Inspirational quotes with isabel.
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”Voicemail #20: “I wish you’d answer.
He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark.It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years.
Life's pain. You just have to get over as much of it as you can.-Isabel Culpeper
Megan stepping back let her glance switch from Alma to Isabel and return to Alma. No doubt about it, thought Megan. Created as much alike as any sisters ever had been, their resemblance started with their matching red-and-white polka dot blouses. Since she was a young girl, she had matched their eye colors to their different personalities.
Petey Samson gave the ladies an over-the-shoulder glance. He realized no doggie treat was forthcoming, even from Isabel who was usually the soft mark to hit up. He scratched his front claws to re-attack the sand.
He smiled as he imagined the composite Jamie/Isabel, who would play the bassoon, read philosophy, interfere in other people's affairs rather too much, drive a green Swedish car and make legendary potatoes Dauphinoise.
Let me get you all some punch,” I said.“You're leaving us?” said Isabel, sounding panicky.“I'll be right back,” I promised. “If anyone comes near you, just scream and run.
Isabel is looking at several collections of research journals. 'She would understand the issues if she chose to open one of the volumes, but she knew that there were conversations within which she would never have the time to participate in. And that, of course, was the problem with any large collection of books, whether in a library or a bookshop: one might feel intimidated by the fact that there was simply too many to read and not know where to start.
As Isabel acted out her date, both of them laughing, I stayed in the kitchen, out of sight, and pretended she was telling me, too. And that, for once, I was part of this hidden language of laughter and silliness and girls that was, somehow, friendship.
So you’re a reader,” My mom sighs, as if somehow this elevates Isabel to yet another realm of perfection.
We live in a cruel world, Isabel," he says, without looking at me. "I am only a man, and will not always live up to your expectations. And to me, that is a painful reality. But we must never be cruel to one another. Let there be peace between us.
We act out our lives to a soundtrack, thought Isabel, the music that becomes, for a spell, out favourite and is listened to again and again until it stands for the time itself. But that was about all the scripting that we achieved; the rest, for most of us, was extemporising.
You go on with your life, because life goes on,” says Isabel. “You see this in anyone who has survived a traumatic situation. My own daughter died, for example.” Her only daughter, Paula Frias, died of porphyria in 1992 at the age of twenty-seven. “At first you think you can’t live with this,” says the author, who just turned sixty-five. “It’s just too much. Then life begins to take over. One morning you wake up and you want to eat chocolate. Or walk in the woods. Or open a bottle of wine. You get back up on your feet.” “When you can, right?” “You have no choice!” Isabel insists. “You cannot let the bullies keep you on the floor! I have been on my knees a thousand times, and I always get up.
But one day, when Toby is old enough, I will take down a shoe box from a shelf where it is kept, and I will tell him again the story of his sister, Isabel Margaret Cavendish, the girl who came before.
So long as there shall exist, by virtue of law and custom, decrees of damnation pronounced by society, artificially creating hells amid the civilization of earth, and adding the element of human fate to divine destiny; so long as the three great problems of the century—the degradation of man through pauperism, the corruption of woman through hunger, the crippling of children through lack of light—are unsolved; so long as social asphyxia is possible in any part of the world;—in other words, and with a still wider significance, so long as ignorance and poverty exist on earth, books of the nature of Les Misérables cannot fail to be of use. HAUTEVILLE HOUSE, 1862. [Translation by Isabel F. Hapgood]
Say yes,’ he whispers. ‘Marry me.’I hesitate. I open my eyes. ‘You will get my fortune,’ I remark. ‘When I marry you, everything I have becomes yours. Just as George has everything that belongs to Isabel.’‘That’s why you can trust me to win it for you,’ he says simply. ‘When your interests and mine are the same, you can be certain that I will care for you as for myself. You will be my own. You will find that I care for my own.’‘You will be true to me?’‘Loyalty is my motto. When I give my word, you can trust me.
