Inspirational quotes with uninhibited.
To ignore, repress, or dismiss our feelings is to fail to listen to the stirrings of the Spirit within our emotional life. Jesus listened. In John's Gospel we are told that Jesus was moved with the deepest emotions (11:33)... The gospel portrait of the beloved Child of Abba is that of a man exquisitely attuned to His emotions and uninhibited in expressing them. The Son of Man did not scorn of reject feelings as fickle and unreliable. They were sensitive antennae to which He listened carefully and through which He perceived the will of His Father for congruent speech and action.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
Reading, writing, listening to music, skipping rope, flying kites, taking long walks along the sea, hiking in the crisp mountain air, all serve a joint purpose: these self-initiated acts free us from the drudgery of life. These forms of physical and mental exercises release the mind to roam uninhibited, such collaborative types of mind and body actions take people away from their physical pains and emotional grievances. A reprieve from the crippling grind of sameness allows personal imagination to soar. Imagination, a form of dreaming, is inherently pleasant and restorative. It is within these moments of personal introspection stolen from the industry of surviving that humankind touches upon the absolute truth of life: that there must be something more to living then merely getting by; the fundamental human condition thirsts for a way to improve upon the vestment that shelters our self-absorbed lives.
Then there’s the intelligence that practically radiates from you. Did I ever tell you smart women seriously turn me on?” His thumbs began caressing her cheeks and he bent to whisper close to her ear. “You’re a walking contradiction, Hayden. Prim and proper one moment, wild and uninhibited the next. And the more I get to know you, the more I like what I find.
Margrethe Mather, a photographer from Los Angeles, came to his studio in Glendale, California called Tropico, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, lustful, relationship. Both Weston and Mather became active in the growing bohemian cultural scene in the greater Los Angeles area. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.
Considering our states of mind just the week before, it was hard to believe that the five of us could all be so free and happy, so uninhibited, and all dancing at once, but I guess when we joined together and finally opened up, we made more than a star: We made music.
When we are children, play comes to us naturally, but our capacity for play collapses as we age. Sex often remains the last arena of play we can permit ourselves, a bridge to our childhood. Long after the mind has been filled with injunctions to be serious, the body remains a free zone, unencumbered by reason and judgment. In lovemaking, we can recapture the utterly uninhibited movement of the child, who has not yet developed self-consciousness before the judging gaze of others.
Worse than that, however, was the CFO, a dapper-suited, neat-haired new age carapace containing an uninhibited misogynistic bogan, whose actual words to me, in concert with my boss in the same room were: 'To be successful you have to accept that weekends are for families.
Every culture has its southerners -- people who work as little as they can, preferring to dance, drink, sing brawl, kill their unfaithful spouses; who have livelier gestures, more lustrous eyes, more colorful garments, more fancifully decorated vehicles, a wonderful sense of rhythm, and charm, charm, charm; unambitious, no, lazy, ignorant, superstitious, uninhibited people, never on time, conspicuously poorer (how could it be otherwise, say the northerners); who for all their poverty and squalor lead enviable lives -- envied, that is, by work-driven, sensually inhibted, less corruptly governed northerners. We are superior to them, say the northerners, clearly superior. We do not shirk our duties or tell lies as a matter of course, we work hard, we are punctual, we keep reliable accounts. But they have more fun than we do ... They caution[ed] themselves as people do who know they are part of a superior culture: we mustn't let ourselves go, mustn't descend to the level of the ... jungle, street, bush, bog, hills, outback (take your pick). For if you start dancing on tables, fanning yourself, feeling sleepy when you pick up a book, developing a sense of rhythm, making love whenever you feel like it -- then you know. The south has got you.
Religious persons are generally very interested in sex just like any normal person - and have an imagination and the energy for it. When constrained by the guilt cycle, however, they keep it under wraps. When guilt is temporarily removed, they can go to the other extreme. Many can remain in the uninhibited phase for weeks - months at most - then a wave of guilt overtakes them.
I think that, generally, people of the world typify a "free and wild" person as someone who's uprooted, detached and uninhibited. But I don't believe in that kind of freedom. I think that's an infantile concept. Freedom means something when it has escaped something! Those people who escaped things— their inner cages, cages set by others around them— when those people are able to roam free and say, "This is who I am because this is who I choose to be", THAT is freedom. Freedom isn't being stupid; freedom is being so smart that you develop a strength strong enough to break free and become your own person. A better person than what your circumstances would like to define you as.
Through uninhibited relationship with God you are empowered to function
My professional life had started and here I was at a professional dinner full of uninhibited drinking.
Imagine what your life would be like if you were completely uninhibited by fear, pride, or procrastination. What would you be capable of? Anything.
A person imbued with compassion and self-understanding can readily love oneself and exhibit endless sympathy for all people. A person who is unkind to their self can never transcend their corrupt barriers much less run into the world with open arms enthusiastically embracing humankind and all of nature with uninhibited friendliness and goodwill.
It was the moment I heard your laughter. The moment I heard us laughing, two cascades in the middle of a desert, careless and uninhibited.
Respect but do not fear your own fear. Do not let it come between you and something that might be deeply enjoyable. Remember it is quite normal to be a bit frightened of being alone. Most of us grew up in a social environment that sent out the explicit message that solitude was bad for you: it was bad for your health (especially your mental health) and bad for your 'character' too. Too much of it and you would promptly become weird, psychotic, self-obsessed, very possibly a sexual predator and rather literally a wanker. Mental (and even physical) well-being, along with virtue, depends, in this model, on being a good mixer, a team-player, and having high self-esteem, plus regular, uninhibited, simultaneous orgasms with one partner (at a time). Actually, of course, it is never this straightforward because at the same time as pursuing this 'extrovert ideal', society gives out an opposite - though more subterranean - message. Most people would still rather be described as sensitive, spiritual, reflective, having rich inner lives and being good listeners, than the more extroverted opposites. I think we still admire the life of the intellectual over that of the salesman; of the composer over the performer (which is why pop stars constantly stress that they write their own songs); of the craftsman over the politician; of the solo adventurer over the package tourist. People continue to believe, in the fact of so much evidence - films, for example - that Great Art can only be produced by solitary geniuses. But the kind of unexamined but mixed messages that society offers us in relation to being alone add to the confusion; and confusion strengthens fear.
All we can infer (from the archaeological shards dug up in Berkshire, Devon and Yorkshire) is that the first Britons, whoever they were and however they came, arrived from elsewhere. The land (Britain) was once utterly uninhibited. Then people came.
The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth.
Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons.Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn’t seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered “cheating,” since knowledge of the affair was withheld as much as possible from his wife Flora May.Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923.As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy.
Uninhibited, they wallowed with zest in the filth and mire of their political conceptions and needs, among the very leaders of their society, but nevertheless the very dregs of human civilisation and moral standards. A historian who finds excuses for such conduct by references to the supposed spirit of the times, or by omission, or by silence, shows thereby that his account of events is not to be trusted.
By engaging with film illusions both actively and passively – as I attempt to do in this book – we strengthen the capacity of our minds to reason, imagine and think through ideas in a way unrestrained by some static conception of objective Truth. In so doing, the nihilistic gap existing between the real world and the whole variety of film worlds perhaps widens, but it also serves to offer a free, open space into which our interpretations may spill, mingle and propagate in uninhibited, nihilistic liberty.
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