Inspirational quotes with sphinx.
Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt.Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’dmet them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on topof it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted.“Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?”“Sorry!” he yelled. “Wrong amulet!”The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawedat the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas.I moved to Walt’s side and tried to get my bearings.
Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx.
I sit in the sky like a sphinx misunderstood; My heart of snow is wed to the whiteness of swans; I hate the movement that displaces the rigid lines, With lips untaught neither tears nor laughter do I know.
Book Excerpt:"What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx.“My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.”Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon.“He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.”The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?”“At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.”“What is the Hall of Records?”“The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.”Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)
At your young age, you stand up for Truth and use your conscience to see that justice always prevails, even if it leads to grueling consequences or personal sacrifices. You never fail to use your heart. Again, your heart is your key to immortality. Keep a good heart and all that is anything and everything will remember you,” said the Sphinx.
She moved like a poem and smiled like a sphinx.
I’m trying to figure out if you know something that I don’t, or if you’re really this stupid. You might be older and therefore a lot stronger than I am, Sphinx, but I am a mother and a lot more pissed off than you.
Courage~ What makes the flag on the mast to wave? What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage! What makes the dawn come up like thunder? Courage! What makes the Hottentot so hot? What puts the "ape" in apricot?~Cowardly Lion from the Wizard of Oz
The river of life, of mysterious laws and mysterious choice, flows past a deserted embankment; and along that other deserted embankment Charles now begins to pace, a man behind the invisible gun carriage on which rests his own corpse. He walks towards an imminent, self-given death? I think not; for he has at which to build; has already begun, though he would still bitterly deny it, thought there are tears in his eyes to support his denial, to realize that life, however advantageously Sarah may in some ways seem to fit the role of Sphinx, is not a symbol, is not one riddle and one failure to guess it, is not to inhabit one face alone or to be given up after one losing throw of the dice; but is to be, however inadequately, emptily, hopelessly into the city's iron heart, endured. And out again, upon the unplumb'd, salt, estranging sea.
You sit at the edge of the world,I am in a crater that's no more.Words without lettersStanding in the shadow of the door.The moon shines down on a sleeping lizard,Little fish rain from the sky.Outside the window there are soldiers,steeling themselves to die.(Refrain)Kafka sits in a chair by the shore,Thinking for the pendulum that moves the world, it seems.When your heart is closed,The shadow of the unmoving Sphinx,Becomes a knife that pierces your dreams.The drowning girl's fingersSearch for the entrance stone, and more.Lifting the hem of her azure dress,She gazes --at Kafka on the shore
Merle had the feeling that he almost kissed her, but then his lips only touched her hair briefly, and all she could think of was that she hadn't washed it for days. It was crazy, really. Here they were, all trapped in this accursed sphinx stronghold, and she was thinking about washing her hair! Was that what being in love did to you? And then, was it being in love that was responsible for the lump in her throat and the fluttering in her stomach?
In the final analysis, what is it that we call popular, democratic power? Beyond the expressed will of the people, as it is supposedly formulated, there is no appeal; here we meet the absolute, the universal, the indivisible, and the immovable. There is nothing a priori, nothing anterior to democratic power; no ideas of truth, no notions of good or bad, can bind the Popular Will. This 'will' is free in the sense that it stands above all notions of value. It is egalitarian because it is reared on arithmetic equality..It is not open to any appeal, it listens to no demand for grace, no plea for compassion. Like the Sphinx, the Popular Will is immovable in its enigmatic silence.
Monster” is derived from the Latin noun monstrum, “divine portent,” itself formed on the root of the verb monere, “to warn.” It came to refer to living things of anomalous shape or structure, or to fabulous creatures like the sphinx who were composed of strikingly incongruous parts, because the ancients considered the appearance of such beings to be a sign of some impending supernatural event. Monsters, like angels, functioned as messengers and heralds of the extraordinary. They served to announce impending revelation, saying, in effect, “Pay attention; something of profound importance is happening.
It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.
A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of laughter more terrible than any sadness-a laughter that was mirthless as the smile of the Sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.
When I was girl by Nilus stream I watched the deserts stars arise; My lover, he who dreamed the Sphinx, Learned all his dreaming from eyes. I bore in Greece a burning name, And I have been in Italy Madonna to a painter-lad, And mistress to a Medici. And have you heard (and I have heard) Of puzzled men with decorous mien, Who judged - the wench knew far too much - And burnt her on the Salem green?
From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers.Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box.Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down.That was the gift of Alfred Smith to the citizens of New York.
Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx.
Monsters’ can help us by giving a tangible form to our secret fears. It is less widely appreciated today that ‘wonders’ such as the unicorn legitimize our hopes. But all imaginary animals, to some degree all animals, are ultimately both monsters and wonders, which assist us by deflecting and absorbing our uncertainties . It is hard to tell ‘imaginary animals’ from symbolic, exemplary, heraldic, stylized, poetic, literary, or stereotypical ones. What is reality? Until we answer that question with confidence, a sharp differentiation between real animals and imaginary ones will remain elusive. There is some yeti in every ape, and a bit of Pegasus in every horse. Men and women are not only part angel and part demon, as the old cliché goes; they are also part centaur, part werewolf, part mandrake, and part sphinx.
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