Quotes with swoop

A lifetime spent in the study of the history of societies since the dawn of mankind presumably inclined him to skepticism and misgivings in regard to any great scheme, religious or political, that set out to create universal happiness in one fell swoop; what it was more likely to create, in his opinion, was universal misery; and his faith in heaven-sent saviors was hardly greater.

Blood had long since ceased to beat from one end to the other, but one could sense, from passages marked with fresher traces of wheels and hooves, that once the meaning and even the very idea of a long journey was lost, sleep had not descended over it in one fell swoop: it had continued to steal a march here and there, in a discontinuous way, and over short distances, like a laborer who feels his cart jolt on a section of Roman road that crosses his field...

The heron must be used to people, and yet it never lets you get too close. Draw parallel to it with the width of one of the marsh’s holding ponds between you, and it will duck its head, eyeing you with suspicion, then fly. I cannot approach the heron, certainly could never touch it; I can only look for it, entranced.This is how I understand the divine, and why I continue to seek it in the resolutely non-human world, with which we nonetheless recognize a numinous kinship. Sometimes, it will turn and lock eyes with you, lifting you out of yourself, changing everything. Other times, it will give you the side-eye and swoop away, leaving you longing for retreating beauty. You might not see it every single time you go looking, or where you expect to find it. No matter how common the experience, every time you stumble across mystery, or independent wild being, it is a surprise and a miracle. And every day, you can look." - Sara Amis, "A Daily Heron

To be sure, I had, and have, spent the better part of my post-college life growing up in the public eye, with my shameful warts, big and ugly, looming there for the world to see; and it has been a mighty battle trying to be a man, a Black man, a human being, a responsible and consistent human being, as I have interfaced with my past and with my personal demons, with friends and lovers, with enemies and haters. As Tupac Shakur once famously said to me, “There is no placed called careful.” On the one hand, Tupac was right: There is not much room for error in America if you are a Black male in a society ostensibly bent on profiling your every move, eager to capitalize on your falling into this or that trap, particularly keen to swoop down on your self-inflicted mishaps. But by the same token, Tupac was wrong: There can be a place called careful, once one becomes aware of the world one lives in, its potential, its limitations, and if one is willing to struggle to create a new model, some new and alternative space outside and away from the larger universe, where one can be free enough to comprehend that even if the world seems aligned against you, you do not have to give the world the rope to hang you with.

Fortune’s a right whore:If she give aught, she deals it in small parcels,That she may take away all at one swoop.

But she wasn't a serving girl in a Phorliss cantina this time, or a come-up flector for a swoop gang on Caprioril, or even a hyperdrive mechanic stuck in the backwater of the Ison Corridor. She was second in command to the most powerful smuggler in the galaxy, with the kind of resources and mobility she hadn't had since the death of the Emperor. [p] The kind of resources that would let her find Luke Skywalker again. And kill him

My father warned me that you’re an interloper. He told me I should make you leave, since we’re no longer married and you’re not my concern,” he says. The thought gives me a chill. Yes, I’m sure Vaughn would love for his son to abandon me, so that Vaughn can swoop in and reclaim me the second I’m alone. But Linden adds, “I told him that wouldn’t be a good idea either.

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch.Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

She shook her head, and closed her eyes. I felt her weariness then, and with it, my own. I felt it dark and heavy upon me, darker and heavier than any drug they ever gave me - it seemed heavy as death. I looked at the bed. I have seemed to see our kisses there sometimes, I've seen them hanging in the curtains, like bats, ready to swoop. Now, I thought, I might jolt the post and they would only fall, and shatter, and turn to powder.

We all start out the same in our mothers' wombs. We, all of us, when floating in the amniotic sea of our earliest oblivion, have gonads. If the Y chromosome didn't swoop in to act on the gonads of some of us and make testes, we would all become women. In biology, the Genesis story is reversed: Adam becomes Adam out of Eve, not the other way around.

The others moved in like a wake of vultures, ready to devour their prey. she had seen it on television once. 'Scavengers,' Tatinek called them. They swoop in and feed off the carcasses of animals that are too weak to escape - lots of them on battlefields. This looked the same, only the victim wasn't there, just his writing, his typewriter, and bits of dark paper.

Tiffany jumped when she saw a balloon sail up above the trees, catch the wind, and swoop away, but it turned out to be just a balloon and not a lump of excess Brian. She could tell this because it was followed by a long scream of rage mixed with a roar of complaint: “AAaargwannawannaaaagongongonaargggaaaaBLOON!” which is the traditional sound of a very small child learning that with balloons, as with life itself, it is important to know when not to let go of the string. The whole point of balloons is to teach small children this.

Imagination is haunted by the swiftness of the creatures that live on the mountain - eagle and peregrine falcon, red deer and mountain hare. The reason for their swiftness is severely practical: food is so scarce up there that only those who can move swiftly over vast stretches of ground may hope to survive. The speed, the whorls and torrents of movement, are in plain fact the mountain's own necessity. But their grace is not necessity. Or if it is - if the swoop, the parabola, the arrow-flight of hooves and wings achieve their beauty by strict adherence to the needs of function - so much the more is the mountain's integrity vindicated. Beauty is not adventitious but essential.