Inspirational quotes with variation.
Clearly the secret of happiness...is a variation on the general principle of banging your head against a wall, and then stopping.
Humans are a story telling species. Throughout history we have told stories to each other and ourselves as one of the ways to understand the world around us. Every culture has its creation myth for how the universe came to be, but the stories do not stop at the big picture view; other stories discuss every aspect of the world around us. We humans are chatterboxes and we just can't resist telling a story about just about everything.However compelling and entertaining these stories may be, they fall short of being explanations because in the end all they are is stories. For every story you can tell a different variation, or a different ending, without giving reason to choose between them. If you are skeptical or try to test the veracity of these stories you'll typically find most such stories wanting. One approach to this is forbid skeptical inquiry, branding it as heresy. This meme is so compelling that it was independently developed by cultures around the globes; it is the origin of religion—a set of stories about the world that must be accepted on faith, and never questioned.
The world of fundamental religion does not recognize even the slightest variation in meaning should this meaning fall outside its own definition of truth.
It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure.
A life thus names a restless activeness, a destructive-creative force-presence that does not coincide fully with any specific body. A life tear the fabric of the actual without ever coming fully 'out' in a person, place, or thing. A life points to ... 'matter in variation that enters assemblages and leaves them. A life is a vitality proper not to any individual but to 'pure immanence,' or that protean swarm that is not actual though it is real: 'A life contains only virtuals. It is made of virtualities.
Each mind conceives god in its own way. There may be as many variation of the god figure as there are people in the world
Homosexuality is neither a sin, nor an anomaly or a disease. It is an evolutionary variation.
(Response to King Erik XIV of Sweden's proposal of marriage:)"[W]hile we perceive ... the zeal and love of your mind towards us is not diminished, yet in part we are grieved that we cannot gratify your Serene Highness with the same kind of affection. And that indeed does not happen because we doubt in any way of your love and honour, but, as often we have testified both in words and writing, that we have never yet conceived a feeling of that kind of affection towards anyone.We therefore beg your Serene Highness again and again that you be pleased to set a limit to your love, that it advance not beyond the laws of friendship for the present nor disregard them in the future. ... We certainly think that if God ever direct our hearts to consideration of marriage we shall never accept or choose any absent husband how powerful and wealthy a Prince soever. But that we are not to give you an answer until we have seen your person is so far from the thing itself that we never even considered such a thing. I have always given both to your brother ... and also to your ambassador likewise the same answer with scarcely any variation of the words, that we do not conceive in our heart to take a husband but highly commend this single life, and hope that your Serene Highness will no longer spend time in waiting for us.
Remember that every man is a variation of yourself
Whatever happened to our dreams? The infinite possibilities each day holds should stagger the mind. The sheer number of experiences I could have is uncountable, breathtaking, and I'm sitting here refreshing my inbox. We live trapped in loops, reliving a few days over and over, and we envision only a handful of paths laid out ahead of us. We see the same things each day, we respond the same way, we think the same thoughts, each day a slight variation on the last, every moment smoothly following the gentle curves of societal norms. We act like if we just get through today, tomorrow our dreams will come back to us. And no, I don't have all the answers. I don't know how to jolt myself into seeing what each moment could become. But I do know one thing: the solution doesn't involve watering down my every little idea and creative impulse for the sake of someday easing my fit into a mold. It doesn't involve tempering my life to better fit someone's expectations. It doesn't involve constantly holding back for fear of shaking things up. This is very important, so I want to say it as clearly as I can: FUCK. THAT. SHIT.
We’ve gone from a planet ruled by natural geography to political geography to kinetically functional geography to a cyber geography that is ruled by ideological variation rather than politically constructed boarders.
Take a close look at nature and you’ll see that every living creature is wired for mutation and variation. The fact that people can say, “I’m not the same person I used to be,” is the greatest of all miracles.
Change is essential for survival. All life forms must adapt to their fluctuating circumstances. All form of life result from the process of variation, mutation, competition, and inheritance. The universe is in a constant state of chaos. We each have chaos implanted into our bones. Nature wires all of us for change.
