Inspirational quotes with tumbling.
To love someone is like moving into a house," Sonja used to say. "At first you fall in love in everything new, you wonder every morning that this is one's own, as if they are afraid that someone will suddenly come tumbling through the door and say that there has been a serious mistake and that it simply was not meant to would live so fine. But as the years go by, the facade worn, the wood cracks here and there, and you start to love this house not so much for all the ways it is perfect in that for all the ways it is not. You become familiar with all its nooks and crannies. How to avoid that the key gets stuck in the lock if it is cold outside. Which floorboards have some give when you step on them, and exactly how to open the doors for them not to creak. That's it, all the little secrets that make it your home. " - Fredrik Backman , A Man Called Ove
Do you know how there are moments when the world moves so slowly you can feel your bones shifting, your mind tumbling? When you think that no matter what happens to you for the rest of your life, you will remember every last detail of that one minute forever?
The self-congratulatory popular account insists that Dr. King called on the nation to fully accept its own creed, and the walls came a-tumbling down. This conventional narrative is soothing, moving, and politically acceptable, and has only the disadvantage of bearing no resemblance to what actually happened.
It sounded like walls tumbling, liberty bells chiming, government buildings being stormed.It sounded like a revolution.It sounded like hope.
If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.They're right. It does.However much you beg it to stop.It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...All trying not to think about what's waiting at the bottom.Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.Intoxicated by the motion we forget all the risks.And then the world turns...And somebody falls off...And oh God it's such a long way down.Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...Receding in our memories until they're no longer visible.We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.Trying to measure how far we have to fall.No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...Wrapping ourselves in comforting banalities to keep us warm against the cold."Time's a great healer.""At least it was quick.""The world keeps turning."Oh Alec—Alec's dead.
Live or die, but don't poison everything...Well, death's been herefor a long time --it has a hell of a lotto do with helland suspicion of the eyeand the religious objectsand how I mourned themwhen they were made obsceneby my dwarf-heart's doodle.The chief ingredientis mutilation.And mud, day after day,mud like a ritual,and the baby on the platter,cooked but still human,cooked also with little maggots,sewn onto it maybe by somebody's mother,the damn bitch!Even so,I kept right on going on,a sort of human statement,lugging myself as ifI were a sawed-off bodyin the trunk, the steamer trunk.This became perjury of the soul.It became an outright lieand even though I dressed the bodyit was still naked, still killed.It was caughtin the first place at birth,like a fish.But I play it, dressed it up,dressed it up like somebody's doll.Is life something you play?And all the time wanting to get rid of it?And further, everyone yelling at youto shut up. And no wonder!People don't like to be toldthat you're sickand then be forcedto watchyoucomedown with the hammer.Today life opened inside me like an eggand there insideafter considerable diggingI found the answer.What a bargain!There was the sun,her yolk moving feverishly,tumbling her prize --and you realize she does this daily!I'd known she was a purifierbut I hadn't thoughtshe was solid,hadn't known she was an answer.God! It's a dream,lovers sprouting in the yardlike celery stalksand better,a husband straight as a redwood,two daughters, two sea urchings,picking roses off my hackles.If I'm on fire they dance around itand cook marshmallows.And if I'm icethey simply skate on mein little ballet costumes.Here,all along,thinking I was a killer,anointing myself dailywith my little poisons.But no.I'm an empress.I wear an apron.My typewriter writes.It didn't break the way it warned.Even crazy, I'm as niceas a chocolate bar.Even with the witches' gymnasticsthey trust my incalculable city,my corruptible bed.O dearest three,I make a soft reply.The witch comes onand you paint her pink.I come with kisses in my hoodand the sun, the smart one,rolling in my arms.So I say Liveand turn my shadow three times roundto feed our puppies as they come,the eight Dalmatians we didn't drown,despite the warnings: The abort! The destroy!Despite the pails of water that waited,to drown them, to pull them down like stones,they came, each one headfirst, blowing bubbles the color of cataract-blueand fumbling for the tiny tits.Just last week, eight Dalmatians,3/4 of a lb., lined up like cord woodeachlike abirch tree.I promise to love more if they come,because in spite of crueltyand the stuffed railroad cars for the ovens,I am not what I expected. Not an Eichmann.The poison just didn't take.So I won't hang around in my hospital shift,repeating The Black Mass and all of it.I say Live, Live because of the sun,the dream, the excitable gift.
