Inspirational quotes with sprung.
At this point we can finally see what's really at stake in our peculiar habit of defining ourselves simultaneously as master and slave, reduplicating the most brutal aspects of the ancient household in our very concept of ourselves, as masters of our freedoms, or as owners of our very selves. It is the only way that we can imagine ourselves as completely isolated beings. There is a direct line from the new Roman conception of liberty – not as the ability to form mutual relationships with others, but as the kind of absolute power of "use and abuse" over the conquered chattel who make up the bulk of a wealthy Roman man's household – to the strange fantasies of liberal philosophers like Hobbes, Locke, and Smith, about the origins of human society in some collection of thirty- or forty-year-old males who seem to have sprung from the earth fully formed, then have to decide whether to kill each other or begin to swap beaver pelts.
We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can make for us, which no one else can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you, have not been shaped by paterfamilias or a schoolmaster, they have sprung from very different beginnings, having been influenced by everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that picture of what we were at an earlier stage may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not repudiate it, for it is a proof that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups—assuming one is a painter—extracted something that transcends them.
My only love sprung from my only hate!Too early seen unknown, and known too late!Prodigious birth of love it is to me,That I must love a loathed enemy.
The blood dried on his good hand, he passed his palm over her hair. It curled about his wrist and sprung back into displace as the breeze fluttered by. In the firelight, it was golden like the dandelions of which she’d spoken. The ones that had grown along the Franklin riverbank in late summer. The ones he had lost any faith in since he’d committed his first murder there.
Despite the chaos that was tearing her head apart, Tevi understood what scene Yenneg was attempting to play out, with herself as a conscripted actor. She needed to force out an explanation or denial, but no words could get past her lips. Jemeryl's presence was paralysing her, an effect far more irresistible than anything Yenneg had achieved.Tevi watched Jemeryl take another few steps forwards and then crouch down so that their eyes were no more than a foot apart. Tevi thought she would die from the shock. Yet somehow, she forced her mouth to shape the words, "Wine. Love potion."Her voice was not loud enough even to count as a whisper. Certainly nobody else in the room would have heard, yet Tevi could not control her breathing to manage anything else.At first Jemeryl showed no sign of comprehension, but then suddenly, the bewilderment on her face transformed into fury. She leapt up, her arms moving in a blurred aggressive swirl. The gesture ended with an action like hurling a ball. Blue fire erupted from Jemeryl's hands and shot towards Yenneg.The other sorcerer had obviously recognised the gesture and made an effort to protect himself. A shimmering shield sprung up before Yenneg, but it was not strong enough, and the shockwave knocked him off his feet. His shoulders slammed into the wall behind him and he crumpled to the floor. Jemeryl had been telling the truth when she claimed to vastly excel the acolytes in magical ability, not that Tevi had ever entertained doubts. Jemeryl's hands moved again, and this time Yenneg was sprawled on the floor and in no state to mount a defence. A second bolt of blue fire burst in his direction.Lightning in the form of a whip snapped across the room, intercepting Jemeryl's attack before it struck. The diverted fireball hit the wall of the summerhouse two feet from Yenneg's head and smashed through it, as if it were a stone going through wet paper.
Betsy was so full of joy that she had to be alone. She went upstairs to her bedroom and sat down on Uncle Keith's trunk. Behind Tacy's house the sun had set. A wind had sprung up and the trees, their color dimmed, moved under a brooding sky. All the stories she had told Tacy and Tib seemed to be dancing in those trees, along with all the stories she planned to write some day and all the stories she would read at the library. Good stories. Great stories. The classics. Not Rena's novels.
Trap. Horrible trap. At one’s birth it is sprung. Some last day must arrive. When you will need to get out of this body. Bad enough. Then we bring a baby here. The terms of the trap are compounded. That baby also must depart. All pleasures should be tainted by that knowledge. But hopeful dear us, we forget. Lord, what is this?
My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun;I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.
In the very essence of poetry there is something indecent; A thing brought forth that we didn't know we had in us, So we blink our eyes, as if a tiger had sprung out And stood in the light, licking its tail.
