Quotes with jell

Inspirational quotes with jell.

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Oh, look, the lights are so pretty,” I said dreamily, having just noticedthem.I smiled at the way the lights were dancing overhead, pink and yellow andblue. I felt some pressure on my arm and thought, I should look over and seewhat’s going on, but then the thought was gone, sliding away like Jell-O off ahot car hood.“Fang?”“Yeah. I’m here.”I struggled to focus on him. “I’m so glad you’re here.”“Yeah, I got that.”“I don’t know what I’d do without you.” I peered up at him, trying to seepast the too-bright lights.“You’d be fine,” he muttered.“No,” I said, suddenly struck by how unfine I would be. “I would be totallyunfine. Totally.” It seemed very urgent that he understand this.Again I felt some tugging on my arm, and I really wondered what that wasabout. Was Ella’s mom going to start this procedure any time soon?“It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’ttry to talk.”“I don’t want my chip anymore,” I explained groggily, then frowned.“Actually, I never wanted that chip.”“Okay,” said Fang. “We’re taking it out.”“I just want you to hold my hand.”“I am holding your hand.”“Oh. I knew that.” I drifted off for a few minutes, barely aware ofanything, but feeling Fang’s hand still in mine.“Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word aneffort.“Um, no,” said Ella’s voice, somewhere behind my head.“I think I would like a La-Z-Boy,” I mused, letting my eyes drift shutagain. “Fang, don’t go anywhere.”“I won’t. I’m here.”“Okay. I need you here. Don’t leave me.”“I won’t.”“Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. Ilove you sooo much.” I tried to hold out my arms to show how much, but Icouldn’t move them.“Oh, jeez,” Fang said, sounding strangled.

I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan.Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.

This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.



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