High FlightOh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I’ve climbed, and joined the tumbling mirthof sun-split clouds, — and done a hundred thingsYou have not dreamed of — wheeled and soared and swungHigh in the sunlit silence. Hov’ring there,I’ve chased the shouting wind along, and flungMy eager craft through footless halls of air....Up, up the long, delirious, burning blueI’ve topped the wind-swept heights with easy grace.Where never lark, or even eagle flew —And, while with silent, lifting mind I've trodThe high untrespassed sanctity of space,- Put out my hand, and touched the face of God.
from "Semele Recycled"But then your great voice rang out under the skiesmy name!-- and all those private namesfor the parts and places that had loved you best.And they stirred in their nest of hay and dung.The distraught old ladies chasing their lost altar,and the seers pursuing my skull, their lost employment,and the tumbling boys, who wanted the magic marbles,and the runaway groom, and the fisherman's thirteen children,set up such a clamor, with their cries of "Miracle!"that our two bodies met like a thunderclapin midday-- right at the corner of that wretched fieldwith its broken fenceposts and startled, skinny cattle.We fell in a heap on the compost heapand all our loving parts made love at once,while the bystanders cheered and prayed and hid their eyesand then went decently about their business.And here is is, moonlight again; we've bathed in the riverand are sweet and wholesome once more.We kneel side by side in the sand;we worship each other in whispers.But the inner parts remember fermenting hay,the comfortable odor of dung, the animal incense,and passion, its bloody labor,its birth and rebirth and decay.
You squeeze the eyedropper, and a drop of pond water drips out onto the microscope stage. You look at the projected image. The drop is full of life - strange beings swimming, crawling, tumbling; high dramas of pursuit and escape, triumph and tragedy. This is a world populated by beings far more exotic than in any science fiction movie...
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
The Quaker did not scream: not when the blood began to come swiftly down his face, not when the force of Elf's attack carried both of them tumbling out over the walls and down into the ether, the desperate and hoped-for outcome, a fatal embrace descending, together forever, into the darkness.
We have nothing to destroy," said Rud. "All these things are done for already. They are falling in all over the world. They are dead. No need for destructive activities. But if we have nothing to destroy we have much to clear away. That's different. What is needed is a brand-new common-sense reorganisation of the world's affairs, and that's what we have to give them. I can't imagine how the government sleeps of nights. I should lie awake at night listening all the time for the trickle of plaster that comes before a smash. Ever since they began blundering in the Near East and Spain, they've never done a single wise thing. This American adventure spells disaster. Plainly. Australia has protested already. India now is plainly in collapse. Everyone who has been there lately with open eyes speaks of the vague miasma of hatred in the streets. We don't get half the news from India. Just because there exists no clear idea whatever of a new India, it doesn't mean that the old isn't disintegrating. Things that are tumbling down, tumble down. They don'twait to be shown the plans of the new building. The East crumbles. All over the world it becomes unpleasant to be a foreigner, but an Englishman now can't walk in a bazaar without a policeman behind him...
Cutting down a wall, the wall sawyer could feel the tension in a home ease and something windy rush in circles round her feet. It was addictive, each a sweet victory of art. The tumbling motion of a falling wall was like a volcanic eruption fading into a mountain of roses. The wall sawyer felt a loving animosity toward walls. “You must pay attention to your obsessions, where life and love intersect,” she told the little queen.
When we fail to reflect on the undercurrents of the circumstances of our life, we may have permanent misgivings about the quality of our interpretations. A lucid reading of our acts and our desires helps us to avoid tumbling into a frustrating gap between what we expect and what others expect. (“Alors, tout a basculé”)
Even brahmins [people belonging to the caste who follow ritual practices] will not delve in the past and yet these intellectuals keep remembering, ‘This person cheated me. This man called me stupid!’ The flow of speech is like the flow of water. How can we ask it, ‘How did you come here tumbling down?
