Inspirational quotes with pigeons.
Think of something useless, and that's probably what I'll be doing. Listen, Virginia, we need to love the useless. We need to raise pigeons without a thought of eating them, plant rose bushes without expecting to pick roses, write without aiming at publication. We need to do things without expecting benefits in return. The shortest distance between two points may be a straight line, but it's in the curving paths that the best things are found. . . . We must love the useless, because there is beauty in uselessness.
Rahul did not realise the fluttering of the pigeons that so often disturbed everyone in the lab, by darting in and out of the ventilators. He did not realise the long, loud bell that went off, signalling the end of the last lecture, nor did she! They were living in the same moment, the same time, the same feeling, the same thought. Everything had slowed down to that moment. It was as if everything had stopped and all that existed were two people bound to each other by a string of feelings, two young people finally realising what life really meant and what they were supposed to do – love as one!
I’m sorry it’s had to be this hard. But if I hadn’t walked this path, who would I be? At the moment I felt at the center of my life, the dream still braided like sweetgrass in my memory. I remembered Duffy’s challenge. Imagine a world worth living in, a world worth fighting for. I closed my eyes and allowed my hopes to soar. I heard the beatings of wings nearby. I opened my eyes. A young man on a nearby rooftop released his pigeons, like dreams, into the dawn.
Little CinderGirl, they can't understand you.You rise from the as-heap in a blazeand only then do they recognize you as their one true love.While you pray beneath your mother's tree you carrve a phoenix into your palmwth aa hazel twig and coal;every night she devours more of you.You used to believe in angels.Now you believe in the makeover;if you can't get the grime off your faceand your foot into a size six heelwho will ever bother to notice you?The kettle and the broom sear in your grasp,snap into fragments. The turtledoves sing,"There's blood within the shoe."You deserve the palace, you think, as you signalthe pigeons to attack, approve the barrel filled with red-hot nails.Its great hearth beckons, and the prince's flagrises crimson in the angry sun.He will love you for the heat you generate,for the flames you ignite around you,though he encase your tiny feet in glassto keep them from scorching the ground.
Always be fearless. Walk like lion, talk like pigeons, live like elephants and love like an infant child.
If you are landing it doesn't really matter who is sitting beside you but while you are taking off, it is very important you know who is around you. Eagles don't flock with pigeons.
Me? I was lost for long time. I didn’t make any friends for few years. You can say I made friends with two trees, two big trees in the middle of the school […]. I spent all my free time up in those trees. Everyone called me Tree Boy for the longest time. […]. I preferred trees to people. After that I preferred pigeons, but it was trees first.
After 1656 the Dutch, who had gained control over the Moluccas, chose the islands that could be most easily defended. They then burned all the nutmeg trees on the other islands to make sure no one else could profit from the trees. Anyone caught trying to smuggle nutmeg out of the Moluccas was put to death. The Dutch also dipped all their nutmegs in lime (a caustic substance) to stop the seed from sprouting and to prevent people from planting their own trees. Pigeons, however, defied these Dutch precautions. Birds could eat nutmeg fruits, fly to another island and leave the seeds behind in their droppings.
I believe people ought to mate for life...like pigeons or Catholics.
The morning was, therefore, a mixture of a plenitude of densities, from the presence of the placid birds, to the mundane premonition, to the spring of small glisters which accompanied that autumnal rain. The music, in a simple whistle, recreated a new universe with the parish and all the hearts that were witness to it- padre, pigeons, swallows, the world!- were clothed in a new carnivalesque colouring: a celebration from within.
You've turned on us, New York. We who see your jagged-tooth skyline rise up and want to weep because we are so full of you. We who know that the tumbledown tenements are beautiful, that the cracked sidewalks are beautiful, that the iron and cobblestones, the soot and the stink are beautiful, that the tired old shoemakers are beautiful. That the bodega cats, the gutter rats, the endless clouds of pigeons are beautiful . . . We mourn for you, New York, because you are forgetting us, your brash and ragged children.
