Inspirational quotes with item.
The great Sufi poet and philosopher Rumi once advised his students to write down the three things they most wanted in life. If any item on the list clashes with any other item, Rumi warned, you are destined for unhappiness. Better to live a life of single-pointed focus, he taught. But what about the benefits of living harmoniously among extremes? What if you could somehow create an expansive enough life that you could synchronize seemingly incongruous opposites into a worldview that excludes nothing?
There are moments in every relationship that define when two people start to fall in love.A first glanceA first smileA first kissA first fall…(I remove the Darth Vader house shoes from my satchel and look down at them.)You were wearing these during one of those moments.One of the moments I first started to fall in love with you.The way you gave me butterflies that morningHad absolutely nothing to do with anyone else,and everything to do with you.I was falling in love with you that morningbecause of you.(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)This ugly little gnomeWith his smug little grin…He's the reason I had an excuse to invite you into my house.Into my life.You took a lot of aggression out on him over those next few months.I would watch from my window as you would kick him over every time you walked by him.Poor little guy.You were so tenacious.That feisty, aggressive, strong-willed side of you….The side of you that refused to take crap from this concrete gnome?The side of you that refused to take crap from me?I fell in love with that side of youbecause of you.(I set the gnome down on the stage and grab the CD)This is your favorite CD‘Layken’s shit.’Although now I know you intended for shit to be possessive, rather than descriptive.The banjo started playing through the speakers of your carand I immediately recognized my favorite band.Then when I realized it was your favorite band, too?The fact that these same lyrics inspired both of us?I fell in love with that about you.That had absolutely nothing to do with anyone else.I fell in love with that about youbecause of you.(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.)This is a receipt I kept.Only because the item I purchased that night was on the verge of ridiculous.Chocolate milk on the rocks? Who orders that?You were different, and you didn’t care.You were being you.A piece of me fell in love with you at that moment,because of you.This? (I hold up another sheet of paper.)This I didn’t really like so much.It’s the poem you wrote about me.The one you titled 'mean?'I don’t think I ever told you…but you made a zero.And then I kept itto remind myself of all the things I never want to be to you.(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)This is that ugly shirt you wear.It doesn’t really have anything to do with why I fell in love with you.I just saw it at your house and thought I’d steal it.
Always be wary of any helpful item that weighs less than its operating manual.
They all know the truth, that there are only three subjects worth talking about. At least here in these parts," he says, "The weather, which, as they're farmers, affects everything else. Dying and birthing, of both people and animals. And what we eat - this last item comprising what we ate the day before and what we're planning to eat tomorrow. And all three of these major subjects encompass, in one way or another, philosophy, psychology, sociology, anthropology, the physical sciences, history, art, literature, and religion. We get around to sparring about all that counts in life but we usually do it while we're talking about food, it being a subject inseparable from every other subject. It's the table and the bed that count in life. And everything else we do, we do so we can get back to the table, back to the bed.
