Inspirational quotes with foreword.
Foreword of my book: The Pawn“It is being said that time and space could be tied to their creator’s stance of what they are to him or her. It can possibly be perceived by those who become the receivers of this viewpoint as something different or the same.” (Claire Manning Writer/Author 2016)
A verse from a short poem - 'Philosophy is Forestry's Child' - in my Foreword:Ask not which came first, the acorn or the oak.We came as children of the forest;First our wooden cradle, then our kindling for industry.Instead think forward –– trees will shelter us from ourselves.
A text by a minority writer is effective only if it succeeds in making the minority point of view universal. ('The Universal and the Particular')" ... In claiming the lesbian point of view as universal, she overturns the concepts to which we are accustomed. For up to this point, minority writers had to add "the universal" to their points of view if they wished to attain the unquestioned universality of the dominant class. Gay men, for example, have always defined themselves as a minority and never questioned, despite their transgression, the dominant choice. This is why gay culture has always had a fairly wide audience. [From the Foreword "Changing the Point of View" by Louise Turcotte]
We are the voices in the shadows,Between the light and shade,Betwixt life and restful death,In the dark periphery of the unseen.We’re here, At the edges. We are the villainous punished,The innocent murdered or abandoned,Our lives ended by foul means, or unspeakable deeds.We are your lovers long gone; your siblings forsaken.Can you hear us?At the edgesFrom the Foreword of Cautionary Tales - by Emmanuelle de Maupassant
When you make a film, if you are an insider, you're usually the last person to know that your film is not right. But when you are an outsider, you have a little more objectivity.I think a part of my success is that I am naturally objective. I am not an insider.In many ways, Anupama is the same.Foreword, First Day First Show
Here, at the edges,Whispering to you,And we’re not alone; not aloneHere, in the dark.We are behind the door, in the corners,In the room where you’ve just extinguished the light.We flicker in the shadow you cast on the wall.We are the prickle on the back of your neck.Curled, in words unspoken,We are the shiver on your uneasy flesh,The creep of the unknown on your skin.Can you feel us?Here, at the edges.From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant
Foreword: Life is tension or the result of tension: without tension the creative impulse cannot exist. If human life be taken as the result of tension between the two polarities night and day, night, the negative pole, must share equal importance with the positive day. At night, under the influence of cosmic radiations quite different from those of the day, human affairs are apt to come to a crisis. At night most human beings die and are
Muslims pursued knowledge to the edges of the earth. Al-Biruni, the central Asian polymath, is arguably the world's first anthropologist. The great linguists of Iraq and Persia laid the foundations a thousand years ago for subjects only now coming to the forefront in language studies. Ibn Khaldun, who is considered the first true scientific historian, argued hundreds of years ago that history should be based upon facts and not myths or superstitions. The great psychologists of Islam known as the Sufis wrote treatise after treatise that rival the most advanced texts today on human psychology. The great ethicists and exegetes of Islam's past left tomes that fill countless shelves in the great libraries of the world, and many more of their texts remain in manuscript form.In the foreword of "Being Muslim. A Practical Guide" by Dr. Asad Tarsin.
interview from Ross E. Cheit about The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children (Oxford University Press, February 2014).In the foreword to your book you mention a book titled Satan’s Silence was the catalyst for your research. Tell us about that. Cheit: Debbie Nathan and Michael Snedeker solidified the witch-hunt narrative in their 1995 book, Satan’s Silence: Ritual Abuse and the Making of a Modern American Witch Hunt, which included some of these cases. I was initially skeptical of the book’s argument for personal reasons. It seemed implausible to me that we had overreacted to child abuse because everything in my own personal history said we hadn’t. When I read the book closely, my skepticism increased. Satan’s Silence has been widely reviewed as meticulously researched. As someone with legal training, I looked for how many citations referred to the trial transcripts. The answer was almost none. Readers were also persuaded by long list of [presumably innocent] convicted sex offenders to whom they dedicated the book. If I’m dedicating a book to fifty-four people, all of whom I think have been falsely convicted, I’m going to mention every one of these cases somewhere in the book. Most weren’t mentioned at all beyond that dedication. The witch-hunt narrative is so sparsely documented that it’s shocking.
If one proceeds philosophically before proceeding poetically, and this is central to the philosopher, pleasure is crushed, But if one begins by having pleasure, it is like knowing how to swim: one never forgets it [Clarice Lispector, The Stream of Life, trans Elizabeth Lowe & Earl Fitz, Foreword by Hélène Cixous trans Verena Conley, Minneapolis: University of Minnesota Press, 1989].
When we are reading, a voice comes to us as in the dark and whispers, "Imagine!" Samuel Beckettas told by Bill Moyer in the Foreword he wrote for, The Public Library: A Photographic Essay by Robert Dawson. Afterword by Ann Patchett
The flaw in being civilized is that it permit’s the uncivilized among us to perpetrate horrific crimes against us in the name of freedom and equality.Foreword 'RHG
What is the use of the colon? What is a colon? Generally it opens onto an explanation, but it is always done with the help of an interruption. It can be said that the colon is not the period, it is the period of the period, the canceling of the period. It is a moment mute and marked; it is the most delicate tattoo of the text. It is also in place of, instead of, everything that would be causal. For example, when we read: "It's simply that: secret." "Secret," is a sentence, it is the shortest sentence perhaps. But it is a sentence in one word. It is a sentence that is secret and that at the same time says its name. One could invert and say: "Secret: it is simply that." This is secret, the secret is the secret of this, it is a word which makes infinite sense all by itself, it is a sentence which performs the secret itself [Clarice Lispector, The Stream of Life, trans Elizabeth Lowe & Earl Fitz, Foreword by Hélène Cixous trans Verena Conley, Minneapolis: University of Minnesota Press, 1989]
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