Inspirational quotes with rooftops.
Mine was the twilight and the morning. Mine was a world of rooftops and love songs.
Never stop. Never stop fighting. Never stop dreaming. And don’t be afraid of wearing your heart on your sleeve - in declaring the films that you love, the films that you want to make, the life that you’ve had, and the lives you can help reflect in cinema. For myself, for a long time… maybe I felt inauthentic or something, I felt like my voice wasn’t worth hearing, and I think everyone’s voice is worth hearing. So if you’ve got something to say, say it from the rooftops.
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames.Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts.Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Spare parts lay scattered, every turn wrought with twisted dread, all over the ground, the rooftops, and they were still. Some moving, twitching, enough to almost see. Half cracked and shattered, but still visible and eerie, smiles spread wide and thin, teeth decayed and not, paralleled by hollowed, some missing or in other places, eyes of shades green and blue and some brown with red, but no white, just color portrayed, even if it may be dampened in every way. The beauty in the frivolity, the polished shining gears and cracked glass illuminated so brightly, create a portrait of terror and wonder, significance of a different sort, that only human eyes can see and human minds can feel, but all this is something only dreams, the ethereal concepts that fuse and mince chaos and order into a more paradoxical state, can create and fathom and fashion and make. And yet, doubts upon anxious contradictions, my fingers can feel the brokenness of what can be witnessed, an abyss within a void where deeper within the still lies a glow, a half pulse of a flutter, a vein of mimicry of the reverse of all I see, with concave eyes lost in the magnitude of image whole. Massive and monumental, my feet dragged behind me, cuts in the dirt and spiraling tracks. And then I awoke, half my world disappeared. So much empty within the whole, holes of sizes big and small and all between, the loss of, what it was to be called, my dream. And then my life ended, the holes and tears and cracks complete, empty eyes can still see so clearly, the nothingness that everything has become, shadow and matte a combination of dark on black, in the nothingness that all has become, it is all complete in a way opposite of what I know, a world different in every way and stretch I see, vision upon view of different and strange, only when empty eyes, longing for purpose dreading its meaning, gaze upon their own reflection will the last piece fall into place, a round puzzle of pieces triangular and square, the completeness in the nothingness can be seen, mind flooded with wonder, envisioning the antonym of a dream, and what, in this new beginning, this all could mean. With a blink it all changes, incomplete images appear, holes are wide and seen because you are back now, between death and dream, interwoven as an integral part of this necessary in between seam, and when you touch, worry creases the brow, their faces, half real and the other untouchable, your hand passes through their skin, penetration of the most intimate sort, holding their hearts as if for sport. The warmth, the beating, the crimson piercing blood, so beautiful, the engine that we run, pumping and pumping only to cause the most dreaded flood. Now I drown, and I see you drown too. Together, we are, for split seconds few, we are torn apart and disappear in this vast blood red hue.
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
My mother’s father, Grandfather Thieme, the son of a railroad engineer, looked quite dapper as a young man. Prior to 1933 the Hamburg Police Department consisted of 21 units, with 2,100 men. My grandfather was a Polizist with the Sicherheitspolizei or uniformed policeman with the department. Later, with an expansion of the Hamburg Police Department to 5,500 men and the formation of an investigative branch, he was promoted to the esteemed position of a Kriminalbeamte inspector. He rose to the rank of Chief of Detectives, and had a reputation of being tough, and not someone you could mess with. Having a baldhead and the general appearance of Telly Savalas, the late Hollywood movie actor, I don’t think anyone did. An action story and part of my grandfather’s legacy was when he chased a felon across the rooftops of prewar Hamburg, firing his Dienstpistole, service revolver, as he made his way from one steep inclined slate roof to the next.Of course, Grandpa got his man! Even with this factual tidbit, there isn’t all that much I know about him, other than that, at the then ripe old age of sixty-four, he peacefully died in his chair while reading the evening newspaper.
He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.
On a cloudless night, inky dark, with only a rind of a moon above, the Golem and the Jinni went walking together along the Prince Street rooftops.
