Inspirational quotes with traced.
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
What is the motive for this ‘fugitive’ way of saying “I”? It is motivated by Dasein’s falling; for as falling, it *flees* in the face of itself into the “they.” When the “I” talks in the ‘natural’ manner, this is performed by the they-self. What expresses itself in the ‘I’ is that Self which, proximally and for the most part, I am *not* authentically. When one is absorbed in the everyday multiplicity and the rapid succession [*Sich-jagen] of that with which one is concerned, the Self of the self-forgetful “I am concerned” shows itself as something simple which is constantly selfsame but indefinite and empty. Yet one *is* that with which one concerns oneself. In the ‘natural’ ontical way in which the “I” talks, the phenomenal content of the Dasein which one has in view in the "I" gets overlooked; but this gives *no justification for our joining in this overlooking of it*, or for forcing upon the problematic of the Self an inappropriate ‘categorial’ horizon when we Interpret the “I” ontologically.Of course by thus refusing to follow the everyday way in which the “I” talks, our ontological Interpretation of the ‘I’ has by no means *solved* the problem; but it has indeed *prescribed the direction* for any further inquiries. In the “I,” we have in view that entity which one is in ‘being-in-the-world’.Being-already-in-a-world, however, as Being-alongside-the-ready-to-hand-within-the-world, means equiprimordially that one is ahead of oneself. With the ‘I’, what we have in view is that entity for which the *issue* is the Being of the entity that it is. With the ‘I’, care expresses itself, though proximally and for the most part in the ‘fugitive’ way in which the “I” talks when it concerns itself with something. The they-self keeps on saying “I” most loudly and most frequently because at bottom it *is not authentically* itself, and evades its authentic potentiality-for-Being. If the ontological constitution of the Self is not to be traced back either to an “I”-substance or to a ‘subject’, but if, on the contrary, the everyday fugitive way in which we keep on saying “I” must be understood in terms of our *authentic* potentiality-for-Being, then the proposition that the Self is the basis of care and constantly present-at-hand, is one that still does not follow. Selfhood is to be discerned existentially only in one’s authentic potentiality-for-Being-one’s-Self—that is to say, in the authenticity of Dasein’s Being *as care*. In terms of care the *constancy of the Self*, as the supposed persistence of the *subjectum*, gets clarified. But the phenomenon of this authentic potentiality-for-Being also opens our eyes for the *constancy of the Self*, in the double sense of steadiness and steadfastness, is the *authentic* counter-possibility to the non-Self-constancy which is characteristic of irresolute falling. Existentially, “*Self-constancy*” signifies nothing other than anticipatory resoluteness. The ontological structure of such resoluteness reveals the existentiality of the Self’s Selfhood."―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 368-369
Our critique is not opposed to the *dogmatic procedure* of reason in its pure knowledge as science (for science must always be dogmatic, that is, derive its proof from secure *a priori* principles), but only to *dogmatism*, that is, to the presumption that it is possible to make any progress with pure (philosophical) knowledge from concepts according to principles, such as reason has long been in the habit of using, without first inquiring in what way, and by what right, it has come to posses them. Dogmatism is therefore the dogmatic procedure of pure reason, *without a preceding critique of its own powers*; and our opposition to this is not intended to defend that loquacious shallowness which arrogates to itself the name of popularity, much less that skepticism which makes short work of the whole of metaphysics. On the contrary, our critique is meant to form a necessary preparation in support of metaphysics as a thorough science, which must necessarily be carried out dogmatically and strictly systematically, so as to satisfy all the demands, no so much of the public at large, as of the Schools. This is an indispensable demand for it has undertaken to carry out its work entirely *a priori*, and thus to carry it out to the complete satisfaction of speculative reason. In the execution of this plan, as traced out by the critique, that is, in a future system of metaphysics, we shall have to follow the strict method of the celebrated Wolff, the greatest of all dogmatic philosophers. He was the first to give an example (and by his example initiated, in Germany, that spirit of thoroughness which is not yet extinct) of how the secure course of a science could be attained only through the lawful establishment of principles, the clear determination of concepts, the attempt at strictness of proof and avoidance of taking bold leaps in our inferences. He was therefore most eminently qualified to give metaphysics the dignity of a science, if it had only occurred to him to prepare his field in advance by criticism of the organ, that is, of pure reason itself―an omission due not so much to himself as to the dogmatic mentality of his age, about which the philosophers of his own, as well as of all previous times, have no right to reproach one another. Those who reject both the method of Wolff and the procedure of the critique of pure reason can have no other aim but to shake off the fetters of *science* altogether, and thus to change work into play, certainty into opinion and philosophy into philodoxy." ―from_Critique of Pure Reason_. Preface to the Second Edition. Translated, edited, and with an Introduction by Marcus Weigelt, based on the translation by Max Müller, pp. 28-29
He knows what lies before them, and what is after them, and they comprehend not anything of His knowledge save such as He wills.' i traced the words with my finger, over and over again, and realize what i did not before. that not all questions can be answered. that some truths are beyond the capacity of our minds to understand.