The first time Kiya met Hapi was over a year ago. On that day, she was at the temple - not to sell pigeons and bread as usual, but to pray and offer sacrifices on the altar of Horus - the God of protection.
The neuroscientist Joseph LeDoux has shown that the same neural mechanisms mediate the fear response in all sorts of animals, from pigeons and rats to cats and humans. The idea that other animals experience similar emotions to us is not anthropomorphism: it is based on sound scientific evidence.
One of the reasons why I liked living in Manhattan was that the city would share your mood the moment you walked out the door. If you were in a hurry, everything else was too, even the pigeons. You shared the same speed and sense of urgency to get wherever you were going.When you had time to kill, it was happy to give you things to look at and do that easily took up whole days. I didn't agree with people who said Manhattan was a cold, indifferent town. Sure it was gruff, but it was also playful and sometimes very funny.
A large proportion of mankind, like pigeons and partridges, on reaching maturity, having passed through a period of playfulness or promiscuity, establish what they hope and expect will be a permanent and fertile mating relationship. This we call marriage.
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He DID things to the world. The world was bankrupted of ten million fine actions the night he passed on.
She stared at him dully and said: “I don’t like crooks, and even if I did, I wouldn’t like crooks that are stool-pigeons, and if I liked crooks that are stool-pigeons, I still wouldn’t like you.” She turned to the outer door.
My theme is memory, that winged host that soared about me one grey morning of war-time.These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again.The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.
Venice appeared to me as in a recurring dream, a place once visited and now fixed in memory like images on a photographer’s plates so that my return was akin to turning the leaves of a portfolio: a scene of the gondolas moored by the railway station; the Grand Canal in twilight; the Rialto bridge; the Piazza San Marco; the shimmering, rippling wonderland; the bustling water traffic; the fish market; the Lido beach and boardwalk; Teeny in the launch; the singing, gesturing gondoliers; the bourgeois tourists drinking coffee at Florian’s; the importunate beggars; the drowned girl’s ghost haunting the Bridge of Sighs; the pigeons, mosquitoes and fetor of decay.
To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.
JASON: 'Intended wings.' How depressing.MICHAEL: Yes. Makes them into suicides, really, the pigeons.JASON: No - no, it doesn't. It could mean the wings were 'intended' to carry them upwards, out of the darkness, but they were defective in some way, these wings, so the pigeons aren't suicidal, not at all, just badly equipped for flying. Like the rest of us.
The absolute easiest thing to do is spend time, as often as one can, in tranquil or majestic nature. Look at butterflies. Walk barefoot in the sand. Put your feet in a clean, bubbling stream. Walk in a city park and feed the pigeons. Anything. Get out and take a walk.
Pigeons flew in diminishing waves between the low buildings. The sun rose. It said, Now that you've done this, you can never have that. Now that I'm like this, I can never go back.
Had the new people learned what Original Man was taught at a council of animals—never damage Creation, and never interfere with the sacred purpose of another being—the eagle would look down on a different world. The salmon would be crowding up the rivers, and passenger pigeons would darken the sky. Wolves, cranes, Nehalem, cougars, Lenape, old-growth forests would still be here, each fulfilling their sacred purpose. I would be speaking Potawatomi. We would see what Nanabozho saw. It does not bear too much imagining, for in that direction lies heartbreak.
Every story is an act of trust between a writer and a reader: each story, in the end, is social. Whatever a writer sets down can help or harm a community of which he or she is a part. When I write I can imagine a child in California wishing to give away what he’s just seen- a wild animal fleeing though creosote cover in the desert, casting a bright-eyed backward glance or three lines of overheard conversation that seem to contain everything we need understand to repair the gaping rift between body and soul. I look back at that boy turning in glee beneath his pigeons and know it can take a lifetime to convey what you mean, to find the opening. You watch, you set it down. Then you try again.
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