Inspirational quotes with snapping.
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.
PRETENDING TO DROWNThe only regret is that I waitedlonger than a breathto scatter the sun's reflectionwith my body.New stars burst upon the waterwhen you pulled me in.On the shore, our clothesbegged us to be good boys again.Every stick our feet toucheda snapping turtle, every shadowa water moccasin.Excuses to swim closer to one another.I sank into the depths to see youas the lake saw you: cut in halfby the surface, taut legs kicking,the rest of you sky.Suddenly still, a clear viewof what you knew I wantedto see.When I resurfaced, slick grin,knowing glance; you pushed meback under.I pretended to drown,then swallowed you whole.
To Have Without Holding:Learning to love differently is hard,love with the hands wide open, lovewith the doors banging on their hinges,the cupboard unlocked, the windroaring and whimpering in the roomsrustling the sheets and snapping the blindsthat thwack like rubber bandsin an open palm.It hurts to love wide openstretching the muscles that feelas if they are made of wet plaster,then of blunt knives, thenof sharp knives.It hurts to thwart the reflexesof grab, of clutch, to love and letgo again and again. It pesters to rememberthe lover who is not in the bed,to hold back what is owed to the workthat gutters like a candle in a cavewithout air, to love consciously,conscientiously, concretely, constructively.I can't do it, you say it's killingme, but you thrive, you glowon the street like a neon raspberry,You float and sail, a helium balloonbright bachelor's buttons blue and bobbingon the cold and hot winds of our breath,as we make and unmake in passionatediastole and systole the rhythmof our unbound bonding, to haveand not to hold, to lovewith minimized malice, hungerand anger moment by moment balanced.
It's a finger snapping kind of day.
I look at him with the nostalgic affection men are said to feel for their wars, their fellow veterans. I think, I once threw things at this man. I threw a glass ashtray, a fairly cheap one which didn't break. I threw a shoe (his) and a handbag (mine), not even snapping the handbag shut first, so that he was showered with a metal rain of keys and small change. The worst thing I threw was a small portable television set, standing on the bed and heaving it at him with the aid of the bouncy springs, although the instant I let fly I thought, Oh God, let him duck! I once thought I was capable of murdering him. Today I feel only a mild regret that we were not more civilized with each other at the time. Still, it was amazing, all those explosions, that recklessness, that Technicolor wreckage. Amazing and agonizing and almost lethal.
Fredrika Bimm, what do you think you're doing?""Freaking out. Losing my mind. Thinking about snapping your husband's spine. Squashing the urge to vomit. Wishing I had died at childbirth.""Oh, you say that when you don't get a prize in your Lucky Charms.
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
From the dark forest that bordered the soft ploughed fields, came a low cry that did not belong to any animal. It was accompanied by the sound of branches bending and snapping, and the splintering of wood as trees were crushed or toppled onto their sides.
I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.”That was when Riley walked out of the shadows. “Got an itch, kitty?” Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?” “When you're talking loud enough to wake the dead?” She swore she could feel steam coming out her ears.
He parked his car carefully, made sure he'd set all the locks and the alarm. On the steps he kept looking behind him, snapping glances into shadows like he expected this to be a set-up with my gang waiting to roll him. Nervous. But I got this feeling the possibility of danger was all part of it for him. What he wanted was something with an edge to it, something stamped as unmistakable bad. Welcome to the club, dude.
All that did a big lot toward showing Youth that this big world is ‘not half bad,’ if adults will but watch, aid, and coach. And I will not stand anybody’s snapping at a child! Particularly a tiny tot. If you think that you must snap, snap at a child so big as to snap back. I don’t sanction ‘talking back’ to adults, but, ha, ha!
He felt as though the bones of his ribcage were snapping beneath the weight of the stone that God had laid over his heart.
I distracted Herbert by pretending to trip and break a bone. Ethan darted around to the red golf cart with a cocky smile on his face. He put the key in ignition, and the vehicle roared to life. “Hey,” Herbert shouted, snapping his attention to Ethan. I sprang up and ran up to Ethan. He pulled me in the cart and stomped on the gas pedal. We shot through the automatic doors with Herbert on our tail. “Go faster!” I cheered. My brother smacked the steering wheel. “I can’t; it’s a golf cart.
