Inspirational quotes with unobtrusive.
Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.
This time it was the sentence opening the last part of a story I had worked on for months: a sentence as is often worked off paper first. The pace of narrative and interest in character do not readily help the writer's hand to set down a sentence of that order. For though characters must take things in their own stride – somewhere in his story the writer cannot hold back this sentence that judges them. He wants it unobtrusive to his pace and the characters that caused him to write. The difficulty is to judge without seeming to be there, with a finality in the words that will make them casual and part of the story itself, except perhaps to another age.
Writing, an expression of freedom, is an unobtrusive reflection of a contemplative soul.
The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost maidenlike, guest in a hall, a gentle, modest, unobtrusive man. He is not compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. The man who combines both characters – the knight – is not a work of nature but of art; of that art which has human beings, instead of canvas or marble, for its medium.
I've remembered that most of life is about small, essential connections, so unobtrusive, so elastic, that you scarcely realize they're actually holding you together. The big ones-the great, grand emotional bonds-those are the ones that break, the ones that fail you, the ones that give way and send you careening toward the foot of the bleak and jagged canyon. It's the tough, gnarled, unadorned ties that really do bind, that never let you fall all the way down into darkness.
In Nita's experience, the best intelligence officers in any big family were found among the younger siblings. They began their careers while small, nonthreatening, and unobtrusive. By adolescence, they developed formidable powers of observation and recollection, to say nothing of an ability to lurk at keyholes and befriend the servants.
To be human is, primarily, to embrace that we are human with strengths and weaknesses, and that our humanity is preordained to seek the Truth, Good and Beauty as part of our humanity. To be human is to be an agent of peace, justice, and reconciliation in our community or society. To be human is to be heroic and generous in an unobtrusive way, free from any selfish motive, with no media to show the litany of our good deeds. To be human is to have time to listen to the story of a grieving soul, to give hope to the hopeless, to give love to the unloved.(Danny Castillones Sillada, A reason to be Human: Human Pathos and Compassion)
The mower stalled, twice; kneeling, I foundA hedgehog jammed up against the blades,Killed. It had been in the long grass.I had seen it before, and even fed it, once.Now I had mauled its unobtrusive worldUnmendably. Burial was no help:Next morning I got up and it did not.The first day after a death, the new absenceIs always the same; we should be carefulOf each other, we should be kindWhile there is still time.
People who are different are considered ineffective. People who can’t hide their shortcomings are not considered a threat. A lot of spies rely on being unobtrusive, but we flat out flaunt the fact that we’re different, and those we try to get information from put us on an even lower level than the ones they don’t notice. They don’t believe we’re even capable of being a threat, and they misstep more than they might with someone they simply don’t know.
My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their interests. And it always does. That is one last thing to remember: writers are always selling somebody out.
An even more pointed example of the the power of the silence tabu in libraries occurred in Duluth in 1981. The police were pursuing a fugitive from justice who ran into the public library. Uniformed police surrounded the building, and the library director was notified that only unobtrusive plainclothesmen were entering the building. Their instructions: “When you find him, overpower him. Quietly.” It was done, and only a few people in the crowded building saw a handcuffed man being ushered past the checkout counter. “See,” one librarian remarked quietly to an amazed person, “that’s what happens when you don’t pay your book fines.
Afraid of offending with an off word or the slightest insensitivity, I keep an unobtrusive and silent distance. Nevertheless, my pursed lips and offish stance are perceived as cold, managing to offend all.
Canoes, too, are unobtrusive; they don't storm the natural world or ride over it, but drift in upon it as a part of its own silence. As you either care about what the land is or not, so do you like or dislike quiet things--sailboats, or rainy green mornings in foreign places, or a grazing herd, or the ruins of old monasteries in the mountains. . . . Chances for being quiet nowadays are limited.
Please don't misunderstand me. I'm not saying motherhood lacks meaning. There's great dignity in the smallness of motherhood; we're essential in our contingency. And though we may not follow the Western model of the epic hero, we mothers can find a metaphor for our lives. The metaphor is in the kuroko, the Kabuki theater stage assistant. You've heard of Kabuki—with its wildly theatrical actors, its gorgeous costumes, and spectacular scale. The kuroko are assistants who help the actors move through their elaborate dramas. Meant to provide unobtrusive assistance with props and costumes, kuroko try to remain in the wings. They huddle in half-kneeling posture, wearing black bags over their heads and bodies—the better to recede into both actors' and audience's preconscious mind. Scurrying to arrange the trailing hems of heavy brocade kimonos, like an American mother repeatedly straightening her daughter's wedding train, the kuroko's role is to suport the real players of life's dramas.
Not much to say except to warn you not to get too serious about all this, if you want to become a writer of fiction in the future. If you intend to become a critic, that is a Whale of another color…Playing around with symbols, even as a critic, can be a kind of kiddish parlor game. A little of it goes a long way. There are other things of greater value in any novel or story…humanity, character analysis, truth on other levels…Good symbolism should be as natural as breathing…and as unobtrusive.
You've known him how long?" Malcolm asked. "Since he was a small boy. I firs noticed him when he slipped into Master Chubb's kitchen to steal some pies." "So, what did you have to say to Will when you caught him stealing these pies? "Oh, I didn't let on I was there. We rangers can be very unobtrusive when we choose. I remained out of sight and watched him. I thought he might have potential to be a ranger." Halt said. Horace joined in "Why?" Halt answered carefully. "Because he was excellent at moving from cover to cover. Chubb entered 3 times and never noticed him. So i thought that if he could acheive that with no training, he would make a good ranger." "No" Horace spoke. "Thats not what I meant. Why were you hiding in the kitchen in the first place?" "I told you. I was watching Will to see if he had the potential to be a ranger." "Thats not what you said. You said that was the first time you noticed Will." "Does it matter?" "Not really. Were you hiding from chub yourself and Will just turned up by coincidence?" "And why would I be hiding from master Chubb in his own kitchen?" "Well, there were freshly made pies on the windowsill, and you like pies, don't you?" "Are you acusing me of trying to steal those pies?!?!" "No, of course not. I just thought i'd give you the opportunity to confess." After a pause, Halt continued. "You know, Horace, you used to be a most agreeable young man. Whatever happened to you?" "I've spent to much time around you, I suppose." And Halt had to admit that was probably true.
Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations.""How do you know? -- how can you guess all this, sir?""I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary.
My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests. And it always does.
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