Every great movement of God can be traced to a kneeling figure.
I think most people are just trying to be happy, and that most of their actions, however misguided, are in line with that goal. Most people just want to feel they belong somewhere, want to be loved, and want to feel they're important to someone. If you really examine all the wrongheaded and messed-up things they do, they can most often be traced back to that basic desire. The abusers, the addicted, the cruel and unpleasant, the manipulators --these are just people who started this quest for happiness in the basement of their lives. Someone communicated to them through word or deed that they were undeserving, so they think they have to claw their way there over the backs of others, leaving scars and creating damage. Of course, they only create more misery for themselves and others.
When I am an old man and I can remember nothing else, I will remember this moment. The first time my eyes beheld an angel in the flesh. “I will remember your body and your eyes, your beautiful face and breasts, your curves and this.” He traced his hand around her navel before dragging it lightly to the top of her lower curls. “I will remember your scent and your touch and how it felt to love you. But most of all, I will remember how it felt to gaze at true beauty, both inside and out. For you are fair, my beloved, in soul and in body, generous of spirit and generous of heart. And I will never see anything this side of heaven more beautiful tham you
Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek.With a raw ache in his voice he said, "If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Indelible, adj.That first night, you took your finger and pointed to the top of my head, then traced a line between my eyes, down my nose, over my lips, my chin, my neck, to the center of my chest. It was so surprising. I knew I would never mimic it. That one gesture would be yours forever.
Staring over him in the dim light of a side lamp, my tired eyes traced along the path of faint, yet emerging, lines etched around his equally-tired eyes. They'd become a permanent reminder of his ever-smiling face, and I wished–even after all of these years together-that I could absorb some of his contentment.
I’m tickling a traced pattern over her bare hip. She’s pretending to sleep. Her smile is an idiot. A bad secret keeper.
We are not so different, you and I," she said as if she was inside my thoughts. "We are flesh," she ran her finger down the center of my chest and circled around my breasts, "and bone," her hand traced a path down my abdomen and over the crest of my hip and down my thigh, "fire," her hand swept up my body and pressed against my beating heart, "and water," her hand trailed down and between my legs...
I used to think love was two people suckingon the same straw to see whose thirst was stronger,but then I whiffed the crushed walnuts of your nape,traced jackals in the snow-covered tombstones of your teeth.I used to think love was a non-stop saxophone soloin the lungs, till I hung with you like a pair of sneakersfrom a phone line, and you promised to always smellthe rose in my kerosene. I used to think love was terminalpelvic ballet, till you let me jog beside while you pedaledall over hell on the menstrual bicycle, your tongueripping through my prairie like a tornado of paper cuts.I used to think love was an old man smashing a mirrorover his knee, till you helped me carry the barbellof my spirit back up the stairs after my car pirouettedin the desert. You are my history book. I used to not believein fairy tales till I played the dunce in sheep’s clothingand felt how perfectly your foot fit in the glass slipperof my ass. But then duty wrapped its phone cordaround my ankle and yanked me across the continent.And now there are three thousand miles between the uand s in esophagus. And being without you is like standingat a cement-filled wall with a roll of Yugoslavian nickelsand making a wish. Some days I miss you so muchI’d jump off the roof of your office buildingjust to catch a glimpse of you on the way down. I wishwe could trade left eyeballs, so we could always seewhat the other sees. But you’re here, I’m there,and we have only words, a nightly phone call - one chanceto mix feelings into syllables and pour into the receiver,hope they don’t disassemble in that calculus of wire.And lately - with this whole war thing - the language machinesupporting it - I feel betrayed by the alphabet, like they’reinjecting strychnine into my vowels, infecting my consonants,naming attack helicopters after shattered Indian tribes:Apache, Blackhawk; and West Bank colonizers are settlers,so Sharon is Davey Crockett, and Arafat: Geronimo,and it’s the Wild West all over again. And I imagine Picassolooking in a mirror, decorating his face in war paint,washing his brushes in venom. And I think of Jeninin all that rubble, and I feel like a Cyclops with two eyes,like an anorexic with three mouths, like a scuba diverin quicksand, like a shark with plastic vampire teeth,like I’m the executioner’s fingernail trying to reasonwith the hand. And I don’t know how to speak lovewhen the heart is a busted cup filling with spit and paste,and the only sexual fantasy I have is bustinginto the Pentagon with a bazooka-sized pen and blowingopen the minds of generals. And I comfort myselfwith the thought that we’ll name our first child Jenin,and her middle name will be Terezin, and we’ll teach herhow to glow in the dark, and how to swallow firecrackers,and to never neglect the first straw; because no oneever talks about the first straw, it’s always the last strawthat gets all the attention, but by then it’s way too late.
