Inspirational quotes with graver.
excuse my enthusiasm or rather madness, for I am really drunk with intellectual vision whenever I take a pencil or graver into my hand.
He, too, was in the grip of rage and rhetoric. I saw that, attractive though his side of the political spectrum was. A cancerous violence had eaten into every political idea, had taken over the ideas themselves, and for so many, all that mattered was the willingness to do something. Action led to action, free of any moorings, and the way to be someone, the way to catch the attention of the young and recruit them to one's cause, was to be enraged. It seemed as if the only way this lure of violence could be avoided was by having no causes, by being magnificiently isolated from loyalties. But was that not an ethical lapse graver than rage itself?
When evening comes, I return home and go into my study. On the threshold I strip off my muddy, sweaty, workday clothes, and put on the robes of court and palace, and in this graver dress I enter the antique courts of the ancients and am welcomed by them, and there I taste the food that alone is mine, and for which I was born. And there I make bold to speak to them and ask the motives of their actions, and they, in their humanity, reply to me. And for the space of four hours I forget the world, remember no vexation, fear poverty no more, tremble no more at death: I pass indeed into their world.
The "pathology of normalcy" rarely deteriorates to graver forms of mental illness because society produces the antidote against such deterioration. When pathological processes become socially patterned, they lose their individual character. On the contrary, the sick individual finds himself at home with all other similarly sick individuals. The whole culture is geared to this kind of pathology and arranged the means to give satisfactions which fit the pathology. The result is that the average individual does not experience the separateness and isolation the fully schizophrenic person feels. He feels at ease among those who suffer from the same deformation, in fact, it is the fully sane person who feels isolated in the insane society - and he may suffer so much from the incapacity to communicate that it is he who may become psychotic.
There are people, of course, who think it unscientific to take anything seriously; they do not want their intellectual playground disturbed by graver considerations. But the doctor who fails to take account of man's feelings for values commits a serious blunder, and if he tries to correct the mysterious and well-nigh inscrutable workings of nature with his so-called scientific attitude, he is merely putting his shallow sophistry in place of nature's healing processes.
What gives value to travel is fear. It is the fact that, at a certain moment, when we are so far from our own country … we are seized by a vague fear, and an instinctive desire to go back to the protection of old habits … this is why we should not say that we travel for pleasure. There is no pleasure in traveling, and I look upon it more as an occasion for spiritual testing … Pleasure takes us away from ourselves in the same way as distraction, in Pascal’s use of the word, takes us away from God. Travel, which is like a greater and a graver science, brings us back to ourselves.
When the Bible is understood in its literary and historical context; errors, contradictions, and inconsistencies pose no threat to spirituality, whether that spirituality is theistic, non-theistic, or even explicitly Jesus-centered. The graver threat to what Christians call godliness may be fundamentalism - religion that flows from literalism and fear, religion based on anachronism and law. Fundamentalism teachers, in effect, that the tattered musings of our ancestors, those human words that so poorly represent the content of human thinking, somehow adequately describe God. Fundamentalism offers identity, security, and simplicity, but at a price: by binding believers to the moral imitations and cultural trappings of the Ancients, it precludes a deeper embrace of goodness, love, and truth - in other words, of Divinity.
The Knowing Afterwards, when we have slept, paradise- comaed and woken, we lie a long time looking at each other.I do not know what he sees, but I see eyes of surpassing tenderness and calm, a calm like the dignity of matter. I love the open ocean blue-grey-green of his iris, I love the curve of it against the white, that curve the sight of what has caused me to come, when he’s quite still, deep inside me. I have never seen a curve like that, except the earth from outer space. I don’t know where he got his kindness without self-regard, almost without self, and yet he chose one woman, instead of the others.By knowing him, I get to know the purity of the animal which mates for life. Sometimes he is slightly smiling, but mostly he just gazes at me gazing, his entire face lit. I love to see it change if I cry–there is no worry, no pity, no graver radiance. If we are on our backs, side by side, with our faces turned fully to face each other, I can hear a tear from my lower eye hit the sheet, as if it is an early day on earth, and then the upper eye’s tears braid and sluice down through the lower eyebrow like the invention of farmimg, irrigation, a non-nomadic people.I am so lucky that I can know him. This is the only way to know him. I am the only one who knows him.When I wake again, he is still looking at me, as if he is eternal. For an hour we wake and doze, and slowly I know that though we are sated, though we are hardly touching, this is the coming the other coming brought us to the edge of–we are entering, deeper and deeper, gaze by gaze, this place beyond the other places, beyond the body itself, we are making love.
We rightly scorn those who have no made use of their defects, who have not exploited their deficiencies, and have not been enriched by their losses, as we despise any man who does not suffer at being a man or simply at being. Hence no graver insult can be inflicted than to call someone 'happy', no greater flattery than to grant him a 'vein of melancholy'... This is because gaiety is linked to no important action and because, except for the mad, no one laughs when he is alone.
It is the postscript to the war that offers the most revelatory and startling commentary on Dutugemunu's life. Despite his newfound wealth and his peactime luxuries, Dutugemunu wanders gloomily about his palace, too often remembering the carnage he wrought on the battlefield and worried over the deep karmic deficits he has incurred. The elders of the Sangha, the Buddhist clergy, notice this and send a delegation of eight monks to minister to his anguish. 'In truth, venerable sirs,' Dutugemunu tells the monks when they arrive, 'how can there be comfort to me in that I caused the destruction of a great army of myriads of men?''There is no hindrance on the way to heaven because of your acts,' one of the monks assures his king. Slaughtering Tamils is no moral mistake. Only the equivalent of one and a half men died at Dutugemunu's hands, according to the Sangha's official arithmetic, because the Tamils 'were heretical and evil and dies as though they were animals. You will make the Buddha's faith shine in many ways. Therefore, Lord of Men, cast away your mental confusion.'Being thus exhorted, the great king was comforted; his kill rate would never disturb him again. He does, however, recall that, once upon a breakfast, he ate a red-pepper pod without consciously setting aside a portion of it for the Sangha, as was the royal practice. 'For this,' he decides, 'penance must be done by me.' A hierarchy of sin springs into being, in which dishonouring the Sangha by denying it a due share of a red-pepper pod counts as a graver transgression, worthier of penance, than massacring thousands of Tamils on the battlefield.
It is one of the maladies of our age to profess a frenzied allegiance to truth in unimportant matters, to refuse consistently to face her where graver issues are at stake.
If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida--hardly comedy at all--where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend.
Hoover Dam," Thalia said. "It's huge."We stood at the river's edge, looking up at a curve of concrete that loomed between the cliffs. People were walking along the top of the dam. They were so tiny they looked like fleas.The naiads had left with a lot of grumbling—not in words I could understand, but it was obvious they hated this dam blocking up their nice river. Our canoes floated back downstream, swirling in the wake from the dam's discharge vents."Seven hundred feet tall," I said. "Built in the 1930s.""Five million cubic acres of water," Thalia said.Graver sighed. "Largest construction project in the United States."Zoe stared at us. "How do you know all that?""Annabeth," I said. "She liked architecture.""She was nuts about monuments," Thalia said."Spouted facts all the time." Grover sniffled. "So annoying.""I wish she were here," I said.
Far graver is it to corrupt the faith that is the life of the soul than to counterfeit the money that sustains temporal life.
The basic difference between classical music and jazz is that in the former the music is always graver than its performance - whereas the way jazz is performed is always more important than what is being played.
Feel free to write to us if you have any questions. But before you do so, please take a look on our page with Frequently Asked Questions (FAQ) and even our sitemap to get a full overview of the content on our site.