Mahtab looked out of the window at the moon clearing the rooftops, bathing everything around in its silver light. She sighed, envying Nasim's freedom. For just like Mahtab's namesake, as the moonlight was beholden to the sun, she was beholden to her family.
People who shout joy from the rooftops are often the saddest of all.
I was surrounded by friends, my work was immense, and pleasures were abundant. Life, now, was unfolding before me, constantly and visibly, like the flowers of summer that drop fanlike petals on eternal soil. Overall, I was happiest to be alone; for it was then I was most aware of what I possessed. Free to look out over the rooftops of the city. Happy to be alone in the company of friends, the company of lovers and strangers. Everything, I decided, in this life, was pure pleasure.
It was a time I slept in many rooms, called myself by many names. I wandered through the quarters of the city like alluvium wanders the river banks. I knew every kind of joy, ascents of every hue. Mine was the twilight and the morning. Mine was a world of rooftops and love songs.
Have you ever wondered What happens to all the poems people write?The poems they neverlet anyone else read?Perhaps they are Too private and personalPerhaps they are just not good enough.Perhaps the prospect of such a heartfeltexpression being seen as clumsyshallow sillypretentious saccharineunoriginal sentimentaltrite boringoverwrought obscure stupidpointless or simply embarrassingis enough to give any aspiringpoet good reason to hide their work frompublic view.forever.Naturally many poems are IMMEDIATELY DESTROYED.Burnt shredded flushed awayOccasionally they are folded Into little squaresAnd wedged under the corner of An unstable piece of furniture(So actually quite useful)Others are hidden behind a loose brickor drainpipe or sealed into the back of an old alarm clockor put between the pages of AN OBSCURE BOOKthat is unlikely to ever be opened.someone might find them one day, BUT PROBABLY NOTThe truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia.wellAlmost always.On rare occasions,Some especially insistentpieces of writing will escapeinto a backyard or a lanewaybe blown along a roadside embankmentand finally cometo rest in a shopping centerparking lotas so many things doIt is here that something quite Remarkabletakes placetwo or more pieces of poetry drift toward each otherthrough a strange force of attractionunknown to scienceand ever so slowlycling togetherto form a tiny, shapeless ball.Left undisturbed,this ball graduallybecomes larger and rounder as otherfree versesconfessions secrets stray musings wishes and unsentlove lettersattach themselvesone by one.Such a ball creeps through the streetsLike a tumbleweed for months even yearsIf it comes out only at night it has a goodChance of surviving traffic and childrenand through a slow rolling motionAVOIDS SNAILS(its number one predator)At a certain size, it instinctivelyshelters from bad weather, unnoticedbut otherwise roams the streetssearching for scraps of forgottenthought and feeling.Given time and luckthe poetry ball becomes large HUGE ENORMOUS:A vast accumulation of papery bitsThat ultimately take to the air, levitating byThe sheer force of so much unspoken emotion.It floats gentlyabove suburban rooftops when everybody is asleepinspiring lonely dogsto bark in the middle of the night.Sadlya big ball of papernot matter how large and buoyant, is still a fragile thing.Sooner or LATERit will be surprised bya suddengust of windBeaten by driving rainand REDUCEDin a matter of minutesto a billionsoggy shreds.One morningeveryone will wake upto find a pulpy messcovering front lawnsclogging up guttersand plastering carwindscreens.Traffic will be delayedchildren delightedadults baffledunable to figure outwhere it all came fromStranger stillWill be the Discovery that Every lump of Wet paperContains variousfaded words pressed into accidentalverse.Barely visiblebut undeniably presentTo each reader they will whisper something different something joyfulsomething sadtruthful absurdhilarious profound and perfectNo one will be able to explain the Strange feeling of weightlessnessor the private smilethat remainsLong after the street sweepers have come and gone.
I'll say it again - mental illness is a physical illness. You wouldn't consider going up to someone suffering from Alzheimers to yell, "Come on, get with it, you remember where you left your keys?" Let us shout it from the rooftops until everyone gets the message; depression has and nothing to do with having a bad day or being sad, it's a killer if not taken seriously.