Only after the concept of knowledge has been based on an ontological relation [*Seinsverhältnis*] can we work out the particular kind of being from which the principle of immanence-to-consciousness (the starting point of Idealism and Critical Realism) mistakenly proceeds as though from a primary insight. This is the being of "being-conscious" [*Bewusst-Seins*]. All being-conscious must first of all be brought under the higher concept of ideal being, or, at all events, that of irreal being. The mental item which presents itself in the experiences of consciousness may be real; being-conscious itself never is. However, the concept of consciousness is derivative in not only this sense. Consciousness also presupposes the concept of knowledge. Nothing is more misleading than to proceed in the opposite direction and define knowledge itself as simply a particular "content of consciousness," as we see if we oppose, to the particular kind of knowing and having-known which we call consciousness, another kind of knowledge which precedes it and includes no form of being-conscious. We will call this knowledge *ecstatic* [*ekstatische*] knowledge. It is found quite clearly in animals, primitive people, children, and, further, in certain pathological and other abnormal and supra-normal states (e.g., in recovering from the effects of a drug). I have said elsewhere that the animal never relates to its environment as to an object but only *lives in it* [*es lebe nur "in sie hinein*"]. Its conduct with respect to the external world depends upon whether the latter satisfies its instinctive drives or denies them satisfaction. The animal experiences the surrounding world as resistances of various types. Hence, it is absolutely necessary to contest the principle (in Descartes, Franz Brentano, *et al*.) that every mental function and act is accompanied by an immediate knowledge of it. An even more highly contestable principle is that a relation to the self is an essential condition of all processes of knowledge. It is difficult to reproduce purely ecstatic knowledge in mature, civilized men, whether in memory, reverie, perception, thought, or empathetic identification with things, animals, or men; nonetheless, there is no doubt that in every perception and presentation of things and events we think that we grasp *the things-themselves*, not mere "images" of them or representatives of some sort.Knowledge first becomes conscious knowledge [*Bewusst-sein*], that is, comes out of its original ecstatic form of simply "having" things, in which there is no knowledge of the having or of that through which and in which it is had, when the act of being thrown back on the self (probably only possible for men) comes into play. This act grows out of conspicuous resistances, clashes, and oppositions―in sum, out of pronounced suffering. It is the *actus re-flexivus* in which knowledge of the knowledge of things is added to the knowledge of things. Furthermore, in this act we come to know the kind of knowledge we have, for example, memory, ideation, and perception, and finally, beyond even these, we come to have a knowledge of the relation of the act performed to the self, to the knower. With respect to any specific relation to the self, this last knowledge, so-called conscious self-knowledge, comes only after knowledge about the act. Kant's principle that an "I think" must be *able* to accompany all a man's thoughts may be correct. That it in fact always accompanies them is nevertheless undoubtedly false. However, the kind of being (indeed, of ideal being) which contents possess when they are reflexively *had* in their givenness in conscious acts―when, therefore, they become reflexive―is the being of being-consciously-known."from_Idealism and Realism_
Despite how entertaining certain stories were, at the bottom of every item of gossip there was someone getting hurt.
Memorizing someone else’s explanation of the truth isn’t the same as seeing the truth for yourself. It is what it is—the memorization of second-hand knowledge. It is not your experience. It is not your knowledge. And no matter how much material is learned by rote, and no matter how eloquently we can speak about the memorized information, we’re clinging to a description of something that’s not ours. What’s more, the description is never the item itself. By holding onto our impression of certain descriptions, we frequently are unable to see the real thing when it’s right before our eyes. We are conditioned by memorizing and believing concepts—the truth of which we’ve never genuinely seen for ourselves.
I like places like this," he announced.I like old places too," Josh said, "but what's to like about a place like this?"The king spread his arms wide. "What do you see?"Josh made a face. "Junk. Rusted tractor, broken plow, old bike."Ahh...but I see a tractor that was once used to till these fields. I see the plow it once pulled. I see a bicycle carefully placed out of harm's way under a table."Josh slowly turned again, looking at the items once more.And i see these things and I wonder at the life of the person who carefully stored the precious tractor and plow in the barn out of the weather, and placed their bike under a homemade table."Why do you wonder?" Josh asked. "Why is it even important?"Because someone has to remember," Gilgamesh snapped, suddenly irritated. "Some one has to remember the human who rode the bike and drove the tractor, the person who tilled the fields, who was born and lived and died, who loved and laughed and cried, the person who shivered in the cold and sweated in the sun." He walked around the barn again, touching each item, until his palm were red with rust." It is only when no one remembers, that you are truely lost. That is the true death.
An item is only worth what someone is willing to pay for it
Hank Knight asked questions about Jesse Rose and an item that was taken from her crib the night she was kidnapped. His questions led our lawyer to believe Hank had knowledge about the crime and possibly where Jesse Rose is now. I think he got too close to the truth. Too close to the kidnapper's accomplice. And if I'm right then you can help me prove it.
I also have a list of favorite noises. It has one item on it: Kit's laugh.
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
I mostly want to remind her of the recipes of healing, and give her my own made-on-the spot remedy for the easing of her pain. I tell her, “Get a pen. Stop crying so you can write this down and start working on it tonight.” My remedy is long. But the last item on the list says: “When you wake up and find yourself living someplace where there is nobody you love and trust, no community, it is time to leave town – to pack up and go (you can even go tonight). And where you need to go is any place where there are arms that can hold you, that will not let you go.
