Inspirational quotes with raw.
Name one hero who was happy."I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back."You can't." He was sitting up now, leaning forward."I can't.""I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret.""Tell me." I loved it when he was like this."I'm going to be the first." He took my palm and held it to his. "Swear it.""Why me?""Because you're the reason. Swear it.""I swear it," I said, lost in the high color of his cheeks, the flame in his eyes."I swear it," he echoed.We sat like that a moment, hands touching. He grinned."I feel like I could eat the world raw.
There are two things we should always be 1. raw and 2. ready. When you are raw, you are always ready and when you are ready you usually realize that you are raw. Waiting for perfection is not an answer, one cannot say "I will be ready when I am perfect" because then you will never be ready, rather one must say "I am raw and I am ready just like this right now, how and who I am.
Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape.
I'm a werewolf trapped in a human body.""Well, yeah, that's kind of the definition.""No, really. I'm trapped.""Oh? When was the last time you shape-shifted?""That's just it - I've never shape-shifted.""So you're not really a werewolf.""Not yet. But I was meant to be one, I just know it. How do I get a werewolf to attack me?"Stand in the middle of a forest under a full moon with a raw steak tied to your face, holding a sign that says, 'Eat me; I'm stupid'?
What, more realistically, is this “mutation,” the “new man”? He is the rootless man, discontinuous with a past that Nihilism has destroyed, the raw material of every demagogue’s dream; the “free-thinker” and skeptic, closed only to the truth but “open” to each new intellectual fashion because he himself has no intellectual foundation; the “seeker” after some “new revelation,” ready to believe anything new because true faith has been annihilated in him; the planner and experimenter, worshipping “fact” because he has abandoned truth, seeing the world as a vast laboratory in which he is free to determine what is “possible”; the autonomous man, pretending to the humility of only asking his “rights,” yet full of the pride that expects everything to be given him in a world where nothing is authoritatively forbidden; the man of the moment, without conscience or values and thus at the mercy of the strongest “stimulus”; the “rebel,” hating all restraint and authority because he himself is his own and only god; the “mass man,” this new barbarian, thoroughly “reduced” and “simplified” and capable of only the most elementary ideas, yet scornful of anyone who presumes to point out the higher things or the real complexity of life.
A farm regulated to production of raw commodities is not a farm at all. It is a temporary blip until the land is used up, the water polluted, the neighbors nauseated, and the air unbreathable. The farmhouse, the concrete, the machinery, and outbuildings become relics of a bygone vibrancy when another family farm moves to the city financial centers for relief.
In this becalmed zone the sea has a smooth surface, the palm-tree stirs gently in the breeze, the waves lap against the pebbles and raw materials are ceaselessly transported, justifying the presence of the settler; and all the while the native, bent double, near dead than alive, exists interminably in an unchanging dream. The settler makes history; his life is an epoch, an Odyssey... Over against him torpid creatures, wasted by fever, obsessed by ancestral customs, form an almost inorganic background for the innovating dynamism of colonial mercantilism.
The truth is messy. It's raw and uncomfortable. You can't blame people for preferring lies.
That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.
The cold rationalism simply covers for raw, wounded emotion. The more driven people are by the mind, the more they feel and further encode their feelings. The thickness of the tarpaulin cover is as the size of the emotion.
The things that make you a functional citizen in society - manners, discretion, cordiality - don't necessarily make you a good writer. Writing needs raw truth, wants your suffering and darkness on the table, revels in a cutting mind that takes no prisoners...
We all have a soul family, the ones that ignite and support our truth. They feed something in us we weren't aware we needed before them. They'll make you face yourself and become raw and authentic. You'll roam but never too far from eachother for the invisible thread of connectedness; once opened can never be locked. They are the ones who will see you through all the important days of your life no matter what tributes and trials you face. They'll just be there, in presence, in synchronicity or in spirit.
I knew nothing. Now I've seen what a raw deal lots of other people like Krystal get. And it's not their fault. Not their choice. People don't get to choose what body they're put into. Like, people get born into bodies in the middle of a genocide war in Darfur, and they don't get to worry about how tall they are or whether they'll ever be able to row. They're too busy worrying about how they're going to stay alive for another day.
