Inspirational quotes with resembled.
I suppose [my life] has most resembled a blue chip stock: fairly stable, more ups than downs, and gradually trending upward over time. A good buy, a lucky buy, and I've learned that not everyone can say that about his life.
Maybe I could dole out the truth in tiny pieces that, once assembled, would make a picture that resembled a reality in which I hadn’t done anything wrong.
She was breathtaking in her beauty and her human spirit, he thought, unable to speak as he gazed upon her. Hers was the sort that would not fade or grow jaded with time and years, but flourish, grow more radiant with life and its experience. Hers was a beauty that no other possessed. A beauty he longed to keep, to hide away, to bask in, himself alone. She had become his. He didn’t know when, whether it had been the moment her fingertips had touched him when he was hurt, or if it had grown, like a seed, slowing spreading until Jane had become the root anchoring the shattered pieces of his heart, pulling them tight together until it resembled the organ it should.
BUT MOST PEOPLE ARE RATHER STUPID AND WASTE THEIR LIVES. HAVE YOU NOT SEEN THAT? HAVE YOU NOT LOOKED DOWN FROM THE HORSE AT A CITY AND THOUGHT HOW MUCH IT RESEMBLED AN ANT HEAP, FULL OF BLIND CREATURES WHO THINK THEIR MUNDANE LITTLE WORLD WAS REAL? YOU SEE THE LIGHTED WINDOWS AND WHAT YOU WANT TO THINK IS THAT THERE MAY BE MANY INTERESTING STORIES BEHIND THEM, BUT WHAT YOU KNOW IS THAT REALLY THERE ARE JUST DULL, DULL SOULS, MERE CONSUMERS OF FOOD, WHO THINK THEIR INSTINCTS ARE EMOTIONS AND THEIR TINY LITTLE LIVES OF MORE ACCOUNT THAN A WHISPER OF WIND.The blue glow was bottmless. It seemed to be sucking her own thoughts out of her mind.'No,' whispered Susan, 'no, I've never thought like that.'Death stood up abruptly and turned away. YOU MAY FIND OUT THAT IT HELPS, he said.
...there was practically one handwriting common to the whole school when it came to writing lines. It resembled the movements of a fly that had fallen into an ink-pot, and subsequently taken a little brisk exercise on a sheet of foolscap by way of restoring the circulation.
Olgun! Wake up!"Her mind was filled with a sense of self-righteous andvaguely drowsy protest."Sure you weren't, she needled at him. You were justpracticing snoring, so you'd be sure to get it right later on,yes?"Olgun's response very strongly resembled an indignantsnort.
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.
She was tall and well-made, on an ample scale; her skin looked as if it had the flavour of fresh cream which it resembled, her childlike mouth that of strawberries. Under a mass of raven hair, curling in gentle waves, her green eyes gleamed motionless as those of statues, and like them a little cruel. She was moving slowly, making her wide white skirt rotate around her, and emanating from her whole person the invincible calm of a woman sure of her own beauty.
a brief history of artCave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all.
Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative.
Thus ended the first and adventurous part of his existence. What followed was so different that, but for the reality of sorrow which remained with him, this strange part must have resembled a dream.
I don't want to be married anymore. In daylight hours, I refused that thought, but at night it would consume me. What a catastrophe. How could I be such a criminal jerk as to proceed this deep into a marriage, only to leave it? We'd only just bought this house a year ago. Hadn't I wanted this nice house? Hadn't I loved it? So why was I haunting its halls every night now, howling like Medea? Wasn't I proud of all we'd accumulated—the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever some appliances on credit? I had actively participated in every moment of the creation of this life—so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper and the social coordinator and the dog-walker and the wife and the soon-to-be mother, and—somewhere in my stolen moments—a writer...? I don't want to be married anymore.
Instead she looked very hard at the woman's chin. On it was a single white hair - visible even in the heavy dusk - that closely resembled a piece of thread hanging off a scrap of fabric. The woman forgot about Rusty for a moment. "I call her Hephzibah," she said with pride. "It's taken years for her to grow.