Sitting calmly on a ship in fair weather is not a metaphor for having faith; but when the ship has sprung a leak, then enthusiastically to keep the ship afloat by pumping and not to seek the harbor--that is the metaphor for having faith. (Concluding Unscientific Postscript)
More profoundly, Nihilist "simplification" may be seen in the universal prestige today accorded the lowest order of knowledge, the scientific, as well as the simplistic ideas of men like Marx, Freud, and Darwin, which underlie virtually the whole of contemporary thought and life.We say "life," for it is important to see that the Nihilist history of our century has not been something imposed from without or above, or at least has not been predominantly this; it has rather presupposed, and drawn its nourishment from, a Nihilist soil that has long been preparing in the hearts of the people. It is precisely from the Nihilism of the commonplace, from the everyday Nihilism revealed in the life and thought and aspiration of the people, that all the terrible events of our century have sprung. The world-view of Hitler is very instructive in this regard, for in him the most extreme and monstrous Nihilism rested upon the foundation of a quite unexceptional and even typical Realism. He shared the common faith in "science," "progress," and "enlightenment" (though not, of course, in "democracy"), together with a practical materialism that scorned all theology, metaphysics, and any thought or action concerned with any other world than the "here and now," priding himself on the fact that he had "the gift of reducing all problems to their simplest foundations." He had a crude worship of efficiency and utility that freely tolerated "birth control", laughed at the institution of marriage as a mere legalization of a sexual impulse that should be "free", welcomed sterilization of the unfit, despised "unproductive elements" such as monks, saw nothing in the cremation of the dead but a "practical" question and did not even hesitate to put the ashes, or the skin and fat, of the dead to "productive use." He possessed the quasi-anarchist distrust of sacred and venerable institutions, in particular the Church with its "superstitions" and all its "outmoded" laws and ceremonies. He had a naive trust in the "natural mom, the "healthy animal" who scorns the Christian virtues--virginity in particular--that impede the "natural functioning" of the body. He took a simple-minded delight in modern conveniences and machines, and especially in the automobile and the sense of speed and "freedom" it affords.There is very little of this crude Weltanschauung that is not shared, to some degree, by the multitudes today, especially among the young, who feel themselves "enlightened" and "liberated," very little that is not typically "modern.
I have from the first felt sure that the writer, when he sits down to commence his novel, should do so, not because he has to tell a story, but because he has a story to tell. The novelist's first novel will generally have sprung from the right cause.
What was happening to them was that every bad time produced a bad feeling that in turn produced several more bad times and several more bad feelings, so that their life together became crowded with bad times and bad feelings, so crowded that almost nothing else could grow in that dark field. But then she had a feeling of peace one morning that lingered from the evening before spent sewing while he sat reading in the next room. And a day or two later, she had a feeling of contentment that lingered in the morning from the evening before when he kept her company in the kitchen while she washed the dinner dishes. If the good times increased, she thought, each good time might produce a good feeling that would in turn produce several more good times that would produce several more good feelings. What she meant was that the good times might multiply perhaps as rapidly as the square of the square, or perhaps more rapidly, like mice, or like mushrooms springing up overnight from the scattered spore of a parent mushroom which in turn had sprung up overnight with a crowd of others from the scattered spore of a parent, until her life with him with be so crowded with good times that the good times might crowd out the bad as the bad times had by now almost crowded out the good.
One moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which the did happen.
The human story is one of continual branching movement, out of Africa to every corner of the globe. When people talk of blood and soil, as if their ancestors sprung fully formed from the earth of a particular place, it involves a kind of forgetting.(Hari Kunzru)
The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches.
That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.
When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor.
She closed her eyes and began to weave a song. She abandoned the familiar melodies she’d played so many times before and went in search of something new, no longer wanting a song fed on pain or guilt. She needed one that could replace those wounds with strength, with resolve, with confidence. She needed a song that could not only assuage, but heal and build anew. The notes stumbled around the room, tripping over beds and empty stools and hollow men sleeping. They warbled and fell, haphazard, chaotic, settling without flight. Fin’s forehead creased and she persisted. She let her fingers wander, reached out with her mind. She chased the fleeting song she’d glimpsed once before. In Madeira she’d felt a hint of it: something wild, untameable, a thing sprung whole and flawless from the instant of creation.
I live in a constellation of intimates, and the shape of us is a family. We touch base and check in, with each other and also—I am so gratified to report—they sometimes check in with one another. Correspondences have sprung up and friendships have started to form beyond my influence. Family has begun to take on a transitive property as well.
We all live in the sublime. Where else can we live? That is the only place of life.… All that happens to us is divinely great, and we are always in the centre of a great world. But we must accustom ourselves to live like an angel who has just sprung to life, like a woman who loves, or a man on the point of death. If you knew that you were going to die to-night, or merely that you would have to go away and never return, would you, looking upon men and things for the last time, see them in the same light that you have hitherto seen them? Would you not love as you never yet have loved?
A quote has an even more powerful effect if we presume not just a particular author behind it, but God, nature, the unconscious, labor, or difference. These are strong fetishes, each conjuring the powerful submedial in a particular way. Yet all of them must nonetheless be exchanged in a certain rhythm according to the laws of the medial economy. In order to create such fetishes, one does not have to use brilliant quotes by famous authors but can use anonymous quotes that stem from the author- less realm of the everyday, lowly, foreign, vulgar, aggressive, or stupid. Precisely such quotes produce the effect of medial sincerity, that is, the revelation of a deeply submerged, hidden, medial plane on the familiar medial surface. It then appears as if this surface had been blasted open from the inside and that the respective quotes had sprung forth from the submedial interior—like aliens. All of this, of course, refers to the economy of the quote as a gift that can be offered, accepted, and reciprocated.
Until one comes who is mightier,The one sprung from misery,The one who was weak,The one who was hunted,The one marked with claw and vine,The one named in secret,The one called Jezelia.
Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!
I wasn't born of a whistle or milked from a thistle at twilightNo I was all horns and thorns sprung out fully formed, knock-kneed and upright.
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