Those things for which the most money is demanded are never the things which the student most wants. Tuition, for instance, is an important item in the term bill, while for the far more valuable education which he gets by associating with the most cultivated of his contemporaries no charge is made.
Sometimes, we can't see our progress. We live our lives every day and can't see how much has changed. I think we all need a piece of reality every once in a while, some item to show us how far we have come from our past to our present. We get so lost in trying to get gratification for our work right away that we forget our small progressive steps. And then, we get a reality check, we see a piece of our past that shows us that everything we've done thus far has been worth it. Maybe you see a piece of writing that you wrote a few years ago, a sketch from the past, or even, like me, you try on a pair of pants that you haven't worn in a few months. And suddenly, everything has become worth it. Your struggle becomes your success. All those days you felt like giving up but you didn't mark the pathway to your future. So keep trying, day after day and look back to the past with a smile.
Try to be surprised by something every day. It could be something you see, hear, or read about. Stop to look at the unusual car parked at the curb, taste the new item on the cafeteria menu, actually listen to your colleague at the office. How is this different from other similar cars, dishes or conversations? What is its essence? Don't assume that you already know what these things are all about, or that even if you knew them, they wouldn't matter anyway. Experience this once thing for what it is, not what you think it is. Be open to what the world is telling you. Life is nothing more than a stream of experiences - the more widely and deeply you swim in it, the richer your life will be.
The Kraken was somewhat obsessed with posture. As for Lily, she barely gave it a second thought. In her opinion it was better to read books than balance them. That’s what they were designed for, after all. And if you wanted to wear something on your head there was a perfectly good item designed for that too: it was called a hat.
Of course we're friends ... we are both civilized men, aren't we? We've shared bed and board and bottle. We'll always be friends, and the dog collar I have on you will always be ignored by mutual consent, and I'll take good and benevolent care of you. All I ask in return is your soul. Small item. We can even ignore the fact that you've handed it over, the way we ignore the dog collar.
My theory on housework is, if the item doesn't multiply, smell, catch fire, or block the refrigerator door, let it be. No one else cares. Why should you?
In my desperation to try to lull myself into a gentle sloom, I have created a list of things that will often assist my descent into delicious treacle-sleep. The list includes a series of things I can do if I go to bed and wake up early, and includes things like playing games and reading books, but one item that continually seems to work is telling myself:The faster I go to sleep, the faster I can have cookies for breakfast.This idea might seem rudimentary, but it staves off the sulks long enough that I can find a few hours of sleep, even on the hottest of days. If only Biscuit Power worked for other insomniacs, cookies might save humanity from itself.
Clothing was magic. Casey believed this. She would never admit this to her classmates in any of her women's studies courses, but she felt that an article of clothing could change a person... Each skirt, blouse, necklace, or humble shoe said something - certain pieces screamed, and others whispered seductively, but no matter, she experienced each item's expression keenly, and she loved this world. every article suggested an image, a life, a kind of woman, and Casey felt drawn to them." (Free Food For Millionaires, p.41).
The passion of the collector when confronted with a rare item, the enthusiasm of a hunter who sees a fine, handsome beast, can give us no idea of the tremendous love of clothes in some women.
Employees who are not engaged have untapped potential that sours like a perishable item.
Now, before you make a movie, you have to have a script, and before you have a script, you have to have a story; though some avant-garde directors have tried to dispense with the latter item, you'll find their work only at art theaters.
What are we after when we open one of those books? What is it that makes a classic a classic? ... in old-fashioned terms, the answer is that it wll elevate your spirit. And that's why I can't take much stock in the idea of going through a list of books or 'covering' a fixed number of selections, or anyway striving for the blessed state of having read this, or the other. Having read a book means nothing. Reading a book may be the most tremendous experience of your life; having read it is an item in your memory, part of your receding past... Why we have that odd faith in the magic of having read a book, I don't know. We don't apply the same principle elsewhere: We don't believe in having heard Mendelssohn's violin concerto...I say, don't read the classics -- try to discover your own classics; every life has its own.
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