Wouldn't it be nice to be done with it? To be done with sex and longing? Mitchell could almost imagine pulling it off, sitting on a bridge at night with the Seine flowing by. He looked up at all the lighted windows along the river's arc. He thought of all the people going to sleep or reading or listening to music, all the lives contained by a great city like this, and, floating up in his mind, rising just above the rooftops, he tried to feel, to vibrate among, all those million tremulous souls. He was sick of craving, of wanting, of hoping, of losing.
Even Asmodeus, that limping devil who looked through rooftops at men's most secret actions, could not have told which of these thoughts masked an undercurrent of joy -- the joy of the man who know that he has killed wisely and well.
At the witching hour, the city was totally silent. Only the wind of portent blew through the gathered council of whispering brick chimneys on the rooftops, delivering the hand that would write upon the wall.
Help me, Mikey, she wanted to say. I’m afraid. More afraid than you’d ever believe.’ And he’d take her hand and they’d fly across the rooftops and up into space and sit on some planet and watch a double sunrise or maybe a star being born or some other event that no human had ever seen, her head on his shoulder, his arm around her. And she’d tell him everything.
I sailed on the cold air currents above the rooftops of Paris. I could see the river, the Louvre Museum, the gardens and palaces. And a mouse-yum. Hang on, Carter, I thought. not hunting mice.
It's just that when you're standing beside an open window at twilight, you can say more toeach other than in bright sunshine. It's also easier to whisper your feelings than toshout them from the rooftops.
Richard Dawkins regards faith as an evil to be eliminated; he takes all religious faith to be blind faith. (Dawkins says) ‘Scientific belief is based on publicly checkable evidence, religious faith not only lacks evidence, its independence from evidence is its joy, shouted from the rooftops.’ However, taking Dawkins own advice we ask: where is the evidence that religious faith is not based on evidence? Mainstream Christianity will insist that faith and evidence are inseparable. Indeed, faith is a response to evidence, not a rejoicing in the absence of evidence. The apostle Paul says what many pioneers of modern science believed, that nature itself is part of the evidence for the existence of God ,‘ Since the creation of the world, God’s invisible qualities- his eternal power and divine nature – have been clearly seen, being understood from what has been made. So that men are without an excuse.’ Dawkins’ definition of faith turns out to be the direct opposite of the biblical one. Curious that he does not seem to be aware of the discrepancy.
The thing, whatever it was - and no one was ever sure afterwards whether it was a dream or a fit or what - happened at that peculiar hour before dawn when human vitality is at its lowest ebb. The Blue Hour they sometimes call it, l'heure bleue - the ribbon of darkness between the false dawn and the true, always blacker than all the rest of the night has been before it. Criminals break down and confess at that hour; suicides nerve themselves for their attempts; mists swirl in the sky; and - according to the old books of the monks and the hermits - strange, unholy shapes brood over the sleeping rooftops.At any rate, it was at this hour that her screams shattered the stillness of that top-floor apartment overlooking the Pare Monceau. Curdling, razor-edged screams that slashed through the thick bedroom door. ("I'm Dangerous Tonight")
Some part of me remembers what snow is, but this is the first time my new mind has seen it. It softens the crumbled sidewalks and turns rusty rooftops white. It’s beautiful. It crunches under my feet as I move toward the house, longing to understand.
We are wolves, which are wild dogs, and this is our place in the city. We are small and our house is small on our small urban street. We can see the city and the train line and it's beautiful in its own dangerous way. Dangerous because it's shared and taken and fought for.That's the best way I can put it, and thinking about it, when I walk past the tiny houses on our street, I wonder about the stories inside them. I wonder hard, because houses must have walls and rooftops for a reason. My only query is the windows. Why do they have windows? Is it to let a glimpse of the world in? Or for us to see out?
Before them is the most beautiful city she has ever seen, has ever imagined. Golden rooftops shine brightly; windows made from diamonds and rubies gleam; tall buildings reach toward the clouds. She is again overwhelmed, this time with gratitude. All this, for her.
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