Inspirational quotes with forgetting.
Love is so short, forgetting is so long.
The most painful thing is losing yourself in the process of loving someone too much, and forgetting that you are special too.
I am no longer in love with her, that's certain, but maybe I love her. Love is so short, forgetting is so long.
Remembering. Forgetting. I'm not sure which is worse.
She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.
Life has a way of going in circles. Ideally, it would be a straight path forward––we'd always know where we were going, we'd always be able to move on and leave everything else behind. There would be nothing but the present and the future. Instead, we always find ourselves where we started. When we try to move ahead, we end up taking a step back. We carry everything with us, the weight exhausting us until we want to collapse and give up. We forget things we try to remember. We remember things we'd rather forget. The most frightening thing about memory is that it leaves no choice. It has mastered an incomprehensible art of forgetting. It erases, it smudges, it fills in blank spaces with details that don't exist. But however we remember it––or choose to remember it––the past is the foundation that holds our lives in place. Without its support, we'd have nothing for guidance. We spend so much time focused on what lies ahead, when what has fallen behind is just as important. What defines us isn't where we're going, but where we've been. Although there are places and people we will never see again, and although we move on and let them go, they remain a part of who we are. There are things that will never change, things we will carry along with us always. But as we venture into the murky future, we must find our strength by learning to leave things behind.
For JennAt 12 years old I started bleeding with the moonand beating up boys who dreamed of becoming astronauts.I fought with my knuckles white as stars,and left bruises the shape of Salem.There are things we know by heart,and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke.I'd watch the nicotine rising from her lips like halos,but I could never make dying beautiful.The sky didn't fill with colors the night I convinced myselfveins are kite strings you can only cut free.I suppose I love this life,in spite of my clenched fist.I open my palm and my lifelines look like branches from an Aspen tree,and there are songbirds perched on the tips of my fingers,and I wonder if Beethoven held his breaththe first time his fingers touched the keysthe same way a soldier holds his breaththe first time his finger clicks the trigger.We all have different reasons for forgetting to breathe.But my lungs rememberthe day my mother took my hand and placed it on her bellyand told me the symphony beneath was my baby sister's heartbeat.And I knew life would tremblelike the first tear on a prison guard's hardened cheek,like a prayer on a dying man's lips,like a vet holding a full bottle of whisky like an empty gun in a war zone…just take me just take meSometimes the scales themselves weigh far too much,the heaviness of forever balancing blue sky with red blood.We were all born on days when too many people died in terrible ways,but you still have to call it a birthday.You still have to fall for the prettiest girl on the playground at recessand hope she knows you can hit a baseballfurther than any boy in the whole third gradeand I've been running for homethrough the windpipe of a man who singswhile his hands playing washboard with a spoonon a street corner in New Orleanswhere every boarded up window is still painted with the wordsWe're Coming Backlike a promise to the oceanthat we will always keep moving towards the music,the way Basquait slept in a cardboard box to be closer to the rain.Beauty, catch me on your tongue. Thunder, clap us open.The pupils in our eyes were not born to hide beneath their desks.Tonight lay us down to rest in the Arizona desert,then wake us washing the feet of pregnant womenwho climbed across the border with their bellies aimed towards the sun.I know a thousand things louder than a soldier's gun.I know the heartbeat of his mother.Don't cover your ears, Love.Don't cover your ears, Life.There is a boy writing poems in Central Parkand as he writes he movesand his bones become the bars of Mandela's jail cell stretching apart,and there are men playing chess in the December coldwho can't tell if the breath rising from the boardis their opponents or their own,and there's a woman on the stairwell of the subwayswearing she can hear Niagara Falls from her rooftop in Brooklyn,and I'm remembering how Niagara Falls is a city overrunwith strip malls and traffic and vendorsand one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect.I am not the type to mistake a streetlight for the moon.I know our wounds are deep as the Atlantic.But every ocean has a shorelineand every shoreline has a tidethat is constantly returningto wake the songbirds in our hands, to wake the music in our bones,to place one fearless kiss on the mouth of that brave riverthat has to run through the center of our heartsto find its way home.
Waiting is painful. Forgetting is painful. But not knowing which to do is the worst kind of suffering.
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street.""No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress.""You can't be serious.""In the governor's manor.""Of all the -" "In the governor's bed.""Damned lunatic!""With the governor sleeping next to her."The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later."It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
Because this is another thing your average American man in crisis does: he tries to go home, forgetting, momentarily, that he is the reason he left home in the first place, that the home is not his anymore, and that the crisis is him.
How keen everyone is to make this world their home forgetting its impermanence It's like trying to see and name constellations in a fireworks display.
The trick to forgetting the big picture is to look at everything close-up. The shortcut to closing a door is to bury yourself in the details. This is how we must look to God. As if everything's just fine.
Do not limit yourself to your own preconceptions of yourself, but throw yourself out onto a blank page that you haven't written on yet, and see what you find out about you, see what story unfolds, see what happens! I always do this, and sometimes it can be very frightening! To very often have a blank page with nothing written on it yet! I feel as though I am a soul with a single covering–my body of skin– and that's the only thing between me on the inside and the rest of the world! It's quite frightening to begin each day on a blank page, forgetting your own preconceptions of yourself and allowing your mind to embrace the new! It is like meeting yourself for the first time, over and over again!
