Inspirational quotes with implacable.
If You Forget MeI want you to knowone thing.You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.Well, now,if little by little you stop loving meI shall stop loving you little by little.If suddenlyyou forget medo not look for me,for I shall already have forgotten you.If you think it long and mad,the wind of bannersthat passes through my life,and you decideto leave me at the shoreof the heart where I have roots,rememberthat on that day,at that hour,I shall lift my armsand my roots will set offto seek another land.Butif each day,each hour,you feel that you are destined for mewith implacable sweetness,if each day a flowerclimbs up to your lips to seek me,ah my love, ah my own,in me all that fire is repeated,in me nothing is extinguished or forgotten,my love feeds on your love, beloved,and as long as you live it will be in your armswithout leaving mine.
I want you to knowone thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Let not the rash marble riskgarrulous breaches of oblivion's omnipotence,in many words recallingname, renown, events, birthplace.All those glass jewels are best left in the dark.Let not the marble say what men do not.The essentials of the dead man's life--the trembling hope,the implacable miracle of pain, the wonder of sensual delight--will abide forever.Blindly the uncertain soul asks to continuewhen it is the lives of others that will make that happen,as you yourself are the mirror and imageof those who did not live as long as youand others will be (and are) your immortality on earth.
We are here in a wood of little beeches: And the leaves are like black lace Against a sky of nacre. One bough of clear promise Across the moon. It is in this wise that God speaketh unto me. He layeth hands of healing upon my flesh, Stilling it in an eternal peace, Until my soul reaches out myriad and infinite hands Toward him, And is eased of its hunger. And I know that this passes: This implacable fury and torment of men, As a thing insensate and vain: And the stillness hath said unto me, Over the tumult of sounds and shaken flame, Out of the terrible beauty of wrath, I alone am eternal. One bough of clear promise Across the moon
How many more times would I have embraced him that night, how many more times would I have kissed him, if I had known the name of that stranger lover who was already in Montreal, who had already bought his stadium ticket from a scalper for the 5,000 tomorrow. That implacable lover who was going to turn Billy's eyes away from me forever.
The Pekes and the Pollicles, everyone knows, Are proud and implacable, passionate foes;It is always the same, wherever one goes.And the Pugs and the Poms, although most people saythat they do not like fighting, will often displayEvery symptom of wanting to join in the fray.And theyBark bark bark bark bark barkUntil you can hear them all over the park.
Stand like a beaten anvil, when thy dreamIs laid upon thee, golden from the fire.Flinch not, though heavily through that furnace-gleamThe black forge-hammers fall on thy desire.Demoniac giants round thee seem to loom.'Tis but the world-smiths heaving to and fro.Stand like a beaten anvil. Take the doomTheir ponderous weapons deal thee, blow on blow.Needful to truth as dew-fall to the flowerIs this wild wrath and this implacable scorn.For every pang, new beauty, and new power,Burning blood-red shall on thy heart be born.Stand like a beaten anvil. Let earth's wrongBeat on that iron and ring back in song.
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.
...I say to you, without pleasure, that this son of ours will be a great man, because -- well -- because he is not very intelligent. He can see only one desire at a time. I said he tested his dreams; he will murder every dream with the implacable arrows of his will. This boy will win to every goal of his aiming; for he can realize no thought, no reason, but his own. And I am sorry for his coming greatness...
Nature is pitiless; she never withdraws her flowers, her music, her fragrance and her sunlight, from before human cruelty or suffering. She overwhelms man by the contrast between divine beauty and social hideousness. She spares him nothing of her loveliness, neither wing or butterfly, nor song of bird; in the midst of murder, vengeance, barbarism, he must feel himself watched by holy things; he cannot escape the immense reproach of universal nature and the implacable serenity of the sky. The deformity of human laws is forced to exhibit itself naked amidst the dazzling rays of eternal beauty. Man breaks and destroys; man lays waste; man kills; but the summer remains summer; the lily remains the lily; and the star remains the star....As though it said to man, 'Behold my work. and yours.
Yet even then the music has still a quality stern and implacable, deliberate and without passion so much as immolation, pleading, asking, for not love, not life, forbidding it to others, demanding in sonorous tones death as though death were the boon, like all Protestant music.
He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief. And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances. It had all contributed to making his existence what it was: artificial, self-conscious, and forced—until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.
It's said that 'power corrupts,' but actually it's more true that power attracts the corruptible. The sane are usually attracted by other things than power. When they do act, they think of it as service, which has limits. The tyrant, though, seeks mastery, for which he is insatiable, implacable.
A real man—real in all the ways that we recognize as real—finds himself suddenly abstracted from the world and deposited in a physical situation which could not possibly exist: sounds have aroma, smells have color and depth, sights have texture, touches have pitch and timbre. There he is informed by a disembodied voice that he has been brought to that place as a champion for his world. He must fight to the death in single combat against a champion from another world. If he is defeated, he will die, and his world—the real world—will be destroyed because it lacks the inner strength to survive.The man refuses to believe that what he is told is true. He asserts that he is either dreaming or hallucinating, and declines to be put in the false position of fighting to the death where no "real" danger exists. He is implacable in his determination to disbelieve his apparent situation, and does not defend himself when he is attacked by the champion of the other
It may well have been, too, that the smiling moderation with which she faced and answered these blasphemies, that this tender and hypocritical rebuke appeared to her frank and generous nature as a particularly shameful and seductive form of that criminal attitude towards life which she was endeavouring to adopt. But she could not resist the attraction of being treated with affection by a woman who had just shewn herself so implacable towards the defenceless dead; she sprang on to the knees of her friend and held out a chaste brow to be kissed;...
Left alone, I am overtaken by the northern void-no wind, no cloud, no track, no bird, only the crystal crescents between peaks, the ringing monuments of rock that, freed from the talons of ice and snow, thrust an implacable being into the blue. In the early light, the rock shadows on the snow are sharp; in the tension between light and dark is the power of the universe. This stillness to which all returns, this is reality, and soul and sanity have no more meaning than a gust of snow; such transience and insignificance are exalting, terrifying, all at once…Snow mountains, more than sea or sky, serve as a mirror to one’s own true being, utterly still, utterly clear, a void, an Emptiness without life or sound that carries in Itself all life, all sound.
Absolute virtue is impossible and the republic of forgiveness leads, with implacable logic, to the republic of the guillotine.
March 1898What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.Their vitreous eyes were looking at me...I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.Am I to be haunted by masks now?
What was it - this implacable remoteness, this inability to surrender herself to the warmth and comradely feelings of others? Could being an academic star, being applauded over and over again as a prodigy, take the place of all that? She shuddered with a feeling she couldn't have put a name to. It was the congenital human fear of isolation.
We are fascinated, all of us, by the implacable otherness of others. And we wish to penetrate by hypothesis, by daydream, by scientific investigation those leaden walls that encase the human spirit, that define it and guard it and hold it forever inaccessible.
The apartment faces an alley and is entered by a fire-escape, a structure whose name is a touch of accidental poetic truth, for all of these huge buildings are always burning with the slow and implacable fires of human desperation.
It seemed incredible that this day, a day without warnings or omens, might be that of my implacable death.
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