Inspirational quotes with lattice.
The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or cloud, at a stone right in front of them, or even down into a canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe."This was only the beginning of Billy's miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn't know he was on a flatcar, didn't even know there was anything peculiar about his situation. "The flatcar sometimes crept, sometimes went extremely fast, often stopped--went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, 'That's life.
Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. There was a padlock and a chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited. No smoke came from the chimney, and the little lattice windows gaped forlorn. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done, but as I advanced I was aware that a change had come upon it; it was narrow and unkempt, not the drive that we had known. At first I was puzzled and did not understand, and it was only when I bent my head to avoid the low swinging branch of a tree that I realized what had happened. Nature had come into her own again, and, little by little, in her stealthy, insidious way, had encroached upon the drive with long, tenacious fingers. The woods, always a menace even in the past, had triumphed in the end. They crowded, dark and uncontrolled, to the orders of the drive. The beeches with white, naked limbs leant close to one another, their branches intermingled in a strange embrace, making a vault above my head like the archway of a church. And there were other trees as well, trees that I did not recognize, squat oaks and tortured elms that straggled cheek by jowl with the beeches, and had thrust themselves out of the quiet earth, along with monster shrubs and plants, none of which I remembered surely the miles had multiplied, even as the trees had done, and this path led but to a labyrinth, some choked wilderness, and not to the house at all. I cam upon it suddenly There was Manderley secretive and silent as it had always been, the grey stone shining in the moonlight of my dream, the mullioned windows reflecting the green lawns and the terrace. Time could not wreck the perfect symmetry of those walls nor the site itself, a jewel in the hollow of a hand.” Daphne du Maurier, Rebecca, 1938.
All the time, I looked out our lattice window. I watched the birds fly by. I followed the clouds on their travels. I studied the moon as it grew larger, then shrank. So much happened outside my window that I almost forgot what was happening inside that room.
Once upon a midnight dreary, while I pondered, weak and weary,Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door.Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more."Ah, distinctly I remember it was in the bleak December,And each separate dying ember wrought its ghost upon the floor.Eagerly I wished the morrow; — vainly I had sought to borrowFrom my books surcease of sorrow — sorrow for the lost Lenore —For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore.And the silken sad uncertain rustling of each purple curtainThrilled me — filled me with fantastic terrors never felt before;So that now, to still the beating of my heart, I stood repeating,Tis some visitor entreating entrance at my chamber door —Some late visitor entreating entrance at my chamber door; — This it is, and nothing more."Presently my soul grew stronger; hesitating then no longer,Sir," said I, "or Madam, truly your forgiveness I implore;But the fact is I was napping, and so gently you came rapping,And so faintly you came tapping, tapping at my chamber door,That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more.Deep into that darkness peering, long I stood there wondering, fearing,Doubting, dreaming dreams no mortals ever dared to dream before;But the silence was unbroken, and the stillness gave no token,And the only word there spoken was the whispered word, "Lenore?"This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more.Back into the chamber turning, all my soul within me burning,Soon again I heard a tapping somewhat louder than before.Surely," said I, "surely that is something at my window lattice:Let me see, then, what thereat is, and this mystery explore —Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more."Open here I flung the shutter, when, with many a flirt and flutter,In there stepped a stately raven of the saintly days of yore;Not the least obeisance made he; not a minute stopped or stayed he;But, with mien of lord or lady, perched above my chamber door —Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more.Then this ebony bird beguiling my sad fancy into smiling,By the grave and stern decorum of the countenance it wore.Though thy crest be shorn and shaven, thou," I said, "art sure no craven,Ghastly grim and ancient raven wandering from the Nightly shore —Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."Much I marveled this ungainly fowl to hear discourse so plainly,Though its answer little meaning— little relevancy bore;For we cannot help agreeing that no living human beingEver yet was blest with seeing bird above his chamber door —Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
Like the original concept, the stormrider had rectangular blades, sixteen of them radiating out from the hub, each one a flat lattice of struts twenty-five kilometers long, made from the toughest steelsilicon fibers the Commonwealth knew how to manufacture. Twenty-three kilometers of them were covered by an ultra-thin silvered foil, giving a total surface area of over one thousand eight hundred square kilometers for the solar wind to impact on. Even in an ordinary solar system environment that would have produced a considerable torque. In the Half Way system the stormrider was positioned at the Lagrange point between the red star and its neutron companion, right in the middle of the plasma current, where the ion density was orders of magnitude thicker than any normal solar wind. The power the stormrider produced when it was in the thick of the flow was enough to operate the wormhole generator. But it couldn’t simply sit at the Lagrange point producing electricity continuously; that would have been too much like perpetual motion. As the waves of plasma pushed against it, they exerted an unremitting pressure on the blades that blew the stormrider away from the Lagrange point out toward the neutron star. So for five hours the two sets of blades would turn in opposite directions, generating electricity for the Port Evergreen wormhole that was delivered via a zero-width wormhole. The stormrider also stored some of the power, so that at the end of the five hours when it was out of alignment, it had enough of a reserve to fire its onboard thrusters, moving itself even farther out of the main plasma stream where the pressure was reduced. From there it chased a simple fifteen-hour loop back around through open space to the Lagrange point, where the cycle would begin again.
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I nearlost my breath yes he said I was a flower of the mountain yes so we areflowers all a womans body yes that was one true thing he said in his lifeand the sun shines for you today yes that was why I liked him because Isaw he understood or felt what a woman is and I knew I could always getround him and I gave him all the pleasure I could leading him on till heasked me to say yes and I wouldnt answer first only looked out over thesea and the sky I was thinking of so many things he didnt know of Mulveyand Mr Stanhope and Hester and father and old captain Groves and thesailors playing all birds fly and I say stoop and washing up dishes theycalled it on the pier and the sentry in front of the governors house withthe thing round his white helmet poor devil half roasted and the Spanishgirls laughing in their shawls and their tall combs and the auctions inthe morning the Greeks and the jews and the Arabs and the devil knows whoelse from all the ends of Europe and Duke street and the fowl market allclucking outside Larby Sharons and the poor donkeys slipping half asleepand the vague fellows in the cloaks asleep in the shade on the steps andthe big wheels of the carts of the bulls and the old castle thousands ofyears old yes and those handsome Moors all in white and turbans likekings asking you to sit down in their little bit of a shop and Ronda withthe old windows of the posadas glancing eyes a lattice hid for herlover to kiss the iron and the wineshops half open at night and thecastanets and the night we missed the boat at Algeciras the watchmangoing about serene with his lamp and O that awful deepdown torrent O andthe sea the sea crimson sometimes like fire and the glorious sunsets andthe figtrees in the Alameda gardens yes and all the queer little streetsand the pink and blue and yellow houses and the rosegardens and thejessamine and geraniums and cactuses and Gibraltar as a girl where I wasa Flower of the mountain yes when I put the rose in my hair like theAndalusian girls used or shall I wear a red yes and how he kissed meunder the Moorish wall and I thought well as well him as another and thenI asked him with my eyes to ask again yes and then he asked me would Iyes to say yes my mountain flower and first I put my arms around him yesand drew him down to me so he could feel my breasts all perfume yes andhis heart was going like mad and yes I said yes I will Yes.
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