Inspirational quotes with moons.
A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
Sometimes I think it is a great mistake to have matter that can think and feel. It complains so. By the same token, though, I suppose that boulders and mountains and moons could be accused of being a little too phlegmatic.
He who called her so called her by her true name, for she is the full moon of full moons, afore God!
A single star shines brighter than a thousand moons.
You may write me down in historyWith your bitter, twisted lies,You may tread me in the very dirtBut still, like dust, I'll rise.Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wellsPumping in my living room.Just like moons and like suns,With the certainty of tides,Just like hopes springing high,Still I'll rise.Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops.Weakened by my soulful cries.Does my haughtiness offend you? Don't you take it awful hard'Cause I laugh like I've got gold minesDiggin' in my own back yard.You may shoot me with your words,You may cut me with your eyes,You may kill me with your hatefulness,But still, like air, I'll rise.Does my sexiness upset you? Does it come as a surpriseThat I dance like I've got diamondsAt the meeting of my thighs? Out of the huts of history's shameI riseUp from a past that's rooted in painI riseI'm a black ocean, leaping and wide,Welling and swelling I bear in the tide.Leaving behind nights of terror and fearI riseInto a daybreak that's wondrously clearI riseBringing the gifts that my ancestors gave,I am the dream and the hope of the slave.I riseI riseI rise.
I fancied my luck to be witnessing yet another full moon. True, I’d seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one’s eyes ad-infinitum, the value of life is diminished and life goes by uncherished. ‘This may be my last moon,’ I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.
I doubt I was much of a storyteller, but I would have put that smile in my book. On page 104, right next to the image of the Ward. I would have written it on my heart. I would have proofread it a thousand times under a thousand moons until a thousand tears thoroughly rationalized what it meant to me. Each time for when I’d met the darkness, and then succumbed. The smile read “you can’t break me’”—bold and in italics.
Time was a film run backward. Suns fled and ten million moons fled after them.
In the beginning..when ray and day hadn't yet come into existence at all, there was a kind of radiance that illuminates universe. That radiance is the light of knowledge and goodness. That radiance will persistently and consistently shines brightly even after all the stars and moons in this vast universe died out.
A Swedish minister having assembled the chiefs of the Susquehanna Indians, made a sermon to them, acquainting them with the principal historical facts on which our religion is founded — such as the fall of our first parents by eating an apple, the coming of Christ to repair the mischief, his miracles and suffering, etc. When he had finished an Indian orator stood up to thank him.‘What you have told us,’ says he, ‘is all very good. It is indeed bad to eat apples. It is better to make them all into cider. We are much obliged by your kindness in coming so far to tell us those things which you have heard from your mothers. In return, I will tell you some of those we have heard from ours.‘In the beginning, our fathers had only the flesh of animals to subsist on, and if their hunting was unsuccessful they were starving. Two of our young hunters, having killed a deer, made a fire in the woods to boil some parts of it. When they were about to satisfy their hunger, they beheld a beautiful young woman descend from the clouds and seat herself on that hill which you see yonder among the Blue Mountains.‘They said to each other, “It is a spirit that perhaps has smelt our broiling venison and wishes to eat of it; let us offer some to her.” They presented her with the tongue; she was pleased with the taste of it and said: “Your kindness shall be rewarded; come to this place after thirteen moons, and you will find something that will be of great benefit in nourishing you and your children to the latest generations.” They did so, and to their surprise found plants they had never seen before, but which from that ancient time have been constantly cultivated among us to our great advantage. Where her right hand had touched the ground they found maize; where her left had touched it they found kidney-beans; and where her backside had sat on it they found tobacco.’The good missionary, disgusted with this idle tale, said: ‘What I delivered to you were sacred truths; but what you tell me is mere fable, fiction, and falsehood.’The Indian, offended, replied: ‘My brother, it seems your friends have not done you justice in your education; they have not well instructed you in the rules of common civility. You saw that we, who understand and practise those rules, believed all your stories; why do you refuse to believe ours?
Space is like liquid/water, but space has no friction. Water has a density. The planets have a density. The galaxies are like different vortexes and the gravitational pull is caused by the pull of the vortex. The vortex spins faster in the center and slower on the top/outside. So that's why gravitational pull is different on other planets/moons Density dictates where you fall in the galaxy/vortex and there are many vortexes throughout the universe. Theory.
Wow," Puck mused, standing beside me. "The River of Dreams." ... Moons, comets and constellations rippled on the surface, and other, stranger things floated upon the misty black waters. Petals and book pages, butterfly wings and silver medals. The hilt of a sword stuck out of the water at an odd angle, the silver blade tangled with ribbons and spiderwebs. A coffin bobbed to the surface, covered in dead lilies, before sinking into the depths once more. The debris of human imaginations, floating through the dark waters of dream and nightmare.
