Quotes with repeating

Would you mind repeating that? I'm afraid I might have lost my wits altogether and just hallucinated what I've longed to hear.

Isn’t it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years.

Quotation, n: The act of repeating erroneously the words of another.

It is worth repeating at this point the theories that Ford had come up with, on his first encounter with human beings, to account for their peculiar habit of continually stating and restating the very very obvious, as in "It's a nice day," or "You're very tall," or "So this is it, we're going to die."His first theory was that if human beings didn't keep exercising their lips, their mouths probably shriveled up.After a few months of observation he had come up with a second theory, which was this--"If human beings don't keep exercising their lips, their brains start working.

Knowledge unlocks the door to the mysteries of our mistakes; wisdom guides us away from repeating them". HS/el

You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.Like the spaces between our fingers, in the spaces between I, love, and you, we wait.The in-betweens have always been my favorite.

I guess pencil crayons are like life; we hope to gain wisdom through our experiences, and sadly many of us learn important lessons later in life - however all that colour we scratched and pressed into our canvases create stories for our children, and grandchildren - things to laugh at as we look back, and hopefully things others can use as examples of lessons of caution, and tales of overcoming negative situations despite the overwhelming odds stacked up against us. Tales of past likes and loves, lessons learned, and the stories about how you met the right person and how you ended up with them - often a winding tale until there's an 'AH-HA' moment of enlightenment, lol. Tales of raw adversity...because rawness is beautiful, and learned wisdom which proves showing weakness is actual bravery. That not everyone you lose is a loss, and that in life, a situation will keep repeating itself until one learns their lesson. As sad as it is to see these pencils being shortened, and the way one tries to preserve what's left as they get shorter and shorter... the new box of crayons which will eventually be bought will continue the storytelling of the old, and add new stories until they themselves expire.

Death's Diary: 1942 -It was a year for the ages, like 79, like 1346, to just name a few. Forget the scythe, God damn it, I needed a broom or a mop. And I needed a holiday.(...) They say that war is death's best friend, but I must offer you a different point of view on that one. To me, war is like the new boss who expects the impossible. He stands over your shoulder repeating one thing, incessantly. 'Get it done, get it done'. So you work harder. You get the job done. The boss however, does not thank you. He asks for more.

SEPTEMBER 1, 1939I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night.Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return.Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again.Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong.Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good.The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone.From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;'I will be true to the wife,I'll concentrate more on my work,'And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the dead,Who can speak for the dumb?All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die.Defenseless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.

Live or die, but don't poison everything...Well, death's been herefor a long time --it has a hell of a lotto do with helland suspicion of the eyeand the religious objectsand how I mourned themwhen they were made obsceneby my dwarf-heart's doodle.The chief ingredientis mutilation.And mud, day after day,mud like a ritual,and the baby on the platter,cooked but still human,cooked also with little maggots,sewn onto it maybe by somebody's mother,the damn bitch!Even so,I kept right on going on,a sort of human statement,lugging myself as ifI were a sawed-off bodyin the trunk, the steamer trunk.This became perjury of the soul.It became an outright lieand even though I dressed the bodyit was still naked, still killed.It was caughtin the first place at birth,like a fish.But I play it, dressed it up,dressed it up like somebody's doll.Is life something you play?And all the time wanting to get rid of it?And further, everyone yelling at youto shut up. And no wonder!People don't like to be toldthat you're sickand then be forcedto watchyoucomedown with the hammer.Today life opened inside me like an eggand there insideafter considerable diggingI found the answer.What a bargain!There was the sun,her yolk moving feverishly,tumbling her prize --and you realize she does this daily!I'd known she was a purifierbut I hadn't thoughtshe was solid,hadn't known she was an answer.God! It's a dream,lovers sprouting in the yardlike celery stalksand better,a husband straight as a redwood,two daughters, two sea urchings,picking roses off my hackles.If I'm on fire they dance around itand cook marshmallows.And if I'm icethey simply skate on mein little ballet costumes.Here,all along,thinking I was a killer,anointing myself dailywith my little poisons.But no.I'm an empress.I wear an apron.My typewriter writes.It didn't break the way it warned.Even crazy, I'm as niceas a chocolate bar.Even with the witches' gymnasticsthey trust my incalculable city,my corruptible bed.O dearest three,I make a soft reply.The witch comes onand you paint her pink.I come with kisses in my hoodand the sun, the smart one,rolling in my arms.So I say Liveand turn my shadow three times roundto feed our puppies as they come,the eight Dalmatians we didn't drown,despite the warnings: The abort! The destroy!Despite the pails of water that waited,to drown them, to pull them down like stones,they came, each one headfirst, blowing bubbles the color of cataract-blueand fumbling for the tiny tits.Just last week, eight Dalmatians,3/4 of a lb., lined up like cord woodeachlike abirch tree.I promise to love more if they come,because in spite of crueltyand the stuffed railroad cars for the ovens,I am not what I expected. Not an Eichmann.The poison just didn't take.So I won't hang around in my hospital shift,repeating The Black Mass and all of it.I say Live, Live because of the sun,the dream, the excitable gift.

Do you know, the only people I can have a conversation with are the Jews? At least when they quote scripture at you they are not merely repeating something some priest has babbled in their ear. They have the great merit of disagreeing with nearly everything I say. In fact, they disagree with almost everything they say themselves. And most importantly, they don't think that shouting strengthens their argument.

All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.All of them?Sure, he says. Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.

You have to stop and freeze the moment," he told me I had told her. "You have to make yourself remember by repeating it in your head over and over. You have to write to preserve your sanity.