She always used to suspect that the price for happiness, the price for enjoying the company of a person you loved, was the steadily increasing risk of losing them, and at times, when she considered the possibility that she might lose Isabel or Clancy or, in the early days, Todd, Bernice didn't think she could stand it, didn't think she could go on living in a universe whose laws forced her to submit to such a terrible fear. Now she sees what a small price it is to pay, what staggering joy she received in return. You should be willing to pay that price for as little as a few days or hours with a person you love, she thinks, rubbing her fingers across a patch of linoleum the years have worn down to a cloudy smear.
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
My death..I mean..will it be quick,and with dignity? How will i know when the end is coming?""When you vomit blood,sir," Tao Chi'en said sadly.That happened three weeks later,in the middle of Pacific,in the privacy of the captain's cabin. As soon as he could stand , the old seaman cleaned up the traces of his vomit, rinsed out his mouth , changed his bloody shirt, lighted his pipe, and went to the bow of his ship , where he stood and looked for the last time at the stars winking in a sky of black velvet. Several sailors saw him and waited at a distance, caps in hands. When he had smoked the last of his tobacco, Captain John Sommers put his legs over the rail and noiselessly dropped into the sea.-Portrait in Sepia by Isabel Allende.
Lately, she'd been waking up early every day, too excited to sleep. She was working on the biggest project she'd ever dared to undertake- transforming her family home into a destination cooking school. The work was nearing completion, and if everything went according to schedule, she would welcome the first guests of the Bella Vista Cooking School at harvest time.The big rambling mission-style hacienda, with its working apple orchard and kitchen gardens, was the perfect venue for the project. The place had long been just too much for just her and her grandfather, and Isabel's dreams had always been too big for her budget. She was passionate about cooking and in love with the idea of creating a place for other dreamers to come and learn the culinary arts.
Life could be very distracting, thought Isabel. And that was a good thing. It kept her from focusing on things that couldn't be changed, such as the fact that she'd never finished culinary school, or that she'd allowed one failed relationship to keep her closed up tight inside a hard, protective shell. Now she had a new project that consumed her every waking moment- the cooking school. It was true that she didn't have the official certification from a prestigious institute, but she had something that couldn't be taught- a God-given talent in the kitchen.She clung to that gift, grateful to let the passion consume her and fill her days with a joyous pursuit. She believed living and feeling well came from eating well, appreciating the simple things in life and spending time in the company of family and friends, and that was the mission of the Bella Vista Cooking School.
This time of year, the purple blooms were busy with life- not just the bees, but butterflies and ladybugs, skippers and emerald-toned beetles, flitting hummingbirds and sapphire dragonflies. The sun-warmed sweet haze of the blossoms filled the air."When I was a kid," said Isabel, "I used to capture butterflies, but I was afraid of the bees. I'm getting over that, though." The bees softly rose and hovered over the flowers, their steady hum oddly soothing. The quiet buzzing was the soundtrack of her girlhood summers. Even now, she could close her eyes and remember her walks with Bubbie, and how they would net a monarch or swallowtail butterfly, studying the creature in a big clear jar before setting it free again. They always set them free.As she watched the activity in the hedge, a memory floated up from the past- Bubbie, gently explaining to Isabel why they needed to open the jar. "No creature should ever be trapped against its will," she used to say. "It will ruin itself, just trying to escape." As a survivor of a concentration camp, Bubbie only ever spoke of the experience in the most oblique of terms.
. . . there was something that Isabel had said that always stuck in his mind. Remember what you have and the other person doesn't. It was simple--almost too simple--advice and yet, like all such home advice, it expressed a profound truth.
I said just let me try one more time and she said, "THAT'S ENOUGH, ISABEL," again, and she could just say it over and over and it would never get through my thick skull because I'm always wanting and wanting because nothing is ever enough you are never enough I am never enough I am never enough I AM NEVER ENOUGH.
Why, isabel? Why are you doing this to yourself? To your
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