Inspirational quotes with willows.
This is surely the most significant of the elements that Tolkien brought to fantasy.... his arranged marriage between the Elder Edda and "The Wind in the Willows"--big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied.
Once to swim I sought the sea-side,There to sport among the billows;With the stone of many colorsSank poor Aino to the bottomOf the deep and boundless blue-sea,Like a pretty son-bird, perished.Never come a-fishing, father,To the borders of these waters,Never during all thy life-time,As thou lovest daughter Aino.Mother dear, I sought the sea-side,There to sport among the billows;With the stone of many colors,Sank poor Aino to the bottomOf the deep and boundless blue-sea,Like a pretty song-bird perished.Never mix thy bread, dear mother,With the blue-sea's foam and waters,Never during all thy life-time,As thou lovest daughter Aino.Brother dear, I sought the sea-side,There to sport among the billows;With the stone of many colorsSank poor Aino to the bottomOf the deep and boundless blue-sea,Like a pretty song-bird perished.Never bring thy prancing war-horse,Never bring thy royal racer,Never bring thy steeds to water,To the borders of the blue-sea,Never during all thy life-time,As thou lovest sister Aino.Sister dear, I sought the sea-side,There to sport among the billows;With the stone of many colorsSank poor Aino to the bottomOf the deep and boundless blue-sea,Like a pretty song-bird perished.Never come to lave thine eyelidsIn this rolling wave and sea-foam,Never during all thy life-time,As thou lovest sister Aino.All the waters in the blue-seaShall be blood of Aino's body;All the fish that swim these watersShall be Aino's flesh forever;All the willows on the sea-sideShall be Aino's ribs hereafter;All the sea-grass on the marginWill have grown from Aino's tresses.
I've got my own moral compass to steer byA guiding star beats a spirit in the skyAnd all the preaching voices -Empty vessels ring so loudAs they move among the crowdFools and thieves are well disguisedIn the temple and market placeLike a stone in the riverAgainst the floods of springI will quietly resistLike the willows in the windOr the cliffs along the oceanI will quietly resistI don't have faith in faithI don't believe in beliefYou can call me faithlessI still cling to hopeAnd I believe in loveAnd that's faith enough for meI've got my own spirit level for balanceTo tell if my choice is leaning up or downAnd all the shouting voicesTry to throw me off my courseSome by sermon, some by forceFools and thieves are dangerousIn the temple and market placeLike a forest bows to winterBeneath the deep white silenceI will quietly resistLike a flower in the desertThat only blooms at nightI will quietly resist
Men are mere mortals but their quest for knowledge leads them to the brink of immortality.”Excerpt from novel You Can't Escape Love by Grace Willows
No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education!
We cannot see love yet its nurturing warmth is the essence of our being and sorrow can touch our very soul. For remorse is like a ripple on the ocean, once given it remains only in the heart of the receiver.Believe in Yourself by Grace Willows
I bought you something" Willows blurts out."You bought...What?"Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to."At the bookstore." She reaches into her bag again, and pushes the package across the table towards him.Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old-"I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to.""But I did anyway," Willow says so quietly she's not even sure hears her.Hey," Guy frowns for a second. "You didn't write anything in here.""Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly."Well, maybe you'll think of something later," he says.Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.
Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.
A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.
Patience is all we have in a land where time is obsolete. I press on, armored stranger. I am not deceiving you. The willows have always grown silent in my wake. I see and feel your ailing mind and it worries me. The night that follows you grows stronger. You still have time to change.
