Inspirational quotes with wrinkled.
If You Forget MeI want you to knowone thing.You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.Well, now,if little by little you stop loving meI shall stop loving you little by little.If suddenlyyou forget medo not look for me,for I shall already have forgotten you.If you think it long and mad,the wind of bannersthat passes through my life,and you decideto leave me at the shoreof the heart where I have roots,rememberthat on that day,at that hour,I shall lift my armsand my roots will set offto seek another land.Butif each day,each hour,you feel that you are destined for mewith implacable sweetness,if each day a flowerclimbs up to your lips to seek me,ah my love, ah my own,in me all that fire is repeated,in me nothing is extinguished or forgotten,my love feeds on your love, beloved,and as long as you live it will be in your armswithout leaving mine.
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?”Sam let go of my hands to get his wallet and took out some bills. “Six years.”I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species.Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age."Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.”The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
I want you to knowone thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
I am not a believer in love at first sight. For love, in its truest form, is not the thingof starry-eyed or star-crossed lovers, it is far more organic, requiring nurturing and timeto fully bloom, and, as such, seen best not in its callow youth but in its wrinkled maturity.Like all living things, love, too, struggles against hardship, and in the process shedsits fatuous skin to expose one composed of more than just a storm of emotion–one of loyaltyand divine friendship. Agape. And though it may be temporarily blinded by adversity,it never gives in or up, holding tight to lofty ideals that transcend this earth andtime–while its counterfeit simply concludes it was mistaken and quickly runs off tofind the next real thing.
The Little Boy and the Old ManSaid the little boy, "Sometimes I drop my spoon."Said the old man, "I do that too."The little boy whispered, "I wet my pants."I do that too," laughed the little old man.Said the little boy, "I often cry."The old man nodded, "So do I."But worst of all," said the boy, "it seemsGrown-ups don't pay attention to me."And he felt the warmth of a wrinkled old hand.I know what you mean," said the little old man.
He had a bleeding cut on his leg and he smelled like shit.Her nose wrinkled. "Step in something?" she asked innocently. mind was being hit by a cab, then landing on the lap of a naked man. With an erection, Anya. He had an erection.
Claptrap last week,” Lady D announced. “I think the priest is getting old.”Gareth opened his mouth, but before he could say a word, his grandmother’s cane swung around in a remarkably steady horizontal arc. “Don’t,” she warned, “make a comment beginning with the words, ‘Coming from you…’”“I wouldn’t dream of it,” he demurred.“Of course you would,” she stated. “You wouldn’t be my grandson if you wouldn’t.” She turned to Hyacinth. “Don’t you agree?”To her credit, Hyacinth folded her hands in her lap and said, “Surely there is no right answer to that question.”“Smart girl,” Lady D said approvingly.“I learn from the master.”Lady Danbury beamed. “Insolence aside,” she continued determinedly, gesturing toward Gareth as if he were some sort of zoological specimen, “he really is an exceptional grandson. Couldn’t have asked for more.”Gareth watched with amusement as Hyacinth murmured something that was meant to convey her agreement without actually doing so.“Of course,” Grandmother Danbury added with a dismissive wave of her hand, “he hasn’t much in the way of competition. The rest of them have only three brains to share among them.”Not the most ringing of endorsements, considering that she had twelve living grandchildren.“I’ve heard some animals eat their young,” Gareth murmured, to no one in particular.Hyacinth wrinkled her nose, as she always did when she was thinking hard. It wasn’t a terribly attractive expression, but the alternative was simply not to think, which she didn’t find appealing.
They say that somewhere in Africa the elephants have a secret grave where they go to lie down, unburden their wrinkled gray bodies, and soar away, light spirits at the end.
You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.
Ozymandias"I met a traveller from an antique landWho said: "Two vast and trunkless legs of stoneStand in the desert. Near them on the sand,Half sunk, a shattered visage lies, whose frownAnd wrinkled lip and sneer of cold commandTell that its sculptor well those passions readWhich yet survive, stamped on these lifeless things,The hand that mocked them and the heart that fed.And on the pedestal these words appear:'My name is Ozymandias, King of Kings:Look on my works, ye mighty, and despair!'Nothing beside remains. Round the decayOf that colossal wreck, boundless and bare,The lone and level sands stretch far away.
Where are you hiding my love?Each day without you will never come again.Even today you missed a sunset on the ocean,A silver shadow on yellow rocks I saved for you,A squirrel that ran across the road,A duck diving for dinner.My God! There may be nothing left to show youSave wounds and wearinessAnd hopes grown dead,And wilted flowers I picked for you a lifetime ago,Or feeble steps that cannot run to hold you,Arms too tired to offer you to a roaring wind,A face too wrinkled to feel the ocean's spray.
How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
Dia wrinkled her nose. “Gross. You need a decent girl, one that can straighten you out.”“I don't need to be straightened out,” Carmine said. “Why drown in love when you can have so much fun swimming in lust?
THE BEST people are the good old wrinkled people with a sparkle in their eye, a wink when you walk by or a toothless smile saying you are doing just fine ...
