Inspirational quotes with masked.
I'm Draco Malfoy, I'm Draco, I'm on your side!"Draco was on the upper landing, pleading with another masked Death Eater. Harry Stunned the Death Eater as they passed: Malfoy looked around, beaming, for his savior, and Ron punched him from under the cloak. Malfoy fell backward on top of the Death Eater, his mouth bleeding, utterly bemused."And that's the second time we've saved your life tonight, you two-faced bastard!" Ron yelled.
Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
I was utterly convinced that an intellectual could never be anything but an intellectual, was simply not capable of being anything else, that his intellectuality would, sooner or later, erode his faith or erode whatever he'd masked it with . . . For example, intellectuals like to dress themselves up as peasants . . . but it never works. The intellectual's constitution is impervious to such things - it permits only one object of worship - oneself. Generally speaking, an intellectual in the contemporary version is an exceptionally resourceful and, essentially, pitiful being.
How time slips past, masked in the rhythm of the days!
Voldemort is playing a very clever game. Declaring himself might have provoked open rebellion. Remaining masked has created confusion, uncertainty, and fear.
They were probably scared of him and so they did what boys do around any object of fear: they went up close, pointed a finger, gave it a nickname, and masked their terror with roaring laughter.
It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows.
Libertarianism is supposed to be all about principles, but what it's really about is political expedience. It's basically a corporate front, masked as philosophy.
Nor, perhaps, will it fail to be eventually perceived, that behind those forms and usages, as it were, he sometimes masked himself; incidentally making use of them for other and more private ends than they were legitimately intended to subserve. That certain sultanism of his brain, which had otherwise in a good degree remained unmanifested; through those forms that same sultanism became incarnate in an irresistible dictatorship. For be a man’s intellectual superiority what it will, it can never assume the practical, available supremacy over other men, without the aid of some sort of external arts and entrenchments, always, in themselves, more or less paltry and base. This it is, that for ever keeps God’s true princes of the Empire from the world’s hustings; and leaves the highest honors that this air can give, to those men who become famous more through their infinite inferiority to the choice hidden handful of the Divine Inert, than through their undoubted superiority over the dead level of the mass. Such large virtue lurks in these small things when extreme political superstitions invest them, that in some royal instances even to idiot imbecility they have imparted potency. But when, as in the case of Nicholas the Czar, the ringed crown of geographical empire encircles an imperial brain; then, the plebeian herds crouch abased before the tremendous centralization. Nor, will the tragic dramatist who would depict mortal indomitableness in its fullest sweep and direct swing, ever forget a hint, incidentally so important in his art, as the one now alluded to.
A thinking puppet is the mind of life: Its choice is the work of elemental strengths That know not their own birth and end and cause And glimpse not the immense intent they serve. In this nether life of man drab-hued and dull, Yet filled with poignant small ignoble things, The conscious Doll is pushed a hundred ways And feels the push but not the hands that drive. For none can see the masked ironic troupe To whom our figure-selves are marionettes, Our deeds unwitting movements in their grasp, Our passionate strife an entertainment’s scene.
I learned that the world didn't see the inside of you, that it did not care a whit about the hopes and reams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that.
I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life.One of the musicians looked up from his fiddling, and I halted.Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it.“I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—”Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled.I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin.“No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered.So I did.I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down.Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me.
That seductive aroma of unchecked power was more than enough to commit genocide and mass sexual assault while unashamedly carrying their nation’s flag draped around a crucifix. People completely devoid of introspection, flaunting their entitlement and a self-importance that masked an endless pit of dejection that demanded more gold, land, and power. The Spanish crown was a plague of miserable dimensions for Chamorros.
You worked at night, when the shadows masked you and you were little more than a dream. You hid in the forest or the mountains, away from the steam engines and the lamps of the cities, the things that would expose you, confirming you and stripping you of your mystery. You showed yourself rarely, and only to the ones who needed to see you. After the free-for-all that was the earlier Chapters, when babies were stolen, young men murdered and maidens locked away, the fae had had to learn to be very careful about their involvement in the lives of the characters, lest they turn still further away from their beliefs.
Dissimulation, secretiveness, appear a necessity to the melancholic. He has complex, often veiled relations with others. These feelings of superiority, of inadequacy, of baffled feeling, of not being able to get what one wants, or even name it properly (or consistently) to oneself — these can be, it is felt they ought to be, masked by friendliness, or the most scrupulous manipulation.
