Inspirational quotes with interconnection.
In provisionally characterizing the object which serves as the theme of our investigation (the Being of entities, or the meaning of Being in general), it seems that we have also delineated the method to be employed. The task of ontology is to explain Being itself and to make the Being of entities stand out in full relief. And the method of ontology remains questionable in the highest degree as long as we merely consult those ontologies which have come down to us historically, or other essays of that character. Since the term "ontology" is used in this investigation in a sense which is formally broad, any attempt to clarify the method of ontology by tracing its history is automatically ruled out. When, moreover, we use the term "ontology," we are not talking about some definite philosophical discipline standing in interconnection with the others. Here one does not have to measure up to the tasks of some discipline that has been presented beforehand; on the contrary, only in terms of the objective necessities of definite questions and the kind of treatment which the 'things themselves' require, can one develop such a discipline. With the question of the meaning of Being, our investigation comes up against the fundamental question of philosophy. This is one that must be treated *phenomenologically*. Thus our treatise does not subscribe to a 'standpoint' or represent any special 'direction'; for phenomenology is nothing of either sort, nor can it become so as long as it understands itself. The expression 'phenomenology' signifies primarily a *methodological conception*. This expression does not characterize the what of the objects of philosophical research as subject-matter, but rather the *how* of that research. The more genuinely a methodological concept is worked out and the more comprehensively it determines the principles on which a science is to be conducted, all the more primordially is it rooted in the way we come to terms with the things themselves, and the farther is it removed from what we call "technical devices," though there are many such devices even in the theoretical disciplines. Thus the term 'phenomenology' expresses a maxim which can be formulated as 'To the things themselves!' It is opposed to all free-floating constructions and accidental findings; it is opposed to taking over any conceptions which only seem to have been demonstrated; it is opposed to those pseudo-questions which parade themselves as 'problems', often for generations at a time. Yet this maxim, one may rejoin, is abundantly self-evident, and it expresses, moreover, the underlying principle of any scientific knowledge whatsoever. Why should anything so self-evident be taken up explicitly in giving a title to a branch of research? In point of fact, the issue here is a kind of 'self-evidence' which we should like to bring closer to us, so far as it is important to do so in casting light upon the procedure of our treatise. We shall expound only the preliminary conception [Vorbegriff] of phenomenology. This expression has two components: "phenomenon" and "logos." Both of these go back to terms from the Greek: φαινόμενον and λόγος. Taken superficially, the term "phenomenology" is formed like "theology," "biology," "sociology"―names which may be translated as "science of God," "science of life," "science of society." This would make phenomenology the *science of phenomena*. We shall set forth the preliminary conception of phenomenology by characterizing what one has in mind in the term's two components, 'phenomenon' and 'logos', and by establishing the meaning of the name in which these are *put together*. The history of the word itself, which presumably arose in the Wolffian school, is here of no significance."―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 49-51
Interconnection permeates the entire universe. We are all one.
How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
[Mathematics] is security. Certainty. Truth. Beauty. Insight. Structure. Architecture. I see mathematics, the part of human knowledge that I call mathematics, as one thing—one great, glorious thing. Whether it is differential topology, or functional analysis, or homological algebra, it is all one thing. ... They are intimately interconnected, they are all facets of the same thing. That interconnection, that architecture, is secure truth and is beauty. That's what mathematics is to me.
The Grace represents the interconnection of everything, the world of life and the world of the dead, Additive and Subtractive, as well as the spark of the gift that runs though it all. The Grace does more though, than simply represent Additive and Subtractive magic, Creation and obliteration, life and death, it connects them into a cohesive whole. The power of Orden deals with life, death and the whole nature of existence so the key also needs to have both sides. It needs both Additive and Subtractive, life and death to be complete.
It is a considerable point in all good legislation to determine exactly the credibility of witnesses and the proofs of a crime. Every reasonable man, everyone, that is, whose ideas have a certain interconnection and whose feelings accord with those of other men, may be a witness. The true measure of his credibility is nothing other than his interest in telling or not telling the truth; for this reason it is frivolous to insist that women are too weak [to be good witnesses], childish to insist that civil death in a condemned man has the same effects as a real death, and meaningless to insist on the infamy of the infamous, when they have no interest in lying.
Think about how much of your Bible, Old and New Testaments, is in the form not of doctrinal statements but of stories. Statements declare doctrinal truth; stories illustrate doctrinal truth. Doctrinal statements are like skeletons - bare bones, but absolutely essential to give form and order and interconnection to the body of revealed truth. Stories flesh out that skeleton, incarnate that truth, demonstrate how the doctrine looks and moves and acts in the real world of flesh and blood.
The Milky Way swooped diagonally across the heavens, reminding me of my utter insignificance, and at the same time my complete interconnection with everything. I was just a tiny speck of consciousness, and yet I was consciousness itself.
When writing a comprehensive self-investigatory scroll, the writer attempts to weave a network of strands capable of enmeshing all sizes of ideas including those with no obvious interconnection. The writer must also trace all lingering thoughts to their original source in personal experiences, and revaluate each exquisite nuance notched into a person’s conscious mind including acts of depravity, violence, and the almost imperceptible intrusions of grace.
On the other hand, it is also characteristic of the state of philosophical inquiry today and has been for a long time that, while there has been extensive controversy about whether or not the *a priori* can be known, it has never occurred to the protagonists to ask first what could really have been meant by the fact that a time-determination turns up here and why it must turn up at all. To be sure, as long as we orient ourselves toward the common concept of time we are at an impasse, and negatively it is no less than consistent to deny dogmatically that the *a priori* has anything to do with time. However, time in the sense commonly understood, which is our topic here, is indeed only one derivative, even if legitimate, of the original time, on which the Dasein's ontological constitution is based. *It is only by means of the Temporality of the understanding of Being that it can be explained why the ontological determinations of Being have the character of apriority*. We shall attempt to sketch this briefly, as far as it permits of being done along general lines.We have just seen that all comportment toward beings already understands Being, and not just incidentally: Being must necessarily be understood precursorily (pre-cecently). The possibility of comportment toward beings demands a precursory understanding of Being, and the possibility of the understanding of Being demands in its turn a precursory projection upon time. But where is the final stage of this demand for ever further precursory conditions? It is temporality itself as the basic constitution of the Dasein. Temporality, due to its horizonal-ecstatic nature, makes possible *at once* the understanding of Being and comportment toward beings; therefore, that which does the enabling as well as the enablings themselves, that is, the possibilities in the Kantian sense, are "temporal," that is to say, Temporal, in their specific interconnection. Because the original determinant of possibility, the origin of possibility itself, is time, time temporalizes itself as the absolutely earliest. *Time is earlier than any possible earlier* of whatever sort, because it is the basic condition for an earlier as such. And because time as the source of all enablings (possibilities) is the earliest, all possibilities as such in their possibility-making function have the character of the earlier. That is to say, they are *a priori*. But, from the fact that time is the earliest in the sense of being the possibility of every earlier and of every *a priori* foundational ordering, it does not follow that time is ontically the first being; nor does it follow that time is forever and eternal, quite apart from the impropriety of calling time a being at all.” ―from_The Basic Problems of Phenomenology_
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