Inspirational quotes with nerveless.
For what are in reality the things we call ‘Wisdom,’ ‘Virtue,’ ‘Heroism,’ ‘sublime hours,’ and ‘great moments of life,’ but the moments when we have more or less issued forth from ourselves, and have been able to halt, be it only for an instant, on the step of one of the eternal gates whence we see that the faintest cry, the most colourless thought, and most nerveless gestures do not drop into nothingness; …
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
The blade was sharp enough that she didn't feel the initial prick, but it didn't matter. The earth beside her opened up and the knife slid from her attacker's suddenly nerveless hand, thudding to the ground about the same time she did. His grip on her hand disappeared the instant that something else emerged in a blast of stone and magic. Wynn's cavalry had arrived, in the form of one very large and very angry Guardian, a Guardian that was supposed to be nothing but the teeny-tiny pieces still scattered around her. Huh. How about that?
She raised the shovel, ready to plunge it into the soft soil. "I am not afraid. I am not." "You should be." A sinister, accented voice pierced her consciousness. The shovel fell from her nerveless fingers, thudding onto the cold ground. Cassandra knew that voice; it had the rich, dark cadence that had haunted her dreams since the night she'd first met him. She spun around, the hood of her cloak falling to her shoulders. Rafael Villar stepped out from behind a mausoleum. The shadows embraced his bronze skin, obscuring the scars on the left side of his face while moonlight highlighted his exotic Mediterranean features on the right.... "You! You've been the one disturbing my people?
Oh, the way he was looking at her, really looking at her . . . this was the Christopher of her dreams. This was the man who had written to her. He was so caring, and real, and dazzling, that she wanted to weep.“I thought . . .” Christopher broke off and drew his thumb over the hot surface of her cheek.“I know,” she whispered, her nerves sparking in excitement at his touch.“I didn’t mean to do that.”“I know.”His gaze went to her parted lips, lingering until she felt it like a caress. Her heart labored to supply blood to her nerveless limbs. Every breath caused her body to lift up against his, a teasing friction of firm flesh and clean, warm linen.Beatrix was transfixed by the subtle changes in his face, the heightening color, the silver brightness of his eyes.She wondered if he were going to kiss her.And a single word flashed through her mind.Please. . .
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