When common objects in this way be come charged with the suggestion of horror, they stimulate the imagination far more than things of unusual appearance; and these bushes, crowding huddled about us, assumed for me in the darkness a bizarre grotesquerie of appearance that lent to them somehow the aspect of purposeful and living creatures. Their very ordinariness, I felt, masked what was malignant and hostile to us.
March 1898What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.Their vitreous eyes were looking at me...I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.Am I to be haunted by masks now?
I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors.Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table.“Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished.I could feel the full weight of Tamlin’s undivided attention on me—on every breath and movement I took. I studied the candelabras atop the mantel beside the table. I had nothing to say that didn’t sound absurd—yet for some reason, my mouth decided to start moving.“You’re so far away.” I gestured to the expanse of table between us. “It’s like you’re in another room.”The quarters of the table vanished, leaving Tamlin not two feet away, sitting at an infinitely more intimate table. I yelped and almost tipped over in my chair. He laughed as I gaped at the small table that now stood between us. “Better?” he asked.I ignored the metallic tang of magic as I said, “How … how did you do that? Where did it go?”He cocked his head. “Between. Think of it as … a broom closet tucked between pockets of the world.” He flexed his hands and rolled his neck, as if shaking off some pain.“Does it tax you?” Sweat seemed to gleam on the strong column of his neck.He stopped flexing his hands and set them flat on the table. “Once, it was as easy as breathing. But now … it requires concentration.”Because of the blight on Prythian and the toll it had taken on him. “You could have just taken a closer seat,” I said.Tamlin gave me a lazy grin. “And miss a chance to show off to a beautiful woman? Never.
Another preoccupation fed into this dynamic relationship between discovery and denial: does sexual abuse actually matter? Should it, in fact, be allowed? After all, it was only in the 19070s that the Paedophile Information Exchange had argued for adults’ right to have sex with children – or rather by a slippery sleight of word, PIE inverted the imperative by arguing that children should have the right to have sex with adults. This group had been disbanded after the imprisonment of Tom O’Carroll, its leader, with some of its activists bunkered in Holland’s paedophile enclaves, only to re-appear over the parapets in the sex crime controversies of the 1990s. How recent it was, then, that paedophilia was fielded as one of the liberation movements, how many of those on the left and right of the political firmament, were – and still are – persuaded that sex with children is merely another case for individual freedom?Few people in Britain at the turn of the century publicly defend adults’ rights to sex with children. But some do, and they are to be found nesting in the coalition crusading against evidence of sexual suffering. They have learned from the 1970s, masked their intentions and diverted attention on to ‘the system’. Others may not have come out for paedophilia but they are apparently content to enter into political alliances with those who have. We believe that this makes their critique of survivors and their allies unreliable. Others genuinely believe in false memories, but may not be aware of the credentials of some of their advisors.
Even Asmodeus, that limping devil who looked through rooftops at men's most secret actions, could not have told which of these thoughts masked an undercurrent of joy -- the joy of the man who know that he has killed wisely and well.
Our need to be "greater than" or "less than" has been a defense against toxic shame. A shameful act was committed upon us. The perpetrator walked away, leaving us with the shame. We absorbed the notion that we are somehow defective. To cover for this we constructed a false self, a masked self. And it is this self that is the overachiever or the dunce, the tramp or the puritan, the powermonger or the pathetic loser.
And you’re kind of like a snowflake.’Oh, Jesus Christ.He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’‘Nothing,’ I said quickly. ‘I didn’t say anything.’‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?
They call good evil and evil good. There are those who are so easily offended that they lose their ability to ever discern any truth, and this is often derived from a sort of frenzy by way of their own masked prejudice.
Understand that religion, at least western versions of it, rests on a type of thinking called Revelation. This mode holds that truths concerning the workings of reality are hidden, masked by, through or behind a deity such that only a few privileged souls are able to see through the veil and “reveal” those truths. . . But (around 1600) revelation as a means of understanding began to be challenged by two other methods of differentiating truth from fallacy: Reason and Empiricism.
Our reality is masked as a medium for growth. What we are growing is our Will which, when aligned with a given Thought Center, allows that Thought Center to manifest its Will in our reality to the extent we are in alignment and can be amplified! To be in alignment with the STO Thought Centers results in an increase of spiritual consciousness and a diminishment of the "sleeping" consciousness of matter. To align with the STS Thought Centers, as we are, results in an increase of the sleeping consciousness, or wishful thinking of matter, and a diminishment of spiritual consciousness.
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