Inspirational quotes with nettles.
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place.Above long clouds, the skiesTurn to a brilliant redAnd show in the water's faceOne living, and not these dead." — Anthony Thwaite, from The Owl In The Tree
Often, beyond the next turning, footfalls of a herd galloping across stone were heard, or further in the distance, with reassuring grunts, a wild boar could be seen, trotting with steady stride along the edge of the road with her sow and a whole procession of young in tow. And then one's heart beat faster upon advancing a little into the subtle light: one might have said that the path had suddenly become wild, thick with grass, its dark paving-slabs engulfed by nettles, blackthorn and sloe, so that it mingled up time past rather than crossing country-side, and perhaps it was going to issue forth, in the chiaroscuro of thicket smelling of moistened down and fresh grass, into one of those glades where animals spoke to men.
Did I never explain to you about love, Reva?' Pa asked. I gave him a look, and he laughed uncomfortably. 'I guess not. Let me put it in a way you'll understand. Love is like stinging nettles. Only they prick from the inside out, starting at your heart and bursting on around. It's worse when it gets here'--he rubbed the bridge of his nose--'then your vision goes a little strange. But eventually the nettles stop stinging--once she agrees to kiss you. But they start right back up again when she agrees to marry you--''Pa,' I interrupted, 'that's not love, that's fear.'Pa shook his head, looking off admiringly in the direction where Lacrimora had disappeared. 'Same thing, in my case.
Often we can get caught in our own struggles, our own small stories, that we forget our place in the larger story arc – the way that our actions, our choices, our achievements can and will blaze trails for that who come after us, so that they do not have to spend their time and energy re-fighting the same battles.For sure we walk a spiral path, but for generations of women the spirals were so tightly packed that it seemed they were going round in circles – let us blaze trails so that the path we walk takes in wider and wider sweeps of human experience.Trail blazing is what we do when we find ourselves in the wilderness, with no path to guide us but our own intuitive understanding of nature and our destination. At times we must walk through the night, guided only by the stars. We know when to sit and rest, to shelter from storms, when to gather water, and what on the trail will sustain us and what will do us harm. We are courageous and cautious in equal measure, but we are driven forward, not only by our own desire to reach our destination, but also by the desire to leave a viable way for others who follow. Trail blazing is an art-form. It is how we find paths through what before was wilderness. We push aside braches, or cut them back, we tramp down nettles and long grasses, ford rivers and streams, through the inner and outer landscapes.
Chorus of women: […] Oh! my good, gallant Lysistrata, and all my friends, be ever like a bundle of nettles; never let you anger slacken; the wind of fortune blown our way.
When the power falls on me, it buzzes in the warm, dark spaces of my skull. It stings like nettles at the tips of my fingers. The power is a fever I have felt since early childhood, a heat in the blood that leaves me flushed and unsteady, dreaming in daylight.
A mere wilderness, as you see, even now in December; but in summer a complete nursery of briers, a forest of thistles, a plantation of nettles, without any live stock but goats, that have eaten up all the bark of the trees. Here you see is the pedestal of a statue, with only half a leg and four toes remaining: there were many here once. When I was a boy, I used to sit every day on the shoulders of Hercules: what became of him I have never been able to ascertain. Neptune has been lying these seven years in the dust-hole; Atlas had his head knocked off to fit him for propping a shed; and only the day before yesterday we fished Bacchus out of the horse-pond.
Solo For Ear-Trumpet The carriage brushes through the brightLeaves (violent jets from life to light);Strong polished speed is plunging, heavesBetween the showers of bright hot leavesThe window-glasses glaze our facesAnd jar them to the very basis — But they could never put a polishUpon my manners or abolishMy most distinct disinclinationFor calling on a rich relation!In her house — (bulwark built betweenThe life man lives and visions seen) — The sunlight hiccups white as chalk,Grown drunk with emptiness of talk,And silence hisses like a snake — Invertebrate and rattling ache….Then suddenly EternityDrowns all the houses like a seaAnd down the street the Trump of DoomBlares madly — shakes the drawing-roomWhere raw-edged shadows sting forlornAs dank dark nettles. Down the hornOf her ear-trumpet I conveyThe news that 'It is Judgment Day!''Speak louder: I don't catch, my dear.'I roared: 'It is the Trump we hear!''The What?' 'THE TRUMP!' 'I shall complain!…. the boy-scouts practising again.
When people will not weed their own minds, they are apt to be overrun by nettles.
Dinner was wonderful. There was a joint of beef, with roast potatoes, golden-crisp on the outside and soft and white inside, buttered greens I did not recognize, although I think now that they might have been nettles, toasted carrots all blackened and sweet (I did not think that I liked cooked carrots, so I nearly did not eat one but I was brave, and I tried it, and I liked it, and was disappointed in boiled carrots for the rest of my childhood.) For dessert there was the pie, stuffed with apples and with swollen raisins and crushed nuts, all topped with a thick yellow custard, creamier and richer than anything I had ever tasted at school or at home. The kitten slept on a cushion beside the fire, until the end of the meal, when it joined a fog-colored house cat four times its size in a meal of scraps of meat.
I don't like this, Toua," I go on. "We're like birds that have flown a very long way from their nest. We're like nettles in a garden full of hops. We shouldn't have to hide who we are. Our faces are unseen.
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch.Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.'You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.
Try the meditation of the trail, just walk along looking at the trail at your feet and don’t look about and just fall into a trance as the ground zips by,” Kerouac wrote. “Trails are like that: you’re floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you’re struggling in a hot broiling sun of hell in dust and nettles and poison oak… just like life.
Bugle"Black beetles know where the most recent bonesbake in the heat, tendons and meat long gone, bleached white, and if you give them cheap wine --drizzle a few red drops on a flat stone--they will lead you to a barren gulchsurrounded by sages and nettles, dirtburnt to powdery sand and sharp thorns. Hunchabove the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare locust tree a telling reliquary of dust to dust, all so brutally hot. You must pull ribs from that rotting body,words that matter: love me, love me not.
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