Inspirational quotes with tremor.
It seemed like this day could go in so many directions, like a spiderweb shooting out toward endless possibilities. Whenever you made a choice, especially one you'd been resisting, it always affected everything else, some in big ways, like a tremor beneath your feet, others in so tiny a shift you hardly noticed a change at all. But it was happening.
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away,"she whispered. "Stay with me. Let me love you, Derek.
Pull a thread in my story and feel the tremor half a world and two millenia away.
And I want you to know that I heard what you said in that speech,' Rider said, his voice scratchy. 'I might've saved you all those years ago, but now you've saved me,'My heart stuttered and then sped up. I reacted without thought. Placing the book on the bed, I launched myself at Rider just as he came off the window seat. We collided. I folded my arms around him as we went down onto the floor, me partially in his lap and his arms tight around my waist, his face burrowed against my neck. I felt a tremor run through his body and then he shook in my arms. I held him tighter as he broke into pieces, and years of holding it together shattered. I held him through it all. Then it was me who put Rider back together.
The cost of war is like an immeasurable tremor that knows no borders, its shockwaves reverberating across the world resulting in universal suffering.
Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...
The women looked from one to the other, knowing what the men didn’t know. We knew the heartbeat and interior graces, compensation for our own clumsiness; the beatitude as we renounced our bodies, our noble little parasites the higher calling. We knew, without saying, the watery rollover, tremor, seismic shudders, the steadiness of the baby’s hiccups, the reliable stab from a kick to the kidney
Voss could always, if necessary, fail to understand. But wounds will wince, especially in the salt air. He was smiling and screwing up his eyes at the great theatre of light and water. Some pitied him. Some despised him for his funny appearance of a foreigner. None, he realized with a tremor of anger, was conscious of his strength. Mediocre, animal men never do guess at the power of rock or fire, until the last moment before those elements reduce them to - nothing. This, the palest, the most transparent of words, yet comes closest to being complete.
Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, honour the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places. For the gifts of life are the earth’s and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach.
Was this the big one or was this the small tremor, the warning? Does it get better - does the sensation of being in a dream underwater go away?
Our baby gives herself to me completely. There is no hesitation, no reservation, no holding back, no coldness, no craft, no tremor or fear in her love. Although our relationship may encompass tears, frustration, even fury, it is an utterly reliable bond. As it grows, her love is literally unadulterated. Her love is wholly of the child, pure in its essence as children are in their direct passions. Children do not love wisely, but perhaps they love the best of all.
I’ve traveled this road for many decades and I still don’t know how to go. I am a wanderer, traversing mountains of time. There is no fault, only fault lines that tremor and quake, barring me, no warning. Aftershocks. -Broken Places
We may see a Creature with forty-nine headsWho lives in the desolate snow,And whenever he catches a cold (which he dreads)He has forty-nine noses to blow.'We may see the venomous Pink-Spotted ScrunchWho can chew up a man with one bite.It likes to eat five of them roasted for lunchAnd eighteen for its supper at night.'We may see a Dragon, and nobody knowsThat we won't see a Unicorn there.We may see a terrible Monster with toesGrowing out of the tufts of his hair.'We may see the sweet little Biddy-Bright HenSo playful, so kind and well-bred;And such beautiful eggs! You just boil them and thenThey explode and they blow off your head.'A Gnu and a Gnocerous surely you'll seeAnd that gnormous and gnorrible GnatWhose sting when it stings you goes in at the kneeAnd comes out through the top of your hat.'We may even get lost and be frozen by frost.We may die in an earthquake or tremor.Or nastier still, we may even be tossedOn the horns of a furious Dilemma.'But who cares! Let us go from this horrible hill!Let us roll! Let us bowl! Let us plunge!Let's go rolling and bowling and spinning untilWe're away from old Spiker and Sponge!
It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream-alone...
Do it, Octavian” She ghosted the tips of her fingers along the hem of his shirt. “Touch me.”He growled low in his throat, his forehead dropping another inch toward her shoulder, his hair tickling the side of her face. “Be my angel, Riley, not my siren. Don’t tempt me.”Moistening her lips with a sweep of her tongue, Riley glided her fingers over his belt, tracing the strip of leather to the silver buckle in the center. She felt rather than heard his deep inhalation and the tremor that raked his powerful body. Driven by his surrender, she used two fingers to walk over the square carvings etched into his abdomen, biting her lip to stop the grin that pulled when he groaned. “I want to be both for you, Octavian,” she whispered, letting her lips brush the curve of his shoulder.
What is this thing of intangible substance that wreaks consequential havoc on our lives? What is this sensitive thread that runs through heart and mind, and when given the slightest tremor grasps hold of all sanity, dragging the afflicted down to insufferable depths or flinging him weightless to euphoric heights? What is this magic we would deem imagination, fantasy, or pretend if not for the evidence of power manifest by human consequences? Effortlessly controlling us, it affects the infected in an instant. It takes but one word, one thought, one act to become immersed. To stop it is hopeless. To stifle it, demanding. To think to master it is both improbable and pretentious. What is this invisible hand that blinds our eyes and reigns hearts with a string? It is nature's drug and poison we call emotion.
Faythe…?" The tremor in his voice broke my heart. Then understanding surfaced, and his tear-filled eyes searched mine desperately. "No. No," he whispered through clenched teeth. "This was not wrong. It’s the only thing I’ve done right in months. Don’t you dare regret this.
Evie is our beautiful, dark-haired, green-eyed child,’ I say. I can hear the tremor in my voice. ‘Like many seven-year-old girls, she’s obsessed with princesses. We think she looks more like a fairy. She loves Lego and painting. She laughs easily. She has pretend tea parties in a tree in our garden and invites all her dolls. She wants to be an artist when she grows up. Please find her. Please bring her back to us. We miss her beyond measure. She is the love of our life.
Resting beside her, he seemed to Ildiko a living statue, carved from dark granite into a form of supple elegance and power. He was beautiful, and the tremor change in her perception of him robbed her lungs of air.He opened both eyes suddenly, making her jump. Two shimmering gold coins stared at her unblinking. "Good evening, wife," he said in a voice raspy with the remnants of sleep. A closed-lip smile curved his mouth upward and deepened the tiny lines that fanned from the corners of his eyes. "You're staring. Do I have a fly on my nose?"Fighting down a blush at being caught gawking at her own husband, Ildiko lightly tapped the tip of his nose with one finger. "I was trying to find a way to kill it without punching you in the face. Lucky for you, it flew away.
Murderous thieves make their home here." She failed to keep the tremor from her voice. "Absolutely," Jonas replied."Dangerous animals too.""Without a doubt."She slanted a look toward him. "Perfect place for you."He repressed a snort. "Oh, such compliments, your highness. You're going to make me blush.
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted.In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams.Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within.Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression.All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face.At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool.It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.
Dear Miss Tremor. You are smart and kind and pretty. I think you have really excellent stuff under your clothes and I would like to see it, please. Let's go on a date and get married and you can be my rodent queen in my castle in the sewer. Love always and forever, --Mouse. P.S. I am sorry my rats ate some of your candy.
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
She thought of Aziza's stutter, and of what Aziza had said earlier about fractures and powerful collisions deep down and how sometimes all we see on the surface is a slight tremor.
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