Ian looked skyward to see the firedrake soaring overhead. Its mass was a black deluge, an eclipse of aberrant origins, and its wings were tautly wound, like a spider’s web. Scales that shown like bejeweled armor glistened upon its body. Its tail crashed against the air; the storm surge of an impetuous sea. The shadow it cast was an aperture of dementia that ripped asunder the sanity of those who watched. Astride the beast’s spine, rode a figure that resembled a man, but with such grandeur at his disposal, appeared a living god.
ArtifactAs long as I can remember you kept the rifle--your grandfather's an antique you called it-in your study, propped against the tall shelvesthat held your many books. Upright,beside those hard-worn spins, it was anotherbackbone of your pas, a remnant I studiedas if it might unlock-- like the skeleton keyits long body resembled-- some door i had yetto find. Peering into the dark muzzle, I imagined a bulletas you described: spiraling through the boreand spinning straight for its target. It did not hit methen: the rifle I'd inherited showing mehow one life is bound to another, that hardshipendures. For years I admired its slender profile,until-- late one night, somber with drink--you told meit still worked, that you kept it loaded just in case,and I saw the rifle for what it is; a relicsharp as sorrow, the barrel hollow as regret.
Now I will tell you the answer to my question. It is this. The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power, pure power. What pure power means you will understand presently. We are different from the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives. They pretended, perhaps they even believed, that they had seized power unwillingly and for a limited time, and that just around the corner there lay a paradise where human beings would be free and equal. We are not like that. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me.
The speed felt tremendous. And the bottom of the ravine was treacherous. She ought to control her mount somehow - slow it; steer it to safer footing. Of course. And while she was at it, she ought to defeat the Alend Monarch's army, take care of Master Gilbur and the arch-Imager Vagel, and produce peace on earth. While composing great music with her free hand. Instead of doing all that, however, she concentrated with a pure white intensity that resembled terror on simply staying in the saddle
The Widow Nazaret never missed her occasional appointments with Florentino Ariza, not even during her busiest times, and it was always without pretensions of loving or being loved, although always in the hope of finding something that resembled love, but without the problems of love.
On every formal visit a child ought to be of the party, by way of provision for discourse. In the present case it took up ten minutes to determine whether the boy were most like his father or mother, and in what particular he resembled either, for of course every body differed, and every body was astonished at the opinion of the others.
You call me the unhuman," it might say to him, "and so I really am—for you; but I am so only because you bring me into opposition to the human, and I could despise myself only so long as I let myself be hypnotized into this opposition. I was contemptible because I sought my 'better self' outside me; I was the unhuman because I dreamed of the 'human'; I resembled the pious who hunger for their 'true self' and always remain 'poor sinners'; I thought of myself only in comparison to another; enough, I was not all in all, was not—unique.[102] But now I cease to appear to myself as the unhuman, cease to measure myself and let myself be measured by man, cease to recognize anything above me: consequently—adieu, humane critic! I only have been the unhuman, am it now no longer, but am the unique, yes, to your loathing, the egoistic; yet not the egoistic as it lets itself be measured by the human, humane, and unselfish, but the egoistic as the—unique.
For him I was like the land, something to care for...well, he loved to make things grow. But he resembled the land more than me. He needed constant cultivation, or the fruit turned wild.
The Triumph Of AchillesIn the story of Patroclusno one survives, not even Achilleswho was nearly a god.Patroclus resembled him; they worethe same armor.Always in these friendshipsone serves the other, one is less than the other:the hierarchyis always apparent, though the legendscannot be trusted--their source is the survivor,the one who has been abandoned.What were the Greek ships on firecompared to this loss?In his tent, Achillesgrieved with his whole beingand the gods sawhe was a man already dead, a victimof the part that loved,the part that was mortal.
He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for.
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.
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