a reality that is inevitably inhuman because only the inhuman can exclude God. What is involved is a falsification of the imagination and so its destruction.
...Hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer, “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on...
The computer focuses ruthlessly on things that can be represented in numbers. In so doing, it seduces people into thinking that other aspects of knowledge are either unreal or unimportant. The computer treats reason as an instrument for achieving things, not for contemplating things. It narrows dramatically what we know and intended by reason.
We became six people at a table in Hampton Court. We rose and walked together down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we – against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough.
And yet, and yet… Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny … is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.
Time spent in India has a extraordinary effect on one. It acts as a barrier that makes the rest of the world seem unreal.
Reality is, you know, the tip of an iceberg of irrationality that we've managed to drag ourselves up onto for a few panting moments before we slip back into the sea of the unreal.
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