Inspirational quotes with romanticism.
Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.
Aestheticism and radicalism must lead us to jettison reason, and to replace it by a desperate hope for political miracles. This irrational attitude which springs from intoxication with dreams of a beautiful world is what I call Romanticism. It may seek its heavenly city in the past or in the future; it may preach ‘back to nature’ or ‘forward to a world of love and beauty’; but its appeal is always to our emotions rather than to reason. Even with the best intentions of making heaven on earth it only succeeds in making it a hell – that hell which man alone prepares for his fellow-men.
In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.
Romanticism is the abuse of adjectives
It was not their first choice, and they did not know if they would ever feel at home there, but they could afford, finally, a small house as well as a car. They had found their own happiness, weighted by resignation: that they were who they were, that they could never truly know the thoughts of another person, that their love was bruised by the carelessness of their own parents (his mother, her father); that they would wander the world in their dreams with ghostly, intangible lovers, that their children would move from adoration of them to fury, that they and their parents would die in different cities, that they would never accomplish anything that would leave any lasting mark on the world. They had longed for this, from the first lonely moment of their childhoods when they realized they could not marry their fathers or mothers, through the burning romanticism of their teens, to the bustling search of their twenties, and there was the faint regret that this tumult and exhaustion was what they had longed for too, and soon it would be gone.
To the extent that anyone gives up the mentality of antithesis, he has moved over to the other side, even if he still tries to defend orthodoxy or evangelicalism. If Christians are to take advantage of the death of romanticism, we must consciously build back the mentality and practice of antithesis among Christians in doctrine and life. We must do it in our teaching and example toward compromise, both ecclesiastically and in evangelism. To fail to exhibit that we take truth seriously at these points where there is a cost in doing so, is to push the next generation into the relative, dialectical millstream that surrounds us.
Initially, the God of the Old Testament might seem overwhelming and domineering to you, or tyrannical, or perhaps even evil, which is good. It is the first telling that God is indeed God, by sheer definition, and not some ear-tickling fairy by which one in his depravity is guaranteed to find another form of stale romanticism or love at first sight. For such a first impression as the latter would be problematic to the essence of Christianity. Therefore the Christians are right in saying that the nature of imperfect men cannot ultimately co-exist with the nature of a perfect God; and that the hope of each man is now desperately found in God's sending of Christ.
I set about seeking a thread, a theme, a style, in the realm of legend. Something that might allow me to give free rein to my juvenile sense of romanticism and the beautiful image.
There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium
Romanticism embodied "a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness, a longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals.
If we truly detach from our childhood and abandon our inherent romanticism, then we shred any bit of humanity left in us.
The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance.
When you can see your life in retrospect, the romanticism of how good things once were gives way to the reality that positives and negatives comprise every day and every decade. (235)
What I'm sure of," he began, "is that you can't be happy without money. That's all. I don't like superficiality and I don't like romanticism. I like to be conscious. And what I've noticed is that there's a kind of spiritual snobbism in certain 'superior beings' who think that money isn't necessary for happiness. Which is stupid, which is false, and to a certain degree cowardly. You see, Mersault, for a man who is well born, being happy is never complicated. It's enough to take up the general fate, only not with the will for renunciation like so many fake great men, but with the will for happiness. Only it takes time to be happy. A lot of time. Happiness, too, is a long patience. And in almost every case, we use up our lives making money, when we should be using our money to gain time. That's the only problem that's ever interested me. Very specific. Very clear."(...)"Oh, I know perfectly well that most rich men have no sense of happiness. But that's not the question. To have money is to have time. That's my main point. Time can be bought. Everything can be bought. To be or to become rich is to have time to be happy, if you deserve it.
The nineteenth century was the Age of Romanticism; for the first time in history, man stopped thinking of himself as an animal or a slave, and saw himself as a potential god. All of the cries of revolt against 'God' - De Sade, Byron's "Manfred", Schiller's "Robbers", Goethe's "Faust", Hoffmann's mad geniuses - are expressions of this new spirit. Is this why the 'spirits' decided to make a planned and consistent effort at 'communication'? It was the right moment. Man was beginning to understand himself.
The Christian writer will feel that in the greatest depth of vision, moral judgment will be implicit, and that when we are invited to represent the country according to survey, what we are asked to do is to separate mystery from manners and judgment from vision, in order to produce something a little more palatable to the modern temper. We are asked to form our consciences in the light of statistics, which is to establish the relative as absolute. For many this may be a convenience, since we don't live in an age of settled belief; but it cannot be a convenience, it cannot even be possible, for the writer who is a Catholic. He will feel that any long-continued service to it will produce a soggy, formless, and sentimental literature, one that will provide a sense of spiritual purpose for those who connect the spirit with romanticism and a sense of joy for those who confuse that virtue with satisfaction. The storyteller is concerned with what is; but if what is is what can be determined by survey, then the disciples of Dr. Kinsey and Dr. Gallup are sufficient for the day thereof.
There are those of us who nature is awakening to the secrets of the universe; apart from religious dogma or occult dabbling. It is Natural Law. It is awakening the minds and quickening the senses of those whom it's calling its descendants. Nature is fighting for its rightful place, which can never be fully usurped. Those who are most open to this knowledge are artists (poets, musicians, writers) who also happen to be free thinkers or "outsiders" to the system. We hear a voice that is calling us to waken to the secrets of the universe. Perhaps in some distant future, humanity will read of us; the ones who paved the way for this Pali or New Romanticism called the awakening unto Nature's Law. It won't be technology or software that paves the way, but nature. It won't allow itself to be destroyed, maybe uninhabitable for a time for humans, but never destroyed. There are those of us, the chosen few who are following the narrow path. We will be the future thinkers and writers who generations will read about that truly changed the world, and made a way where there seemingly was none.
But no matte what kind of an understanding is adopted, whether associated with positivism, which asserts that the truth can only be reached by trial and error, or rationalism, which asserts that everything can be explained and grasped by reason, whether the perspective of romanticism, which overemphasizes imagination and sensitivity, or an approach based on ardent naturalism, whether based on realism, which aims to describe everything as it is including its shortcomings, or a curiosity-raising approach such as surrealism, whether idealism, which asserts that there is nothing real but ideas, or cubism, which asserts that there is nothing real but instead of direct description, or some other such current or perspective, that is not true poetry.
I damned myself for my earlier romanticism. That Croaker who had come north, so thoroughly bemused by the mysterious Lady, was another man. A stripling, filled with the foolish ignorances of youth. Yeah. Sometimes you lie to yourself just to keep going.
Walter Pater defined Romanticism as adding strangeness to beauty.
The other problem is that she hasn’t arrived.”“Oh, yeah? And who is she?” “Well, she is a remarkable, funny, classy woman who can say the word fuck without being trashy. She makes me laugh, is ambitious, loves me because I’m nice, not in spite of it, and is as nice in return. She is simply enchanting.” “Shooting for the stars there, aren’t you, pal?”“Shouldn’t we all?” I didn’t know anymore, although I utterly envied his romanticism.
Dr Allendy said that it was necessary to become equal to life, that the romantic was defeated by life, really died of it, whether by tuberculosis in the old days, or by neurosis today. I had never thought before of the connection between neurosis and romanticism. Wanting the impossible? Dying when unable to reach it? Not wanting to compromise?
Let the romantic minds meet the romantic cities and after that the candle of romanticism shines on earth like a sun!
Romanticism is man's revolt against reason, as well as against the condition under which nature has compelled him to live.
The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.
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