Inspirational quotes with stag.
What would have become of Hercules do you think if there had been no lion, hydra, stag or boar - and no savage criminals to rid the world of? What would he have done in the absence of such challenges? Obviously he would have just rolled over in bed and gone back to sleep. So by snoring his life away in luxury and comfort he never would have developed into the mighty Hercules. And even if he had, what good would it have done him? What would have been the use of those arms, that physique, and that noble soul, without crises or conditions to stir into him action?
Brush snapped. The stag shambled forth from the outer darkness. It loomed above Scobie, its fur rank and steaming. Black blood oozed from gashes along its flanks. Beneath a great jagged crown of antlers its eyes were black, its teeth yellow and broken. Scobie fell to his knees, palms raised in supplication. The stag nuzzled his matted hair and its long tongue lapped at the muddy tears and the streaks of drying blood upon the man’s upturned face. Its muzzle unhinged. The teeth closed and there was a sound like a ripe cabbage cracking apart.
Paris and HelenHe called her: golden dawnShe called him: the wind whistlesHe called her: heart of the skyShe called him: message bringerHe called her: mother of pearl barley woman, rice provider, millet basket, corn maid, flax princess, all-maker, weefShe called him: fawn, roebuck, stag, courage, thunderman, all-in-green, mountain strider keeper of forests, my-love-ridesHe called her: the tree isShe called him: bird dancingHe called her: who stands, has stood, will always standShe called him: arriverHe called her: the heart and the womb are similarShe called him: arrow in my heart.
Basil Stag Hare tut-tutted severely as he remarked to Ambrose Spike, 'Tch, tch. Dreadful table manners. Just look at those three wallahs, kicking up a hullaballoo like that! Eating's a serious business.
I was done with hesitation. It wasn't just that we'd run out of options, or that so much was riding on the firebird's power. I'd simply grown ruthless enough or selfish enough to take another creature's life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war.
It’s the moment when something happens not just deep among the trees but also in the dark interior of the human heart, for the heart, too, has its night and its wild surges, as strong an instinct for the hunt as a wolf or a stag. The human night is filled with the crouching forms of dreams, desires, vanities, self-interest, mad love, envy, and the thirst for revenge, as the desert night conceals the puma, the hawk and the jackal.
Debarred from public worship, David was heartsick. Ease he did not seek, honour he did not covet, but the enjoyment of communion with God was an urgent need of his soul; he viewed it not merely as the sweetest of all luxuries, but as an absolute necessity, like water to a stag. Like the parched traveler in the wilderness, whose skin bottle is empty, and who finds the wells dry, he must drink or die – he must have his God or faint. His soul, his very self, his deepest life, was insatiable for a sense of the divine presence. . . . Give him his God and he is as content as the poor deer which at length slakes its thirst and is perfectly happy; but deny him his Lord, and his heart heaves, his bosom palpitates, his whole frame is convulsed, like one who gasps for breath, or pants with long running. Dear friend, dost thou know what this is, by personally having felt the same? It is a sweet bitterness. The next best thing to living in the light of the Lord’s love is to be unhappy till we have it, and to pant hourly after it – hourly, did I say? Thirst is a perpetual appetite, and not to be forgotten, and even thus continually is the heart’s longing after God. When it is as natural for us to long for God as for an animal to thirst, it is well with our souls, however painful our feelings
But if it so happens ... a work ... under pain of otherwise becoming shameful or false, requires fantasy ... [and that] certain limbs or elements of a figure are altered by borrowing from other species, for example transforming into a dolphin the hinder end of a griffon or a stag ... these alterations will be excellent and the substitution, however unreal it may seem, deserves to be declared a fine invention in the genre of the monstrous.When a painter introduces into this kind of work of art chimerae and other imaginary beings in order to divert and entertain the senses and also to captivate the eyes of mortals who long to see unclassified and impossible things, he shows himself more respectful of reason than if he produced the usual figures of men or of animals.
I am Mae Waylander from Halts-Walden, daughter of Robert Wallander, a good man who lost his life saving hers.' I point to Ellen. 'And I am the girl who has saved your brother's life on numerous occasions in the Waerg Woods - who fought off a wood nymph, a psychotic pre-adolescent prophet, and a determined flock of killer birds - only to have your father shoot an arrow in my side because I wouldn't let him kill my stag.
