Inspirational quotes with structured.
How many times have you tried to talk to someone about something that matters to you, tried to get them to see it the way you do? And how many of those times have ended with you feeling bitter, resenting them for making you feel like your pain doesn't have any substance after all?Like when you've split up with someone, and you try to communicate the way you feel, because you need to say the words, need to feel that somebody understands just how pissed off and frightened you feel. The problem is, they never do. "Plenty more fish in the sea," they'll say, or "You're better off without them," or "Do you want some of these potato chips?" They never really understand, because they haven't been there, every day, every hour. They don't know the way things have been, the way that it's made you, the way it has structured your world. They'll never realise that someone who makes you feel bad may be the person you need most in the world. They don't understand the history, the background, don't know the pillars of memory that hold you up. Ultimately, they don't know you well enough, and they never can. Everyone's alone in their world, because everybody's life is different. You can send people letters, and show them photos, but they can never come to visit where you live.Unless you love them. And then they can burn it down.
There are a million things in this world that can end you, that can in one second obliterate the life you work so hard to keep alive. Our lives are structured around not dying. Eating, sleeping, looking both ways before you cross the street. It's all, all of it, to keep us safe from the thing that we know is going to get us anyway. It doesn't even make sense, if you think about it. It's the world's biggest joke. Our entire lives are set up around not dying, knowing all the while that it's the one thing we can't avoid.
Life," Garp wrote, "is sadly not structured like a good old-fashioned novel. Instead an end occurs when those who are meant to peter out have petered out. All that is left is memory. But even a nihilist has memory.
Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.
Our world is structured in such a way for you not to even know and for you not to even be told and for you not to even think about it that your life is disappearing gradually and that you are left only with very little life and time.
A Christian goes to college to discover his vocation - and to develop skills necessary to occupy a section of cultural, intellectual domain in a manner worthy of the kingdom of God.A believer also goes to college to gain general information and habits of thought necessary for developing a well-structured soul suitable for a well-informed, good citizen of both earthly and heavenly kingdoms.
We know that the world operates on a whim, a system of coincidences. There are two basic coping mechanisms. One consists of dreading the chaos, fighting it and abusing oneself after lost, building a structured life ... in which every decision is a reaction against the fear of the worst ... This is the life that cannot be won, but it does offer the comfort of battle - the human heart is content when distracted by war. The second mechanism is an across-the-board acceptance of the absurd all around us ... This is the way to survive in this world, to walk up in the morning ... and exclaim, 'How unlikely! Yet here we are,' and have a laugh, and swim in the chaos, swim without fear, swim without expectation but always with an appreciation of every whim, the beauty of screwball twists and jerk that pump blood through our emaciated veins.
Human brain is structured to avoid any kind of refutation of one's religious beliefs.
Time is a structured perception towards observable changes.
Our world is structured in such a way that you will be ignorant and unaware of the fact that your life is disappearing gradually and that you are left only with very little life and time.
In its quest to discover how the patterns of reality are organised, the story of modern science hints at a picture of a set of Chinese puzzle boxes, each one more intricately structured and wondrous than the last. Every time the final box appears to have been reached, a key has been found which has opened up another, revealing a new universe even more breathtakingly improbable in its conception. We are now forced to suspect that, for human reason, there is no last box, that in some deeply mysterious, virtually unfathomable, self-reflective way, every time we open a still smaller box, we are actually being brought closer to the box with which we started, the box which contains our own conscious experience of the world. This is why no theory of knowledge, no epistemology, can ever escape being consumed by its own self-generated paradoxes. And this is why we must consider the universe to be irredeemably mystical.
I approach the creation-evolution dispute not as a scientist but as a problem of law, which means among other things that I know something about the ways that words are used in arguments. What first drew my attention to the question was the way the rules of argument seemed to be structured to make it impossible to question whether what we are being told about evolution is really true. For example, the Academy's rule against negative argument automatically eliminates the possibility that science has not discovered how complex organisms could have developed. However wrong the current answer may be, it stands until a better answer arrives. It is as if a criminal defendant were not allowed to present an alibi unless he could also show who did commit the crime.
three tiers to the heart: physical, ethereal, Eternalwith each one being more spiritual and subtlethe physical heart a little brain with over 40,000 neuronsit sends and receives by electromagnetic field operationsit's got its own nervous system that senses and remembersmaking decisions and giving directions to other centersemitting enfolded energetic organizational patternsinformation, that is—communicative interactionsdetected outside the body by magnetometers and other peoplefor heart coherence listen to Pärt's “Spiegel im Spiegel”valid are chakras and acupuncture meridiansmeditate on the heart chakra to see what this meansenergy meridians are strings of polarized crystalline waterbioelectric signals transmitted in connective tissue matterinformation is sent along these lengths of collagen proteinsmolecules of structured water allowing the transfer of protonscrystal water wires inside protein pathwayswith acupuncture points being junctures in the mazethe protons, then, are what have been referred to as “chi”a current flowing, much like electrical circuitry
Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.
However, in part for reasons of organizationalconvenience, modern societies are structured as if all humans had the same sleep requirements; and in many parts of the world there is a satisfying sense of moral rectitude in rising early. The amount of sleep required for buffer dumping would then depend on how much we have both thought and experienced since the last sleep period.
The real opposition is that between the ego-bound man, whose existence is structured by the principle of having, and the free man, who has overcome his egocentricity.
Charity is today a 'political charity.'. . . it means the transformation of a society structured to benefit a few who appropriate to themselves the value of the work of others. This transformation ought to be directed toward a radical change in the foundation of society, that is, the private ownership of the means of production.
Neurotic suffering indicates inner conflict. Each side of the conflict is likely to be a composite of many partial forces, each one of which has been structured into behavior, attitude, perception, value. Each component asserts itself, claims priority, insists that something else yield, accommodates. The conflict therefore is fixed, stubborn, enduring. It may be impugned and dismissed without effect, imprecations and remorse are of no avail, strenuous acts of will may be futile; it causes - yet survives and continues to cause - the most intense suffering, humiliation, rending of flesh. Such a conflict is not to be uprooted or excised. It is not an ailment, it is the patient himself. The suffering will not disappear without a change in the conflict, and a change in the conflict amounts to a change in what one is and how one lives, feels, reacts.
From so high above it, the world seems ordered and deliberate.But I know it's more than that. And less. It is structured and chaotic. Beautiful and strange.
Leadership success means your mission and vision must outlive you, but this will not happen by accident. We have enough stories around us to prove that lasting legacies have to be well managed, planned and structured for continuity. If not, you will carry your name, success and influence to the grave, only leaving short-lived memories of your achievements and impact.
The contemporary art world is what Tom Wolfe would call a "statusphere." It's structured around nebulous and often contradictory hierarchies of fame, credibility, imagined historical importance, institutional affliction, perceived intelligence, wealth, and attribution such as the size of one's art collection.
Where the Depression years had aroused a deep sense of concern over how American wealth was distributed and American society structured, the successive crises of the 1960s and early 1970s, by highlighting the contradiction between the destructive capability of American technology and the moral opaqueness of those Americans who had ultimate control over its use, raised questions about the very course of “modern” historical development. After Vietnam, there could be no more easy assumptions about the goodness of American power, no more easy equating of being “modern” with being “civilized.
Jazz is not just 'Well, man, this is what I feel like playing.' It's a very structured thing that comes down from a tradition and requires a lot of thought and study.
Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature.
She'd brought everybody apart, tearing the whole family that was once a compact groundwork into a whole new design, ugly and non-structured.
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