Inspirational quotes with sparse.
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
She was a mimicry of a facade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...
where actual evidence had been a bit sparse he had, in the best traditions of the keen ethnic historian, inferred from revealed self-evident wisdom* *Made it upand extrapolated from associated sources** **had read a lot of stuff that other people had made up, too.
All the carriages filed out in single file but in a fashion that seemed to mean that they were competing against each other. The only sound that could be heard for a while was the pounding of the horses’ hooves and the squeal and groan of the wheels against the road. Their hooves kicked up dirt, creating a storm of dust. Once the miniature storm and the sound of galloping horses subsided, I could only see one last person. He glared up at me and mouthed, “Next time.” Christopher dug his boots into Dawn’s muscled flank. She reared up and broke into a gallop through the sparse forest, heading for escape. The last trace of them was the particles of floating dust, bright like floating fire.
These stories have a dark side. Outsiders and eccentrics are regarded with suspicion, tortured, even killed. The major theme that emerges is of families diminished by conflict; almost a generation of adult males appears to be missing. Their absence is balanced by a number of strong female presences. This also reflects the dominance of women in the Acehnese household.Azhari is a master of suspense. He wastes no words; his narration is sparse. The overall atmosphere of the stories in Nutmeg Woman is tense and anxious. If there is a message, it is a plea for peace and tolerance and an end to bloodshed and oppression.
They ordered punch. They drank it. It was hot rum punch. The pen falters when it attempts to treat of the excellence thereof; the sober vocabulary, the sparse epithet of this narrative, are inadequate to the task; and pompous term, jewelled, exotic phrases rise to the excited fancy. It warmed the blood and cleared the head; it filled the soul with well-being; it disposed the mind at once to utter wit, and to appreciate the wit of others; it had the vagueness of music and the precision of mathematics. Only one of its qualities was comparable to anything else; it had the warmth of a good heart; but its taste, its smell, its feel, were not to be described in words.
There is a payoff for examining the divine author's literary style. It will tell you something about Him. Whereas, Jonah's actions are extensively described and laboriously detailed, God's reactions (although miraculous) are only described in sparse, minimalist terms.God seems much more amused by Jonah than Jonah is with God. Every miracle is directed at Jonah. Yet, very little copy is used to described God's miracles. Although God's miracles are much more astonishing than Jonah's immature fits of rebellion, more copy is dedicated to Jonah.
It is only rather recently that science has begun to make peace with its magical roots. Until a few decades ago, it was common for histories of science either to commence decorously with Copernicus's heliocentric theory or to laud the rationalism of Aristotelian antiquity and then to leap across the Middle Ages as an age of ignorance and superstition. One could, with care and diligence, find occasional things to praise in the works of Avicenna, William of Ockham, Albertus Magnus, and Roger Bacon, but these sparse gems had to be thoroughly dusted down and scraped clean of unsightly accretions before being inserted into the corners of a frame fashioned in a much later period.
Henry successfully kept his mind on the game, which might seem strange for a boy who slept beside a wall of magic. But baseball was as magical to him as a green, mossy mountain covered in ancient trees. What's more, baseball was a magic he could run around in and laugh about. While the magic of the cupboards was not necessarily good, the smell of leather mixed with dusty sweat and spitting and running through sparse grass after a small ball couldn't be anything else.
Ophelia was beating some poor underling for not knowing her arse from the sparse collection of cells between her ears.
Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aesthetic — literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both — the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the “trashy, profane and obscene” poems of Whitman and Ginsberg, [and] Martha Graham’s expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero.
A distant love that waits to be together, is by far the most difficult relationship. It's like lighting a candle, and adoring the long flame and robust glow. Until time sets in like wax, overflowing deeper and deeper into the wick, leaving a sparse flame struggling to live. This is where most distant relationships fade, with the wax smothering the flame. This kind of relationship takes patience, hope, unconditional love, trust and strength, all centered around God. If the flame endures to the end, and the two come together, only then will it feel as if the candle was tipped and all the wax came pouring out, when the flame is revived, long and glowing again.
A Christian will find it most beneficial to practice secret worship, corporate worship, and family worship. They are all important for our life in Christ. They each bear a necessary weight, and they all inform one another. When my secret worship is lacking or even non-existent, then my worship in the corporate community and family will be affected. When my attendance at corporate worship is sparse, then my secret worship and family worship will suffer as well. These three spheres of worship are related, informed, and encouraged by one another, because in each I am meeting with the Lord and benefiting from His grace. As I grow in my enjoyment of the Lord in my closet, so my enjoyment of Him in corporate worship will increase. As I hear the preached Word of God in corporate worship, this informs and stimulates my heart and mind in leading my own family in worship. As I worship God with my family, my affection and love for the Lord increases, which encourages my secret and corporate worship. They all inform one another. If I am starving in one area, then as I function in the other spheres I will find that I am malnourished there as well. p. 27
Why not break free now, and make Bingtown a place where folk begin anew, all men standing on an equal footing?""And all women, too."She must be Sparse's daughter, thought Keffria. Even her voice echoed his in tone. Devouchet looked at her in surprise."It was but a manner of speaking, Ekke," he said mildly."A manner of speaking becomes a manner of thinking.
Here, in the garden at night, it is another world, strange and yet friendly and familiar, never frightening. There is such quietness, such sweetness, such refreshment. Close your eyes. Breathe in again, smell everything mingled together, flowers and earth and leaves and grass. Smell the night.Listen. Nothing at all. Silence, rushing like the sea in your ears.However small and sparse the garden, and wherever it is, even inside a great city, if something grows there, it is a magic place by night. Leave it, walk quietly back towards the lights that shine out of the house. You will take its magic with you.Now, you will sleep.
We walk on the ground and give sparse recognition to the mud that will be the eternal homes for the bodies that we praise so much. Ground might not worth much but it holds billions of history and some of humanity's greatest treasures, One day it will become our permanent home. Maybe we should begin a mud religion and give reverence to the dirt, in the end, it is the dirt, ground and Mother Earth that wins and reigns supreme throughout the centuries.
Selfish needs, wants, and desires needed to be obliterated. Greed, overindulgence, and gluttony had to be expunged from human behavior. The solution was in self-control, in minimalism, in sparse living conditions; one simple and a brand-new dictionary filled with words everyone would understand.
But I didn't. I didn't say anything, if only because I had no idea how to respond to such an overture. If my experience with friends was sparse, what I knew about boys- other than a competitors for grades or class rank- was nonexistent
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