Inspirational quotes with willie.
On the whole I try to keep Modesty and Willie in timeless settings, which is why I avoid all the latest slang and in-words. It won't be long before 'brill' sounds as dated as 'super' does now. [Uncle Happy, 1990]
Four men killed that day. The phrase sat up in Willie's head like a rat and made a nest for itself there
I don't want truth, Palmer; I want smoke!" Captain Ahearn: Waiting For Willie Pete
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke.Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something.""What?""Something I don't ever want to forget," he said."What's that?""That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that."So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
Sometimes I fantasize about the US head of state as a super-lazy, super-moral libertarian despot and think, “That would certainly make everything easier,” even though I can’t think of one person who’d qualify, except maybe Willie Nelson.
The drinking dens are spilling outThere's staggering in the squareThere's lads and lasses falling aboutAnd a crackling in the airDown around the dungeon doorsThe shelters and the queuesEverybody's looking forSomebody's arms to fall intoAnd it's what it isIt's what it is nowThere's frost on the graves and the monumentsBut the taverns are warm in townPeople curse the governmentAnd shovel hot food downThe lights are out in the city hallThe castle and the keepThe moon shines down upon it allThe legless and asleepAnd it's cold on the tollgateWith the wagons creeping throughCold on the tollgateGod knows what I could do with youAnd it's what it isIt's what it is nowThe garrison sleeps in the citadelWith the ghosts and the ancient stonesHigh up on the parapetA Scottish piper stands aloneAnd high on the windThe highland drums begin to rollAnd something from the past just comesAnd stares into my soulAnd it's cold on the tollgateWith the Caledonian BluesCold on the tollgateGod knows what I could do with youAnd it's what it isIt's what it is nowWhat it isIt's what it is nowThere's a chink of light, there's a burning wickThere's a lantern in the towerWee Willie Winkie with a candlestickStill writing songs in the wee wee hoursOn Charlotte Street I takeA walking stick from my hotelThe ghost of Dirty DickIs still in search of Little NellAnd it's what it isIt's what it is nowOh what it isWhat it is now
The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
As Dalla Costa put it, women's unpaidlabor in the home has been the pillar upon which the exploitation of the waged workers, "wage slavery," has been built, and the secret of ies productivity (1972:31). Thus, the power differential between women and men in capitalist societry cannot be attributed to the irrelevance of housework for capitalist accumulation - an irrelevance belied by the strict rules that have governed women's lives - nor CO the survival of timeless cultural schemes. Rather, it should be interpreted as the effect of a social system of production that does not recognize the production and reproduction of the worker as a social-economic activity. and a source of capital accumulation, but mystifies it instead as a natural resource or a personal service, willie profiting from the wageless conclition of the labor involved.
March 1898What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.Their vitreous eyes were looking at me...I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.Am I to be haunted by masks now?
If you dont speak, they will know you know more than you're telling them. And if they know that, they'll find a way to get what you know out of you. Believe me, they'll get everything out, Willie. Don't have any qualms about it -- make your story good and make it believable. Silence won't work!" This was an expert giving me the best advice she could. From that point on, I worked hard not to remember the people I loved, to try instead to create another life, a false life...I tried to become a person concerned only with very simple things -- and scared. I tried to become the woman I needed to be in order to live.
On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles.
What a slacker. Just because daddy paid for his college education, he thinks he can avoid dying for his country." -- Willie "Drafted
Rockwood didn't have a movie theater or an IHOP or a strip mall. But it did have two churches, a ramshackle bar, and last (but certainly not least) Wacky Willie's Deluxe Goofy Golf, a barren landscape of wilted ferns and plastic flamingos with peeling paint. Wacky Willie had added the 'Deluxe' when finally ridding the thirteenth hole windmill of a stubborn family of bats after a great and terrible struggle that would forever be known as 'The Fearsome Bat War of Rockwood County' by Willie, but was usually referred to as 'That Time Willie Had to Get Rabies Shots' by everyone else.
They left their encampment with dirt-covered linen strewn about the abandoned grounds amongst clothes, shoes, children’s toys and other discarded belongings. The handcart wheels crunched over them, and the dry wheels screamed as the Willie Company started for Zion.
I don't want to see no dead body. Willie ain't in there. She put her walkin' shoes on. She gone to see the Lord.
There have only been two geniuses in the world — Willie Mays and Willie Shakespeare.
Also, Willie, I dig telling the truth. Words can be twisted but a photo never lies.Sutton laughs.What’s funny? Photographer says.Nothing. Except—that’s pure horseshit kid. I can’t think of anything that lies more than a photo. In fact every photo is a dirty stinking lie because it’s a frozen moment—and time can’t be frozen. Some of the biggest lies I’ve ever run across have been photos. Some of them were of me.
Father calls me William sister calls me Will Mother calls me Willie but the fellows call me Bill!
I was playing it like Willie Wilson but I forgot that I'm in Clint Hurdle's body.
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