Inspirational quotes with kneel.
Get up, Shahrzad al-Khayzuran. You kneel before no one. Least of all me.
Yesterday we obeyed kings and bent our necks before emperors. But today we kneel only to truth, follow only beauty, and obey only love.
Humility is perfect quietness of heart. It is to expect nothing, to wonder at nothing that is done to me, to feel nothing done against me. It is to be at rest when nobody praises me, and when I am blamed or despised. It is to have a blessed home in the Lord, where I can go in and shut the door, and kneel to my Father in secret, and am at peace as in a deep sea of calmness, when all around and above is trouble.
We are creators, and yet we naively play the role of "the created." We see ourselves as helpless sheep buffeted around by the God who made us. We kneel like frightened children, begging for help, for forgiveness, for good luck. But once we realize that we are truly created in the Creator's image, we will start to understand that we, too, must be Creators. When we understand this fact, the doors will burst wide open for human potential.
For my own part, I tend to find the doctrinal books often more helpful in devotion than the devotional books, and I rather suspect that the same experience may await others. I believe that many who find that ‘nothing happens’ when they sit down, or kneel down, to a book of devotion, would find that the heart sings unbidden while they are working their way through a tough bit of theology with a pipe in their teeth and a pencil in their hand.
What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.
Reason, Observation and Experience — the Holy Trinity of Science — have taught us that happiness is the only good; that the time to be happy is now, and the way to be happy is to make others so. This is enough for us. In this belief we are content to live and die. If by any possibility the existence of a power superior to, and independent of, nature shall be demonstrated, there will then be time enough to kneel. Until then, let us stand erect.
To HelenI saw thee once-once only-years ago;I must not say how many-but not many.It was a july midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumberUpon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared to stir, unless on tiptoe-Fell on the upturn'd faces of these rosesThat gave out, in return for the love-lightThier odorous souls in an ecstatic death-Fell on the upturn'd faces of these rosesThat smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.Clad all in white, upon a violet bank I saw thee half reclining; while the moonFell on the upturn'd faces of the rosesAnd on thine own, upturn'd-alas, in sorrow!Was it not Fate that, on this july midnight-Was it not Fate (whose name is also sorrow)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footstep stirred; the hated world all slept,Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)Save only thee and me. I paused- I looked-And in an instant all things disappeared.(Ah, bear in mind this garden was enchanted!)The pearly lustre of the moon went out;The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All- all expired save thee- save less than thou:Save only the divine light in thine eyes-Save but the soul in thine uplifted eyes.I saw but them- they were the world to me.I saw but them- saw only them for hours-Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a woe! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition!yet how deep-How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go- they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me- they lead me through the years.They are my ministers- yet I thier slaveThier office is to illumine and enkindle-My duty, to be saved by thier bright light,And purified in thier electric fire,And sanctified in thier Elysian fire.They fill my soul with Beauty (which is Hope),And are far up in heaven- the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still- two sweetly scintillantVenuses, unextinguished by the sun!
From Les Miserables:All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom.Cosette and Jean Valjean fell on their knees.They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel.These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house. While these voices were singing, Jean Valjean thought of nothing. He no longer beheld the night; he beheld a blue sky. It seemed to him that he felt those wings which we all have within us, unfolding.The song died away. It may have lasted a long time. Jean Valjean could not have told. Hours of ecstasy are never more than a moment.
But when ye come, and all the flowers are dying,If I am dead, as dead I well may be,You'll come and find the place where I am lying,And kneel and say Ave there for me,And I shall hear, though soft you tread above me,And all my grave will warmer, sweeter be,For you will bend and tell me that you love me,And I shall sleep in peace until you come to me
Oh Danny boy, the pipes, the pipes are callingFrom glen to glen, and down the mountain sideThe summer's gone, and all the flowers are dying'Tis you, 'tis you must go and I must bide.But come ye back when summer's in the meadowOr when the valley's hushed and white with snow'Tis I'll be here in sunshine or in shadowOh Danny boy, oh Danny boy, I love you so.And if you come, when all the flowers are dyingAnd I am dead, as dead I well may beYou'll come and find the place where I am lyingAnd kneel and say an "Ave" there for me.And I shall hear, tho' soft you tread above meAnd all my dreams will warm and sweeter beIf you'll not fail to tell me that you love meI'll simply sleep in peace until you come to me.I'll simply sleep in peace until you come to me.
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.Silver and blue, blue and silver.Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.The voice of Volkheimer: What you could be.Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.The wind moves through his undershirt. He is a kite, a balloon.Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.Why doesn’t the wind move the light?Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.“Stop,” he calls.“Halt,” he calls.But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.
Here is a minute. It may be my love is dead, but here is a minute to kneel over the grave and pray by it.