Alford, Massachusetts: Mandy stood there with her old Nikon film camera, snapping photo after photo of the rural landscape. It was difficult to describe the wonderful feeling of there not being a single cell phone in sight; the only modern technology around was the faint blue glow of a cathode ray tube television in the window of a nearby house, and a few cars and trucks parked in crumbling gravel driveways. She was allowed to see this place, one that would likely be ruined by the 21st century as time went on… places like these were extremely hard to find these days. A world of wood-burning cookstoves and the waxy smell of Paraffin, laundry hung out to dry, rusty steel bridges over streams that reflected the bright blue skies, apple pies left out on windowsills… a world of hard work with very little to show for it aside from the sunlight beaming down on a proud community. And Mandy wanted to trap it all in her Kodak film rolls and rescue it from the future.
Cordelia loved his explanations. She loved knowing words that belonged to things she'd never seen, even to things you couldn't see at all. She remembered those words carefully. "Magic," George had said, "is something unnatural, something that doesn't really exist. If I snap my fingers and Othello suddenly turns white, that's magic. If I fetch a bucket of paint and paint him white, it isn't." He laughed, and for a moment it looked as if he felt like snapping his fingers or fetching that bucket. Then he went on, "Everything that looks like magic is really a trick. There's no such thing as magic." Cordelia grazed with relish. "Magic" was her favorite word - for something that didn't exist at all.
Call it dysphoric mania, agitated depression, or a mixed state: nobody will understand anyway. Mania and depression at once mean the will to die and the motivation to make it happen. This is why mixed states are the most dangerous periods of mood disorders. Tearfulness and racing thoughts happen. So do agitation and guilt, fatigue and morbidity and dread. Walking late at night, trying to get murdered, happens. Trying to explain a bipolar mixed state is like trying to explain the Holy Trinity, three persons in one God: you just have to take it on faith when I tell you that the poles bend, cross, never snapping.
Snapping shut his mobile, Dalgliesh reflected that murder, a unique crime for which no reparation is ever possible, imposes it own compulsions as well as it's conventions. He doubted whether Macklefield [the murder victim's Will attorney] would have interrupted his country weekend for a less sensational crime. As a young officer he, too, had been touched, if unwillingly and temporarily, by the power of murder to attract even while it appalled and repelled. He had watched how people involved as innocent bystanders, provided they were unburdened by grief or suspicion, were engrossed by homicide, drawn inexorably to the place where the crime had occurred in fascinated disbelief. The crowd and the media who served them had not yet congregated outside the wrought-iron gates of the Manor. But they would come, and he doubted whether Chandler-Powell's [owner of the Manor where the murder was committed] private security team would be able to do more than inconvenience them.
Sleep doesn't come easy when a broken twig conjures images of a hulking mental patient snapping the arms off children, over by the bin.
What do you think?" she asked, snapping him out of his reverie. "How am I doing?"...He squatted down beside her. "You did a good job."Their knees touched but instead of pulling away, Sam held her position, pressing ever so slightly against him."Really." Her voice took on a teasing tone. "Or are you just saying that because I'm a drywall virgin and you want me to have good memories about my first time?
No! Please no," she feels the cool metalof the handcuffs again. "Please, I'mMadison, I'm Madison!"Her arms lock into place above her head.She jerks her body, pain snapping at hermuscles."You can stay like this for the day." Herises from the bed, bends down, andblows out the candles on her birthdaycake. "Night, night, Rosie.""No!"He opens the door, letting a stream ofsunlight into the room."Please don't leave me here, please!"And then the door closes, and thesunlight is gone.
In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency.The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.
Most of what presents itself to us in the marketplace as a product is in truth a web of relationships, between people, yes, but also between ourselves and all the other species on which we still depend. Eating and drinking especially implicate us in the natural world in ways that the industrial economy, with its long and illegible supply chains, would have us forget. The beer in that bottle, I'm reminded as soon as I brew it myself, ultimately comes not from a factory but from nature - from a field of barley snapping in the wind, from a hops vine clambering over a trellis, from a host of invisible microbes feasting on sugars. It took the carefully orchestrated collaboration of three far-flung taxonomic kingdoms - plants, animals, and fungi - to produce that ale. To make it yourself once in a while, to handle the barley and inhale the aroma of hops and yeast, becomes, among other things, a form of observance, a weekend ritual of remembrance.
In the woods it was not so much that it was quiet as that the few sounds were loud and distinct, not the orchestra tuning-up of the city but individual grace notes. Birdcalls broken into pieces like a piano exercise, a tree branch snapping sharp and then swishing down and thump on the ground, the hiss of water coming off the mountain.
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