If wishes were held on the skin and swiped by raindrops, then emotions were freeloading off the cells that made up their space. The only offering these cells ever entertained was truth, painful and raw.
...hope is never wasted. Even if what I hoped for did not come to fruition as I had imagined, as I had hoped. Hope is placing the beautifully vulnerable parts of ourselves, our raw selves, into His hands. I believe hope moves His heart; but hope also moves our hearts into His hands. Hope builds trust.
...unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have ever lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience. Raw data will be compiled, will be translated into a more comprehensible language. The individual events of your life will be transmuted into another substance called memory and in the mechanism something will be lost and you will never be able to reverse it, you will never again have the original moment back in its uncategorized, preprocessed state. It will force you to move on and you will not have a choice in the matter.
In-existence, the soul’s greatest imposition is its perfection. It is projected as a perfected form of the physical embodiment, an emblem of things, perhaps hyperreal and untouchably perfect as existence. It can not be! The soul in-existence is nothing of perfection. It is raw potential. The soul is nothing but potential. To be specific, the soul is unordered potential!
President Thomas S. Monson has said: “God left the world unfinished for man to work his skill upon. He left the electricity in the cloud, the oil in the earth. He left the rivers unbridged and the forests unfelled and the cities unbuilt. God gives to man the challenge of raw materials, not the ease of finished things. He leaves the pictures unpainted and the music unsung and the problems unsolved, that man might know the joys and glories of creation.” (in Quest of the Abundant Life, Ensign, March 1988) Put simply, the exhilaration of being creative and the feeling of accomplishment that often accompany hard work bring happiness. (Hank Smith, Be Happy)
Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek.With a raw ache in his voice he said, "If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself."Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who’d fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn’t quite do it, though. Couldn’t quite see it as a joke. It had felt too real, too raw and wild and fierce, for him todismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane.
I guess pencil crayons are like life; we hope to gain wisdom through our experiences, and sadly many of us learn important lessons later in life - however all that colour we scratched and pressed into our canvases create stories for our children, and grandchildren - things to laugh at as we look back, and hopefully things others can use as examples of lessons of caution, and tales of overcoming negative situations despite the overwhelming odds stacked up against us. Tales of past likes and loves, lessons learned, and the stories about how you met the right person and how you ended up with them - often a winding tale until there's an 'AH-HA' moment of enlightenment, lol. Tales of raw adversity...because rawness is beautiful, and learned wisdom which proves showing weakness is actual bravery. That not everyone you lose is a loss, and that in life, a situation will keep repeating itself until one learns their lesson. As sad as it is to see these pencils being shortened, and the way one tries to preserve what's left as they get shorter and shorter... the new box of crayons which will eventually be bought will continue the storytelling of the old, and add new stories until they themselves expire.
The strewn and tangled wreckage that litters our lives is the precious raw material from which great beginnings are forged.
We are all planted in God's vineyard and our lives are filled with potentials and purpose and we have all been given the hopes to anchor our lives even in the most disappointed times. So God is waiting to see what you and I will make out of the raw materials that He has given to us. He is waiting to see what we will make out of the discouragement and disappointment. I believe that in those deepest places of disappointment that the greatest grace will manifest.
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.Silver and blue, blue and silver.Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.The voice of Volkheimer: What you could be.Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.The wind moves through his undershirt. He is a kite, a balloon.Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.Why doesn’t the wind move the light?Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.“Stop,” he calls.“Halt,” he calls.But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
You can never rouse Harris. There is no poetry about Harris- no wild yearning for the unattainable. Harris never "weeps, he knows not why." If Harris's eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop.If you were to stand at night by the sea-shore with Harris, and say:"Hark! do you not hear? Is it but the mermaids singing deep below the waving waters; or sad spirits, chanting dirges for white corpses held by seaweed?" Harris would take you by the arm, and say:"I know what it is, old man; you've got a chill. Now you come along with me. I know a place round the corner here, where you can get a drop of the finest Scotch whisky you ever tasted- put you right in less than no time."Harris always does know a place round the corner where you can get something brilliant in the drinking line. I believe that if you met Harris up in Paradise (supposing such a thing likely), he would immediately greet you with:"So glad you've come, old fellow; I've found a nice place round the corner here, where you can get some really first-class nectar.
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