Inspirational quotes with reversals.
An aphrodisiac will disappear,delusional, like permanence or wealth - a shimmering, as if love were a ghost -and yet my passion for you seethes and searswithout an end. Late April leaves can’t cravecaress of dew, sunlight’s sweet splash, more thanI pine for your embrace, us turned to one;when harsh reversals scar, the thought of you will salvelike summer wind in autumn; deep red bloodsurging along with mine, staid genes worked hotfrom your electric charms, as all my moodssuccumb to your sweet fire, and perfect wit.Now you are all I live for - loving you -in fleeting world of lies, you are the truth.
Beautiful writing is more than pretty prose. It creates resonance in readers’ minds with parallels, reversals, and symbols. It conjures a story world that is unique, highly detailed, and brought alive by the characters that dwell there. It offers moments of breath-catching surprise, heart-gripping insight, revelation, and self-understanding. It engages the reader’s mind with an urgent point, which we might call theme.
To overlook those years (muddled, complicated times) is to fall into the trap of only celebrating success. We can learn as much, if not more, from failure, from promising paths that turn into dead ends. The vision, understanding, patience, and wisdom that informed Steve's last decade were forged in the trials of these intervening years. The failures, stinging reversals, miscommunications, bad judgment calls, emphases on wrong values-the whole Pandora's box of immaturity- were necessary prerequisites to the clarity, moderation, reflection, and steadiness he would display in later years.
To knot a sentence up properly, it has to be thought out carefully, and revised. New phrases have to be put in; sudden changes of subject must be introducted; verbs must be shifted to unsuspected localities; short words must be excised with ruthless hand; archaisms must be sprinkled like sugar-plums upon the concoction; the fatal human tendency to say things straightforwardly must be detected and defeated by adroit reversals; and, if a glimmer of meaning yet remain under close scrutiny, it must be removed by replacing all the principal verbs by paraphrases in some dead language.
Of course, Kafka doesn't see himself as a sort of party. He doesn't even pretend to be revolutionary, whatever his socialist sympathies may be. He knows that all the lines link him to a literary machine of expression for which he is simultaneously the gears, the mechanic, the operator, and the victim. So how will he proceed in this bachelor machine that doesn't make use of, and can't make use of, social critique? How will he make a revolution?He will act on the German language such as it is in Czechoslovakia. Since it is a deterritorialized language in many ways, he will push the deterritorialization farther, not through intensities, reversals and thickenings of the language but through a sobriety that makes language take flight on a straight line, anticipates or produces its segmentations. Expression must sweep up content; the same process must happen to form... It is not a politics of pessimism, nor a literary caricature or a form of science fiction.
Sis took Eva to the public library and showed her how to get a card. Every week, Eva read her way through the works of Charles Dickens, Jane Austen, Anthony Trollope, Henry James and Elizabeth Gaskell. She dreamed of heroines from modest backgrounds attracting unprecedented attentions, soaring tales of love across social divides and sudden unexpected reversals of fortunes. In these pages, anything was possible, even for a girl like her.
With adolescent Nietzscheanism, she already planned to escape on the world's reversals from the sense of suffocation that seemed to her to be eclipsing her family, her sisters, and mother. She, she told herself, would move brightly along high places and stop to trespass and admire, and if the fine was a heavy one—well, there was no good in saving up beforehand to pay it. Full of these presumptuous resolves, she promised herself that if, in the future, her soul should come starving and crying for bread it should eat the stone she might have to offer without complaint or remorse. Relentlessly she convinced herself that the only thing of any significance was to take what she wanted when she could. She did her best.
We can learn as much, if not more, from failure, from promising paths that turn into dead ends. The vision, understanding, patience, and wisdom that informed Steve's last decade were forged in the trials of these intervening years. The failures, stinging reversals, miscommunications, bad judgment calls, emphases on wrong values-the whole Pandora's box of immaturity-were necessary prerequisites to the clarity, moderation, reflection, and steadiness he would display in the later years.
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