I am Mae Waylander from Halts-Walden, daughter of Robert Waylander, a good man who lost his life saving hers.' I point to Ellen. 'And I am the girl who has saved your brother's life on numerous occasions in the Waerg Woods - who fought off a wood nymph, a psychotic pre-adolescent prophet, and a determined flock of killer birds - only to have your father shoot an arrow in my side because I wouldn't let him kill my stag.
Harry flung himself out from behind the bush and pulled out his wand."EXPECTO PATRONUM!" he yelled.And out of the end of his wand burst, not a shapeless cloud of mist, but a blinding, dazzling, silver animal. He screwed up his eyes, trying to see what it was. It looked like a horse. It was galloping silently away from him, across the black surface of the lake. He saw it lower its head and charge at the swarming dementors. . . . Now it was galloping around and around the black shapes on the ground, and the dementors were falling back, scattering, retreating into the darkness. . . . They were gone. The Patronus turned. It was cantering back toward Harry across the still surface of the water. It wasn't a horse. It wasn't a unicorn, either. It was a stag. It was shining brightly as the moon above. . . it was coming back to him.
The most dreadful part of all," the old stag answered, "is that the dogs believe what the hound just said. They believe it, they pass their lives in fear, they hate Him and themselves and yet they'd die for His sake.
Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do.There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert.But the still life resides in absolute silence.Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard.But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver.These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time.Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented.These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?
Who am I? I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable!
The bee has round it a mysterious inscription, which has been variously interpreted. It contains an allusion to beeswax, and one scholar has suggested that the tesserae were druggists’ tokens for the purpose of advertising the sale of beeswax. Another explanation is that the inscription might be one of the mysterious magic formulae used as charms, and that the tokens might be charms to call the bees home when swarming; but the most plausible solution seems to be that the tesserae were connected with the secret rites of Artemis, especially as the stag of the goddess is the one on the reverse side of the tokens.One of the most important animals connected with the worship of the Asiatic Great-Mother was the lion, and it is a curious fact that we often find a connection between bees and lions. At the old Hittite town of Carchemish behind her a long line of priestesses bearing various articles. We do not suggest that these were called Melissae, but in the jewellry we see how the goddess with her lions merges in or is connected with the ‘Bee-goddess.
The stag’s enormous head turned slightly—toward the wagon, toward the small window.The Lord of the North.So the people of Terrasen will always know how to find their way home, she’d once told Ansel as they lay under a blanket of stars and traced the constellation of the stag. So they can look up at the sky, no matter where they are, and know Terrasen is forever with them.
Mal was quiet for a long moment. Then he said, “I’m not sure who my first kill was. We were hunting the stag when we ran into a Fjerdan patrol on the northern border. I don’t think the fight lasted more than a few minutes, but I killed three men. They were doing a job, same as I was, trying to get through one day to the next, then they were bleeding in the snow. No way to tell who was the first to fall, and I’m not sure it matters. You keep them at a distance. The faces start to blur.”“Really?”“No.
Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing.Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless.Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.
The master and mistress of the house and the rest of the Blood -even the Crux himself- brought our food, poured the wine, did our bidding. The centerpiece was a roasted stag. crowned with gilded antlers and stuffed with songbirds; they had hunted well. We were forbidden to kill the deer that fattened on our coleworts and stole our grain, and the venison tasted all the better for the salt of revenge.
It was something he had never quite understood about himself. He had seen thousands of men die in nearly ten years of war and could look on it at times with a near-total detachment, but an animal suffering - be it a horse or needra injured in battle, or the stag now dying - moved him deeply.
And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione's heads: The dementors fell back before the creatures' approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus."That's right," said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. "That's right, Harry... come on, think of something happy...""Something happy?" he said, his voice cracked."We're all still here," she whispered, "we're still fighting. Come on, now..."There was a silver spark, then a wavering light, and then, with the greatest effort it had ever cost him, the stag burst from the end of Harry's wand.
An army of stags led by a lion would be better than an army of lions led by a stag.
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