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.The life coach Martha Beck asks new potential clients, "Is there anything you do regularly that makes you forget what time it is?" That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls "flow" or optimal experience. In an interview with Wired magazine, he described flow as "being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost."In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art. The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call "antiflow." Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work. In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, "Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124).
I did not believe in stalemates. I believed in resolutions, one way or another, and if I found myself on the losing end, so be it. Losing meant quiet, and forgetting quickly, and giving up nothing of any real worth to me. I did not debate restaurant bills, politics, wrongly delivered mail, divorces. These things were officiously loud, and silence was always best.
I know now, after fifty years, that the finding/losing, forgetting/remembering, leaving/returning, never stops. The whole of life is about another chance, and while we are alive, till the very end, there is always another chance.
The king was silent. "Ents!" he said at length. "Out of the shadows of legend I begin a little to understand the marvel of the trees, I think. I have lived to see strange days. Long we have tended our beasts and our fields, built our houses, wrought our tools, or ridden away to help in the wars of Minas Tirith. And that we called the life of Men, the way of the world. We cared little for what lay beyond the borders of our land. Songs we have that tell of these things, but we are forgetting them, teaching them only to children, as a careless custom. And now the songs have come down among us out of the strange places, and walk visible under the Sun.""You should be glad," Théoden King," said Gandalf. "For not only the little life of Men is now endangered, but the life also of those thing which you have deemed the matter of legend. You are not without allies, even if you know them not.""Yet also I should be sad," said Théoden. "For however the fortune of war shall go, may it not so end that much that was fair and wonderful shall pass for ever out of Middle-earth?
Just when it seemed my mother couldn’t bearone more needle, one more insane orange pill,my sister, in silence, stood at the endof the bed and slowly rubbed her feet,which were scratchy with hard, yellow skin,and dirt cramped beneath the broken nails,which changed nothing in time exceptthe way my mother was lost in it for a whileas if with a kind of relief that doesn’t relieve.And then, with her eyes closed, my mother saidthe one or two words the living have for gratefulness,which is a kind of forgetting, with a senseof what it means to be alive long enoughto love someone. Thank you, she said. As for me,I didn’t care how her voice suddenly seemed lowand kind, or what failures and triumphsof the body and spirit brought her to that point—just that it sounded like hope, stupid hope.
Then one morning she’d begun to feel her sorrow easing, like something jagged that had cut into her so long it had finally dulled its edges, worn itself down. That same day Rachel couldn’t remember which side her father had parted his hair on, and she’d realized again what she’d learned at five when her mother left – that what made losing someone you loved bearable was not remembering but forgetting. Forgetting the small things first, the smell of the soap her mother had bathed with, the color of the dress she’d worn to church, then after a while the sound of her mother’s voice, the color of her hair. It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief that was still there, like old barbed wire embedded in a tree’s heartwood. (51)
Our birth is but a sleep and a forgetting:The Soul that rises with us, our life's Star,Hath had elsewhere its setting,And cometh from afar:Not in entire forgetfulness,And not in utter nakedness,But trailing clouds of glory do we come
Tonight I can write the saddest lines.Write, for example,'The night is shatteredand the blue stars shiver in the distance.'The night wind revolves in the sky and sings.Tonight I can write the saddest lines.I loved her, and sometimes she loved me too.Through nights like this one I held her in my armsI kissed her again and again under the endless sky.She loved me sometimes, and I loved her too.How could one not have loved her great still eyes.Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.To hear the immense night, still more immense without her.And the verse falls to the soul like dew to the pasture.What does it matter that my love could not keep her.The night is shattered and she is not with me.This is all. In the distance someone is singing. In the distance.My soul is not satisfied that it has lost her.My sight searches for her as though to go to her.My heart looks for her, and she is not with me.The same night whitening the same trees.We, of that time, are no longer the same.I no longer love her, that's certain, but how I loved her.My voice tried to find the wind to touch her hearing.Another's. She will be another's. Like my kisses before.Her voide. Her bright body. Her inifinite eyes.I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long.Because through nights like this one I held her in my armsmy sould is not satisfied that it has lost her.Though this be the last pain that she makes me sufferand these the last verses that I write for her.
Wherever we go we do harm, forgivingourselves as wheels do cement for wearingeach other out. We set this houseon fire, forgetting that we live within.(from "To a Meadowlark," for M.L. Smoker)
Life is just a slide. Back and forth between loving and leaving, remembering and forgetting, holding on and letting go.
Infinite? Am I forgetting anyone?" Your Creator. Kien almost smiled. True. All things considered, he'd been blessed far more than he deserved. "What, then, should I write to You, my Creator?" He hardly expected an answer, but it came at once, swathing him in comfort. Write your love for Me on your heart, where My Spirit finds it always.
The grace is not about forgetting, but knowing you can start anew.
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