Inspirational quotes with flooding.
Well then," Roen said briskly, "are you sleeping?""Yes.""Come now. A mother can tell when her son lies. Are you eating?""No," Brigan said gravely. "I've not eaten in two months. It's a hunger strike to protest the spring flooding in the south.""Gracious," Roen said, reaching for the fruit bowl. "Have an apple, dear.
What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.
I want to take you until you are boneless. I want to drain you of strength. I want to fill you and take my fill of you. My dear, Ivy, I want to devour you. I want your juices on my toung, flooding my mouth. I want your wetness on my face, your scent covering me. I want your blood in my veins.
Good or bad, happy or sad, everything that happens does so for a reason; no incident in this world is a stray occurrence. Don’t be unnecessarily perplexed or anxious about it- accept it. There’s no point resisting it because it was ordained. A strain of music, perhaps a song, at times a stray incident brings back memories of another day. Some may be nostalgically beautiful others may bring back that ache in the heart that you thought you had overcome long ago. Don’t stop them, let them keep flooding in. They are your memories of an era gone by. Feel them. Relive the good ones. Chew the cud of nostalgia. You will feel energized. The unhappy ones too are welcome, let them in. That pain that you feel once again is the purging of your heart. Feel that the ache for one last time and forgive those that caused the pain. Let go of those memories tenderly. Gently bid them adieu with love. You are a new person now. Those old memories have gone and they have left a space; you are now ready to accept new ones. Fill your life with love; spread it. Live life the way you want to. Do things that you have wanted to do all this while but were afraid to. Live the life that brings you happiness and makes your heart sing with joy...
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
I lost Susy thirteen years ago; I lost her mother--her incomparable mother!--five and a half years ago; Clara has gone away to live in Europe and now I have lost Jean. How poor I am, who was once so rich! . . . Jean lies yonder, I sit here; we are strangers under our own roof; we kissed hands good-by at this door last night--and it was forever, we never suspecting it. She lies there, and I sit here--writing, busying myself, to keep my heart from breaking. How dazzling the sunshine is flooding the hills around! It is like a mockery. Seventy-four years ago twenty-four days. Seventy-four years old yesterday. Who can estimate my age today?
I love a sunburnt country,A land of sweeping plains,Of ragged mountain ranges,Of droughts and flooding rains.I love her far horizons,I love her jewel-sea,Her beauty and her terror –The wide brown land for me!
With hurricanes, tornados, fires out of control, mud slides,flooding, severe thunderstorms tearing up the country from oneend to another, and with the threat of bird flu and terroristattacks, "Are we sure this is a good time to take God out ofthe Pledge of Allegiance?
We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.
Every night, I laid awake with your memories flooding through my eyes with the hope to be with you when sleep arrived.
Renew your mind by flooding it with inspiring, empowering, educational and edifying thoughts and words.
As soon as I laid eyes on him, it all came flooding back, all the reasons why I loved him, all the reasons why I hadn't been able to let him go.
Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair.But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive!Of course it's Jesus, who's done the impossible and beaten death.And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy.Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.
I see you better in music, I hear you better in wind, I feel you more in a flooding moonlight, that understands nothing, but darkness and silence.
Just one caress became a symphony of passion, insatiable longing, an unquenchable desire to possess.... Gasps... The sparkling touch, embrace make hard to breathe... A mere short burst of brilliance, explosive need...forbidden sweet... Beneath the warmth of a dancing rainbow summer sunset, slowly tuning into the magic night with the stars flooding the sapphire skies...the sacred emerald island wildlife listens to our song, played with loving fingertips, reflected in diving deep into each other's ocean eyes...
One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.
You can't study the darkness by flooding it with light.
At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.
And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away. Flooding, the Institute had called it. At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for. What I lived for.© Copyright Pippa DaCosta 2016.
Darkness might keep flooding in, but I finally had just enough light to find the way back to myself.
The wave of memory had submerged me for a whole minute, while I'd just sat staring and let it all come flooding back.
Three quick breaths triggered the responses: he fell into the floating awareness... focusing the consciousness... aortal dilation... avoiding the unfocused mechanism of consciousness... to be conscious by choice... blood enriched and swift-flooding the overload regions... one does not obtain food-safety freedom by instinct alone... animal consciousness does not extend beyond the given moment nor into the idea that its victims may become extinct... the animal destroys and does not produce... animal pleasures remain close to sensation levels and avoid the perceptual... the human requires a background grid through which to see his universe... focused consciousness by choice, this forms your grid... bodily integrity follows nerve-blood flow according to the deepest awareness of cell needs... all things/cells/beings are impermanent... strive for flow-permanence within...
Diversity cannot swim in a world flooding with clones.
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