So all night long the storm roared on:The morning broke without a sun;In tiny spherule traced with linesOf Nature’s geometric signs,In starry flake, and pellicle,All day the hoary meteor fell;And, when the second morning shone,We looked upon a world unknown,On nothing we could call our own.Around the glistening wonder bentThe blue walls of the firmament,No cloud above, no earth below,—A universe of sky and snow!
When you grow up as a girl, it is like there are faint chalk lines traced approximately three inches around your entire body at all times, drawn by society and often religion and family and particularly other women, who somehow feel invested in how you behave, as if your actions reflect directly on all womanhood.
Every evil we see in our society today can be traced back to ignorance.
Ideas can never be traced to any one source. They are tossed back and forth between people until the decision makers step in and choose what they think is a success formula.
It was Daisuke's conviction that all morality traced its origins to social realities. He believed there could be no greater confusion of cause and effect than to attempt to conform social reality to a rigidly predetermined notion of morality. Accordingly, he found the ethical education conducted by lecture in Japanese schools utterly meaningless. In the schools, students were either instructed in the old morality or crammed with a morality suited to the average European. For an unfortunate people beset by the fierce appetites of life, this amounted to nothing more than vain, empty talk. When the recipients of this education saw society before their eyes, they would recall those lectures and burst out laughing. Or else they would feel that they had been made fools of. In Daisuke's case it was not just school; he had received the most rigorous and least functional education from his father. Thanks to this, he had at one time experienced acute anguish stemming from contradictions. Daisuke even felt bitter over it.
The pathway traced with blood and tears,and dust of all our father's dead,Whose backward footsteps, wandering, red,Fade to the mist of nameless years.(“The Testimony of the Suns”)
It’s quite certain there are places to which the whole past is as though attached, on which are traced in secret letters for people who are centuries removed from us their thoughts, their will…
She traced the dragon’s body on his biceps where it transitioned into rope. “I just thought it would be more difficult. After all this time, the heartache, the waiting, the despairing and giving up, the pure pissed-offness of dealing with near misses…" She blew out a breath. “And there it is. With you, easy as breathing. ‘I’m in love with you.’ You said it and meant it. It changes the universe, but the way throwing a stone in a pond does. All those ripples. It's…amazing.”She frowned and cocked her head. “There should at least be dramatic music.” "I can retract it if you want. Brood for a while, play commitment paranoia games, alienate you so we break up, sort of, and then I chase you down before you make some monumental decision, like moving back to New York, or signing up for a three year stint in the merchant marines. Then we can have a big makeup scene.“ She pursed her lips. "Complete with dramatic music.” "Absolutely. If I could afford it, I’d hire John Williams to come up with the score.“ "You’d do all that for me?” "Hell, no.” He snorted, puffing a short, playful breath against her. “I’d tie you up and keep you in my basement until you contracted Stockholm syndrome and couldn’t breathe without me.“She tipped her head back, sobering. "Sometimes, it feels like I can’t. Crazy, right?” He put his mouth on hers and took her air in the best kind of way, all while giving it back to her. at her, boyishly appealing, but then sobered. "We’re normal, extraordinary people,” he said. “It took us a while, but we always knew what it would look like when it happened. The simplicity of it is what makes it extraordinary. A tadpole gets legs and walks on land, and evolution begins. All in a simple blink, the whole world changes.
Most neuroses and some psychoses can be traced to the unnecessary and unhealthy habit of daily wallowing in the troubles and sins of five billion strangers.
Keith traced my face, traced my hands and traced my body as the crickets chirped a love song and I lost myself in his eyes that stroked my soul and punctured my heart, like a poison arrow in a shooting star
Her words were slickly lacquered, dripping with venom that singed the air as they fell. She traced her tongue up my neck and whispered in a way that would shatter glass. "It's the words inbetween," she said, "those are the ones I truly mean." Then, her toes curled with the release of the truth she kept hidden.
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