We are all cursed. We live in the era of the curse. A world that cannot be fixed. The best thing would be an alien ship. Another planet. One with three moons. But you, I saw you in my dreams. I saw you coming. You came to heal my broken heart. That's why I named you Ahlam.
Moons have passed since last we met, battles fought and enemies fallen. At the bridge of Anrag I took fifteen heads. I overthrew the tyrant Dagrud War-Scythe and took his cattle as tribute to my skill. It was a glorious day.’ ‘Sounds pretty wild. I’m having a new patio put down. You and me both, eh?’ ‘Square slabs or crazy paving?’ ‘Square slabs.
Poetry is seeing everything when there is only one thing. It is looking at a rose but seeing the stars, moons, seas, and trees. It is a truth beyond logic, an experience beyond thought. Poetry is the Earth pausing on its axis in order to manifest itself as a rose.
Endless moons, an opaque universe, thunder, tornadoes, the quaking earth. Rare moments of peace; forehead up against my knees, arms around my head, I though, I listened, I longed not to exist. but life was there, a transparent pearl, a star revolving slowly on its own axis.
Marriage has affected the laws of gravity. We will now revolve around each other. You will exert gravity on me, and I will exert gravity on you. We are one another's moons. You are holding onto my feet with both hands, as if otherwise you might fall right off the bed. I think I might float up and hit the ceiling, splat, if you let go. Please don't let go.
Landsman and Bina were married to each other for twelve years and together for five before that. Each was the other's first lover, first betrayer, first refuge, first roommate, first audience, first person to turn to when something -- even the marriage itself -- went wrong. For half their lives they tangled their histories, bodies, phobias, theories, recipes, libraries, record collections. They mounted spectacular arguments, nose-to-nose, hands flying, spittle flying, throwing things, kicking things, breaking things, rolling around on the ground grabbing up fistfuls of each other's hair. The next day he would bear the red moons of Bina's nails in his cheeks and on the meat of his chest, and she wore his purple fingerprints like an armlet.
I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.
Like wine, Provençal magic had its own distinctive terroir. It was rich and chaotic and romantic. It was a night-magic, confabulated out of moons and silver, wine and blood, knights and fairies, wind and rivers and forests. It concerned itself with good and evil but also with the vast intermediate realm in between, the realm of mischief.
Once upon a time in the Land of Sad, / a girl went on a journey. / She was not a princess, except to her mother... / Her father had vanished some tipsy moons ago, / kidnapped by the pirate Captain Smirnoff.
When a man may whisper in a close ear, and that whisper be repeated far away and many moons later, then he has power. When a many may speak against another, and that other be brought to ruin and rue by nothing more than those words, then he has power. And if a man can act without the appearance of action, and bring about great change without the appearance of desiring it, then he has power.
CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says “from scratch,” he means fromnothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses,Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.
THOMAS GuiltyOf mankind. I have perpetrated human nature. My father and mother were accessories before the fact, But there’ll be no accessories after the fact, By my virility there won’t! Just see me As I am, like a perambulating Vegetable, patched with inconsequential Hair, looking out of two small jellies for the meansOf life, balanced on folding bones, my sexNo Beauty but a blemish to be hiddenBehind judicious rags, driven and scorched By boomerang rages and lunacies which neverTouch the accommodating artichokeOr the seraphic strawberry beaming in its bed:I defend myself against pain and death by painAnd death, and make the world go round, they tell meBy one of my less lethal appetites:Half this grotesque life I spend in a state Of slow decomposition, using The name of unconsidered God as a pedestal On which I stand and bray that I’m bestOf beasts, until under some patientMoon or other I fall to pieces, Like a cake of dung. Is there a slut would Hold this in her arms and put her lips against it?JENNETSluts are only human. By a quirkOf unastonished nature, your obscene Decaying figure of vegetable funCan drag upon a woman’s heart, as thoughHeaven were dragging up the roots of hell. What is to be done? Something compels us into The terrible fallacy that man is desirable and there’s no escaping into truth. The crimesAnd cruelties leave us longing, and campaigning Love still pitches his tent of light amongThe suns and moons. You may be decay and a platitudeOf flesh, but I have no other such memory of life. You may be corrupt as ancient applies, well thenCorruption is what I most willingly harvest. You are Evil, Hell, the Father of Lies; if soHell is my home and my days of good were a holiday:Hell is my hill and the world slopes away from itInto insignificance. I have come suddenlyUpon my heart and where it is I see no help for.
One bright star is better than a thousand dull moons.
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