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Weeping WillowWeeping willow, how your elongated leaves dangle in the mist of the air, you bring such true comfort into the needful eye.How your leaves sway from left to right, providing your own intricate dance so divine.Weeping willow, you provide the most comforting shade upon your layer of leaves making me feel encircled with love and safety.Weeping willow, as I lay under your silvery leaves, I look up for a helping hand, I see strength within your structure, can you help me?Weeping willow, as I climb upon you will you make sure I won't fall, will you catch me if I do?Weeping willow, as I sit upon you looking to the sky through your rustling leaves, will you hear my pain? Can I overcome such things? The weeping willows long leafed branches sway back and forth providing the gentlest of winds across one's face. The eyes close so slowly, a sigh escapes one's mouth.As one sits on the branch they feel if there is someone watching over them, comfort arises as the branches nestle one's sorrows. A tear slowly slides down their cheek as if all emotion was escaping them. The wind starts to slowly blow, once again the elongated leaved branches sway back and forth against the song of the wind, creating one's smile to appear slowly but surely. The long silvery leaves brush against ones cheek, as if it was the hand of comfort, wiping the sadness away. Weeping willow, I will climb down now, I have heard what you have had to say... The one steps down and walks around to the back of the willow tree as it faces such gleaming waters. They look at the carving at the back of the tree, something that has been carved there for years upon the dark bark. Their body slumps to the ground as their back presses against the bark, fingers reaching up to trace the well known loved one. The carved initials of a beloved memory. The one whispers, "Thank you for hearing me, Dad.
Ghosts will forever put in appearances, as they should. Our illusions have muscle and meaning. The past returns at midnight, in the heart of our dreams, and the rains and the willows forever remind us of the sacrifices we’ve offered and those we have yet to make.
Here grew willows and alders, their trunks twisted like giants’ sinews. Around them bark lichen bloomed blue-white in the darkness. It felt like a good place, where there was old magic.
I’m alone with the ghost of the swamp, somewhere near the weeping willows.
But we who remain shall grow oldWe shall know the coldOf cheerlessWinter and the rain of Autumn and the stingOf poverty, of love despised and of disgraces,And mirrors showing stained and aging faces, And the long ranges of comfortless yearsAnd the long gamut of human fears...But, for you, it shall forever be spring,And only you shall be forever fearless, And only you have white, straight, tireless limbs,And only you, where the water-lily swimsShall walk along the pathways thro' the willows Of your west. You who went West, and only you on silvery twilight pillows Shall take your restIn the soft sweet gloomsOf twilight rooms...
He came up flailing and sputtering and began to thrash his way toward the line of willows that marked the submerged creek bank. He could not swim, but how would you drown him? His wrath seemed to buoy him up. Some halt in the way of things seems to work here. See him. You could say that he's sustained by his fellow men, like you. Has peopled the shore with them calling to him. A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it. But they want this man's life. He has heard them in the night seeking him with lanterns and cries of execration. How then is he borne up? Or rather, why will not these waters take him?
When he came back, I hid my face within my hands. He said: "Fear nothing. Who has seen our kiss? --Who saw us? The night and the moon.""And the stars and the first flush of dawn. The moon has seen its visage in the lake, and told it to the water 'neath the willows. The water told it to the rower's oar."And the oar has told it to the boat, and the boat has passed the secret to the fisher. Alas! alas! if that were only all! But the fisher told the secret to a woman."The fisher told the secret to a woman: my father and my mother and my sisters, and all of Hellas now shall know the tale.
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
A multitude of harlequin lifeforms bobbed and twirled and played in the depths of the Atlantic. Pink cucumbers with thorny backs. Algae. Starfish. Annelids with simple brains and a hundred toes. Sponges—like yellow, swollen hands—sucked in water and pushed out oxygen. Most amusing were the mysterious buggers who had no likeness on the previous earth; tiny beasts with exotic exoskeletons engraved with deep grid-like patterns, snails with horns, and slithering plants that looked like magenta weeping willows.
And Mrs. Treaclebunny has promised to speak English from now on as well. In fact, she said when she goes to England, that's all she speaks anyway because the animals speak English there. She says anyone who has read children's books with animals in them set in England would know that. Is The Wind in the Willows written in Mole with a little Ratty thrown in? Is Winnie-the-Pooh written in Bear? No, it's English, because that's what the animals there speak. I didn't know that before. Travel is so broadening.
When you paint Spring, do not paint willows, plums, peaches, or apricots, but just paint Spring. To paint willows, plums, peaches, or apricots is to paint willows, plums, peaches, or apricots - it is not yet painting Spring.
I sometimes think the Pussy-Willows greyAre Angel Kittens who have lost their way,And every Bulrush on the river bankA Cat-Tail from some lovely Cat astray.
I rose from marsh mudalgae, equisetum, willows,sweet green, noisybirds and frogs.
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
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