Success is yours, and what is yours you don’t beg for it, you don’t kneel down for it. You just have to be responsible and go for it and you will have it.
I saw thee once - only once - years ago:I must not say how many - but not many.It was a July midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumber,Upon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared stir, unless on tiptoe -Fell on the upturn'd faces of these rosesThat gave out, in return for the love-light,Their odorous souls in an ecstatic death -Fell on the upturn'd faces of these rosesThat smiled and died in the parterre, enchantedBy thee, and by the poetry of thy presence.Clad all in white, upon a violet bankI saw thee half reclining; while the moonFell upon the upturn'd faces of the roses,And on thine own, upturn'd - alas, in sorrow!Was it not Fate, that, on this July midnight -Was it not Fate, (whose name is also Sorrow,)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footsteps stirred: the hated world all slept,Save only thee and me. (Oh, Heaven! - oh, G**!How my heart beats in coupling those two words!)Save only thee and me. I paused - I looked -And in an instant all things disappeared.(Ah, bear in mind the garden was enchanted!)The pearly lustre of the moon went out:The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All - all expired save thee - save less than thou:Save only divine light in thine eyes -Save but the soul in thine uplifted eyes.I saw but them - they were the world to me.I saw but them - saw only them for hours -Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a wo! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition! yet how deep -How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into a western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go - they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me - they lead me through the years.They are my ministers - yet I their slave.Their office is to illumine and enkindle -My duty, to be saved by their bright fire,And purified in their electric fire,And sanctified in their elysian fire.They fill my soul with Beauty (which is Hope,)And are far up in Heaven - the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still - two sweetly scintillantVenuses, unextinguished by the sun!
For if in careless summer daysIn groves of Ashtaroth we whored,Repentant now, when winds blow cold,We kneel before our rightful lord;The lord of all, the money-god,Who rules us blood and hand and brain,Who gives the roof that stops the wind,And, giving, takes away again;Who spies with jealous, watchful care,Our thoughts, our dreams, our secret ways,Who picks our words and cuts our clothes,And maps the pattern of our days;Who chills our anger, curbs our hope,And buys our lives and pays with toys,Who claims as tribute broken faith,Accepted insults, muted joys;Who binds with chains the poet’s wit,The navvy’s strength, the soldier’s pride,And lays the sleek, estranging shieldBetween the lover and his bride.
from "Semele Recycled"But then your great voice rang out under the skiesmy name!-- and all those private namesfor the parts and places that had loved you best.And they stirred in their nest of hay and dung.The distraught old ladies chasing their lost altar,and the seers pursuing my skull, their lost employment,and the tumbling boys, who wanted the magic marbles,and the runaway groom, and the fisherman's thirteen children,set up such a clamor, with their cries of "Miracle!"that our two bodies met like a thunderclapin midday-- right at the corner of that wretched fieldwith its broken fenceposts and startled, skinny cattle.We fell in a heap on the compost heapand all our loving parts made love at once,while the bystanders cheered and prayed and hid their eyesand then went decently about their business.And here is is, moonlight again; we've bathed in the riverand are sweet and wholesome once more.We kneel side by side in the sand;we worship each other in whispers.But the inner parts remember fermenting hay,the comfortable odor of dung, the animal incense,and passion, its bloody labor,its birth and rebirth and decay.
Why must people kneel down to pray? If I really wanted to pray I’ll tell you what I'd do. I'd go out into a great big field all alone or in the deep, deep woods and I'd look up into the sky—up—up—up—into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just feel a prayer.
This is my living faith, an active faith, a faith of verbs: to question, explore, experiment, experience, walk, run, dance, play, eat, love, learn, dare, taste, touch, smell, listen, speak, write, read, draw, provoke, emote, scream, sin, repent, cry, kneel, pray, bow, rise, stand, look, laugh, cajole, create, confront, confound, walk back, walk forward, circle, hide, and seek.
All over India, all over the world, as the sun or the shadow of darkness moves from east to west, the call to prayer moves with it, and people kneel down in a wave to pray to God. Five waves each day - one for each namaaz - ripple across the globe from longitude to longitude. The component elements change direction, like iron filings near a magnet - towards the house of God in Mecca.
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children.Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad,Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath.He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver."Kneel," the Talib saidO my Lord! Forgive and have mercy, for you are the best of the merciful ones."Kneel here, hamshira and look down."One last time, Mariam did as she was told.
I love you when you bow in your mosque, kneel in your temple, pray in your church. For you and I are sons of one religion, and it is the spirit.
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?''Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.''Sounds to me like a euphemism for "freaky cult." ''Freaky, you say?''Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'Langdon scanned the class. 'Does that sound freaky to anyone else?''Yes!' they all chimed in.Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'The class looked horrified.Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'The classroom remained silent.Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh. ...And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.
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