Inspirational quotes with paragraph.
I learned a lot from the stories my uncle, aunts and grandparents told me: that no one is perfect but most people are good; that people can’t be judged by their worst or weakest moments; that harsh judgements can make hypocrites of us all; that a lot of life is just showing up and hanging on; that laughter is often the best, and sometimes the only response to pain.Perhaps most important, I learned that everyone has a story – of dreams and nightmares, hope and heartache, love and loss, courage and fear, sacrifice and selfishness. All my life I’ve been interested in other people’s stories. I wanted to know them, understand them, feel them. When I grew up into politics, I always felt the main point of my work was to people a chance to have better stories. - Page 15, Paragraph 5, ‘My Life’ by Bill Clinton. –Hard cover version-
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud.Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
If you ask me to tell you anything about the nature of what lies beyond the phaneron… my answer is “How should I know?”… I am not dismayed by ultimate mysteries… I can no more grasp what is behind such questions as my cat can understand what is behind the clatter I make while I type this paragraph.
And this is not the happiness of a magazine writer who sends in his gay little philosophy of life to the editor for the one paragraph spread in front of the magazine: This is a serious happiness full of doubts and strengths. I wonder if happiness is possible. It is a state of mind, but I'd hate to be a bore all my life, if only because of those I love around me. Happiness can change into unhappiness just for the sake of change.
To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself...Anybody can have ideas--the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.
If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace.
At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.]
They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find.
Remind me to show you the latest e-mail from Courtney," he said now, kicking at a rock on the sidewalk. "You won't believe how many different incorrect ways she spelled hors d'oeuvres within the span of a single paragraph.
Listen, I'd rather lie naked in a plowed field under an incontinent horse for a week than have to read that paragraph again!
Have you ever looked at, say, a picture or a great building or read a paragraph in a book and felt the world suddenly expand and, in the same instant, contract and harden into a kernel of perfect purity? Do you know what I mean? Everything suddenly fits, everything's in its place.
Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.
Regina read all this, thinking with each sentence she'd put the book down. But a sentence became a paragraph, which flowed on into a page, two pages, a chapter, more.
The scribbles in my notebook are a reflection of you. Every line holds your name. Every paragraph a feature of yours I love. Each page is a memory of moments that took my breath away. Of times when I laughed more than my lungs would allow. My notebook is full, but I always knew only one would hardly contain all of you.
How many words are you having trouble with, sir?""Just the ones that I've highlighted.""I count at least a dozen, and I haven't gotten out of the first paragraph.""That's as far as I got, too. I'm not sure you and I speak the same language.
To me, merely and pretty were words that had nothing to do with each other. Pretty went with miraculously, and merely belonged in another paragraph entirely.
So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time.
My mother taught me that reading is a kind of work, and that every paragraph merits exertion, and in this way, I learned how to absorb difficult books.
My mother taught me that reading is a kind of work, and that every paragraph merits exertion, and in this way, I learned how to absorb difficult books. Soon after I went to kindergarten, however, I learned that reading difficult books also brings trouble. I was punished for reading ahead of the class, for being unwilling to speak and act "nicely." I didn't know why I simultaneously feared and adored my female teachers, but I did know that I needed their attention
Poppy took a deep, appreciative breath. “How bracing,” she said. “I wonder what makes the country air smell so different?” “It could be the pig farm we just passed,” Leo muttered. Beatrix, who had been reading from a pamphlet describing the south of England, said cheerfully, “Hampshire is known for its exceptional pigs. They’re fed on acorns and beechnut mast from the forest, and it makes the bacon quite lovely. And there’s an annual sausage competition!” He gave her a sour look. “Splendid. I certainly hope we haven’t missed it.” Win, who had been reading from a thick tome about Hampshire and its environs, volunteered, “The history of Ramsay House is impressive.” “Our house is in a history book?” Beatrix asked in delight. “It’s only a small paragraph,” Win said from behind the book, “but yes, Ramsay House is mentioned. Of course, it’s nothing compared to our neighbor, the Earl of Westcliff, whose estate features one of the finest country homes in England. It dwarfs ours by comparison. And the earl’s family has been in residence for nearly five hundred years.” “He must be awfully old, then,” Poppy commented, straight-faced. Beatrix snickered. “Go on, Win.” “‘Ramsay House,’” Win read aloud, “‘stands in a small park populated with stately oaks and beeches, coverts of bracken, and surrounds of deer-cropped turf. Originally an Elizabethan manor house completed in 1594, the building boasts of many long galleries representative of the period. Alterations and additions to the house have resulted in the grafting of a Jacobean ballroom and a Georgian wing.’” “We have a ballroom!” Poppy exclaimed. “We have deer!” Beatrix said gleefully. Leo settled deeper into his corner. “God, I hope we have a privy.
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
The gospel is the announcement that God has fulfilled the promise of Scriptures to make the world right in Jesus Christ (1 Cor 15:1-11). Christ has died for our sins. By his death and resurrection (and ascension), he has defeated the effects of our sins, including death itself. He now sits at the right hand of the Father ruling over the world. In Christ the new creation has begun. Old things are passing away. Behold, the new has begun (2 Cor 5:17). All who respond to this good news repent of the old ways, and make Jesus their Lord and Savior, enter in and become part of what God is doing to reconcile the whole world to himself (2 Cor 5:18-19), and receive power to become the children of God (Jn 1:12). This in one paragraph is the gospel.
But you know how it is with fathers and sons. We can’t say what we want to say. We think a nod is a paragraph and a sentence is a book, and, in the end, all that’s important is left unspoken.
Lao Tzu's first paragraph in the book "Tao Te Ching" is that the Tao that can be told is not the absolute Tao.Lao Tzu has his own logic, the logic of paradoxes, the logic of life.To understand Tao, you will have to create eyes.Lao Tzu believes in the unity of opposites, because that is how life is.The Tao can be communicated, but it can only be communicated from heart to heart, from being to being, from love to love, from silence to silence.Truth is always realized in silence. In silence, the truth is realized.You reach to truth through silence.All spiritual books tries to say something that can not be said in the hope that a thirst, a longing, is created in your heart to know the truth.Tao is totality. Life exists through the tension of the opposites, the meeting of the opposites.Lao Tzu says that the opposite poles of life are not really opposites, but complementaries.Thinking is always of opposites. Lao Tzu says: drop the split attitude. Be simple.And when you are simple, you do not choose. Lao Tzu says: be choiceless, let life flow.Enjoy both poles in life, and then your life becomes a symphony of opposites.How to drop the mind: do not choose. If you do not choose, the mind drops.Live life as it comes - float. Float with life. Enjoy the moment in its totality,It is to live as part of the whole, to live as part of existence.If you become silent and empty, everything will come on it's own accord.When you live without any desire for power, position, fame or success, the whole existence pours down into your emptiness.
Your personality should be described in poem not in paragraph.
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