Love and war. Same coin. Different sides. I'm too wrinkled for either.""Maybe war will breathe some life into your old bones.""Well, I tried love last month." He leans close. "Didn't work like it used to.""Too honest, Lorn." I can't help but laugh.
Would you please just talk to me? Please?" Sally's voice was beginning to take on a high-pitched whine."Oh, good grief. For the love of healthy ears everywhere, quit your belly aching," Jen snapped, the clothes in her hands growing more wrinkled by the second. "Sally, there is nothing to talk about, okay? It is what it is."Sally threw her hands up in the air as she exhaled loudly. "No, it is not what it is, whatever the hell that means. It's a whole freaking lot more complicated than 'it is what it is.
Tears streamed down her wrinkled face. This world that she had longed to change for the better was as bad as the one into which she had been born. "An exercise in futility," she murmured.
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these:1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable.2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman.3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience.4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes.5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement.6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy.8thly and Lastly They are so grateful!!
His heart cracked, and he fell in love. He wondered if she would marry him. “Tu sei pazzo,” she told him with a pleasant laugh. “Why am I crazy?” he asked. “Perché non posso sposare.” “Why can’t you get married?” “Because I am not a virgin,” she answered. “What has that got to do with it?” “Who will marry me? No one wants a girl who is not a virgin.” “I will. I’ll marry you.” “Ma non posso sposarti.” “Why can’t you marry me?” “Perché sei pazzo.” “Why am I crazy?” “Perché vuoi sposarmi.” Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?” “Si.” “Tu sei pazz’!” he told her loudly. “Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?” “Because you won’t marry me.” “Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.” “Oh, sure, I understand. And why can’t you marry me?” “Perché sei pazzo!” “And why am I crazy?” “Perché vuoi sposarmi.” “Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.” “Tu sei pazzo,” she murmured in reply, flattered. “Perché?” “Because you say you love me. How can you love a girl who is not a virgin?” “Because I can’t marry you.” She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?” “No, no, darling. Because you’re crazy.
Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears’ stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors’ saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family’s history as well as scrawl out our personal story.
Then Night came down like the feathery soot of a smoky lamp, and smutted[9] first the bedquilt, then the hearth-rug, then the window-seat, and then at last the great, stormy, faraway outside world. But sleep did not come. Oh, no! Nothing new came at all except that particularly wretched, itching type of insomnia which seems to rip away from one's body the whole kind, protecting skin and expose all the raw, ticklish fretwork of nerves to the mercy of a gritty blanket or a wrinkled sheet. Pain came too, in its most brutally high night-tide; and sweat, like the smother of furs in summer; and thirst like the scrape of hot sand-paper; and chill like the clammy horror of raw fish.
What young people didn’t know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly, as if it were a tart on a platter with others that got passed around again. No, if love was available, one chose it, or didn’t choose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not known what one should know: that day after day was unconsciously squandered. And so, if this man next to her now was not a man she would have chosen before this time, what did it matter: He most likely wouldn’t have chosen her either. But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union—what pieces life took out of you. Her eyes were closed, and throughout her tired self swept waves of gratitude—and regret. She pictured the sunny room, the sun-washed wall, the bayberry outside. It baffled her, the world. She did not want to leave it yet.
STAINSWith red clay between my toes,and the sun setting over my head,the ghost of my mother blows in,riding on a honeysuckle breeze, oh lord,riding on a honeysuckle breeze.Her teeth, the keys of a piano.I play her grinning ivory noteswith cadenced fumbling fingers,splattered with paint, textured with scars.A song rises up from the belly of my pastand rocks me in the bosom of buried memories.My mama’s dress bears the stains of her life:blueberries, blood, bleach, and breast milk;She cradles in her arms a lifetime of love and sorrow;Its brilliance nearly blinds me.My fingers tire, as though I've played this song for years.The tune swells red, dying around the edges of a setting sun.A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye.For there is no truth in spoken farewells.I am pregnant with a poem,my life lost in its stanzas.My mama steps out of her dressand drops it, an inheritance falling to my feet.She stands alone: bathed, blooming,burdened with nothing of this world.Her body is naked and beautiful,her wings gray and scorched,her brown eyes piercing the brown of mine.I watch her departure, her flapping wings:She doesn’t look back, not even once,not even to whisper my name: Brenda.I lick the teeth of my piano mouth.With a painter’s hands,with a writer’s handswith rusty wrinkled hands,with hands soaked in the joys,the sorrows, the spillsof my mother’s life,I pick up eighty-one years of stainsAnd pull her dress over my head.Her stains look good on me.
Up and down," Meera would sigh sometimes as they walked, "then down and up. Then up and down again. I hate these stupid mountains of yours, Prince Bran.""Yesterday you said you loved them.""Oh, I do. My lord father told me about mountains, but I never saw one till now. I love them more than I can say."Bran made a face at her. "But you just said you hated them.""Why can't it be both?" Meera reached up to pinch his nose."Because they're different," he insisted. "Like night and day, or ice and fire.""If ice can burn," said Jojen in his solemn voice, "then love and hate can mate. Mountain or marsh, it makes no matter. The land is one.""One," his sister agreed, "but over wrinkled.
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