Arguments for preservation based on the beauty of wilderness are sometimes treated as if they were of little weight because they are "merely aesthetic". That is a mistake. We go to great lengths to preserve the artistic treasures of earlier human civilisations. It is difficult to imagine any economic gain that we would be prepared to accept as adequate compensation for, for instance, the destruction of the paintings in the Louvre. How should we compare the aesthetic value of wilderness with that of the paintings in the Louvre? Here, perhaps, judgment does become inescapably subjective; so I shall report my own experiences. I have looked at the paintings in the Louvre, and in many of the other great galleries of Europe and the United States. I think I have a reasonable sense of appreciation of the fine arts; yet I have not had, in any museum, experiences that have filled my aesthetic senses in the way that they are filled when I walk in a natural setting and pause to survey the view from a rocky peak overlooking a forested valley, or by a stream tumbling over moss-covered boulders set amongst tall tree-ferns, growing in the shade of the forest canopy, I do not think I am alone in this; for many people, wilderness is the source of the greatest feelings of aesthetic appreciation, rising to an almost mystical intensity.
I am falling, tumbling through the air, but this time the darkness is alive around me, full of beating things, and I realize that I'm not surrounded by dark but have only had my eyes closed all this time. I open them, feeling silly, and at the same time a hundred thousand butterlies take off around me, so many of them in so many brilliant colors they are like a solid rainbow, temporarily obscuring the sun. But as they wing higher and higher they reveal a landscape below us, all green and gold and sun-drenched fields and pink-tinged clouds drifting underneath me, and the air around me is clear and blue and sweet smelling, and I'm laughing, laughing, laughing as I spin through the air because, of course, I haven't been falling all the time.I've been flying.
And yet, despite the multiplicity of times we've done it, it is still a funny, exultant, true thing - where for a short time you turn into something else and fly; where you stop fretting and wanting, and are simply alight with joy - and all while never venturing beyond the walls of your room. And I would put our continued success down to one simple thing. At the end of every tumbling session, one of us will turn to the other and say, "Thank you very much. That was very pleasant. Very pleasant indeed. My dear, I am much obliged to you."Because at the end of the day, that is the hottest sex tip of all: gratitude. That you've found someone who wants to do that thing, with you, and no government has yet found a way to charge you VAT on it. You can set fire to the sky, and not be charged a penny.Sometimes, it's great being a human.
That mountain of courage I had been building inside me for the past several months began crumbling, tumbling down, and gaining speed like an avalanche.
Boys [should be] inured from childhood to trifling risks and slight dangers of every possible description, such as tumbling into ponds and off of trees, etc., in order to strengthen their nervous system... They ought to practice leaping off heights into deep water. They ought never to hesitate to cross a stream over a narrow unsafe plank for fear of a ducking. They ought never to decline to climb up a tree, to pull fruit merely because there is a possibility of their falling off and breaking their necks. I firmly believe that boys were intended to encounter all kinds of risks, in order to prepare them to meet and grapple with risks and dangers incident to man’s career with cool, cautious self-possession...
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
There were still few rules at Down House, and Charles was not very good at enforcing the ones he and Emma did make. This was well known among his children. In 1855, when Lenny was about five, Charles walked in to find his son jumping up and down and tumbling all over a new sofa.'Oh Lenny, Lenny,' Charles said. 'You know it is against all rules.''Then,' Lenny said to his papa, 'I think you'd better go out of the room.'And so Charles did.
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.”As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.”Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.”“I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.”“Again, thanks,” he gritted.He wants us!Stupid demon.William grinned. “Maybe we can make out later. I know you want me.”Tell him yes!Not another word out of you, or—“Paris? Warrior?” Zacharel said. “Are youlistening to me?”“No.”Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.”“Oh, yeah. I definitely have attention deficient demon.
I stand in my own power now, the questions of permission that I used to choke on for my every meal now dead in a fallen heap, and when they tell me that I will fall, I nod. I will fall, I reply, and my words are a whispermy words are a howlI will fall , I say, and the tumbling will be all my own. The skinned palms and oozing knees are holy wounds, stigmata of my She. I will catch my own spilled blood, and not a drop will be wasted.
You don't have to be a channel for every free choice denied. Every porcelain bride with no property rights, you don't have to prove you can fight like a man, leave the screaming to the lesbians! Feminism is an outdated word, but see there’s still need for women’s movement because we still believe that our sexual power is all we have, we cling to it tighter to it then our own ovaries and we will pluck trust from fellow women who threaten to take it. It's huge, this tumbling history that we carry on our shoulders. It's heavy and sometimes, it's hard to keep your composure. Sometimes you just have to explode.
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