Alterations in the environment place us under personal stress. Changes in our routines and the physical, social, cultural, and economic environment forces us to make decisive decisions, we cannot continue our robotic ways. We must adapt to fresh encounters with the peripheral world. Variation in our external domain brings about shocking revolutions of our internal realm of thoughts and emotions.
Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
I’ve heard so many people, particularly people of faith, say they could look past his wrongdoings. When they’re pressed further, the reply is always some variation of “He doesn’t mean what he says,” “It’s just to get a rise out of people,” or “It’s all for show.” When you turn a blind eye and a deaf ear and say nothing, you are in fact saying everything. You are telling others you approve of immorality and injustice. You are telling them you support the marginalization and vilification of those who are different from you. You are telling them that fear reigns supreme and that you will tolerate nefarious behavior. As President John F. Kennedy said in a speech: “The hottest places in hell are reserved for those who, in times of great moral crises, maintain their neutrality.”- Amy Erickson
You cannot have it both ways. You cannot apply a definitive conclusion to the favorable outcomes of random chance without also applying a definitive conclusion to the unfavorable outcomes of random chance. If you are not fair in both instances, it means you have just committed a variation of what is known as special pleading.
These two developments throw light on what is perhaps the most fundamental difference between the Renaissance and all previous periods of art. We have repeatedly seen that there were these circumstances which could compel the artist to make a distinction between the "technical" proportions and the "objective;" the influence of organic movement, the influence of perspective foreshortening, and the regard for the visual impression of the beholder. These three factors of variation have one thing in common: they all presuppose the artistic recognition of subjectivity. Organic movement introduces into the calculus of artistic composition the subjective will and the subjective emotions of the thing represented; foreshortening the subjective visual experience of the artist; and those "eurhythmic" adjustments which alter that which is right in favor of what seems right, the subjective visual experience of a potential beholder. And it is the Renaissance which, for the first time, not only affirms but formally legitimizes and rationalizes these three forms of subjectivity.
Winter brings a colder palette with more heavy blue and violet, Fall has substantial more reddish and brown, Summer brings a variation of pastel colours and Spring fresh green and tangerine.
This is much worse than losing a cat. You do not wish the cat dead, for example, after the first two days. You still love the cat and presumably the cat still loves you, or some variation of love that may in fact be dependence and even indifference.
This is much worse than losing a cat. You do not wish the cat dead, for example, after the first two days. You still love the cat and presumably the cat still loves you, or some variation of love that may in fact be dependence and even indifference. People should be informed, as adopting a cat and becoming married take about the same amount of time and money and yet have such drastically different results. Indeed, except for the similar price($28)and the average time spent together, all similarity between pet adoption and marriage ends nastily.
In its own unique and indefinable manner, music indirectly communicates the joys of life along with the pains and terrors overwhelming humanity. The universal language of music quantities the human experience, its range of variation encapsulates the scale of humankind’s exuberance for living as well as expresses our apprehension of suffering and death. Because music articulates the quintessence of life and yokes a myriad of human events into an expressible format, music is a critical act.
Rachmaninoff. The 18th Variation of a Rhapsody on a Theme of Paganini.
Sometimes guitar riffs get repeated over and over ("vamping," in the lingo of musicians), but generally there is a soloist proving variation that runs above that background, lest the song sound monotonous. Philip Glass's minimalist compositions (such as the soundtrack to 'Koyaanisqatsi') deviate from much of the classical music that preceded them, with much less obvious movement than, say, the Romantic-era compositions that his work seems to rebel against, yet his works, too, consist not only of extensive repetition but also of constant (though subtle) variation. Virtually every song you've ever heard consists of exactly that: themes that recur over and over, overlaid with variations.
If we disregard the exchange of present goods for future goods, and restrict our considerations for the time being to those cases in which the only exchanges are those between present goods and present money, we shall at once observe a fundamental difference between the effects of an isolated variation in a single commodity-price, emanating solely from the commodity side, and the effects of a variation in the exchange-ratio between money and other economic goods in general, emanating from the monetary side.
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