Inspirational quotes with fled.
When You Are Old"WHEN you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.
There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.
When danger reared its ugly head, He bravely turned his tail and fled.
And what have I done?" What? WHAT?...You've stolen them." With that, Cornelia fled, but Buttercup understood; she knew who "them" was. The boys. The beef-witted featherbrained rattledskulled clodpated dim-domed noodle-noggined sapheaded lunk-knobbed BOYS.
Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot be fled nor hid from.
I fled Him down the nights and down the daysI fled Him down the arches of the yearsI fled Him down the labyrinthine waysOf my own mind, and in the midst of tearsI hid from him, and under running laughter.
Men do not turn from God so easily. Not so easily. Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot e fled nor hid from. To imagine otherwise is to imagine the unspeakable. It was never that this man ceased to believe in God. No. It was rather that he came to believe terrible things of him.
The first fruit of love is the musing of the mind on God. He who is in love, his thoughts are ever upon the object. He who loves God is ravished and transported with the contemplation of God. "When I awake, I am still with thee" (Psalm 139:18). The thoughts are as travelers in the mind. David's thoughts kept heaven-road. "I am still with Thee." God is the treasure, and where the treasure is, there is the heart. By this we may test our love to God. What are our thoughts most upon? Can we say we are ravished with delight when we think on God? Have our thoughts got wings? Are they fled aloft? Do we contemplate Christ and glory?... A sinner crowds God out of his thoughts. He never thinks of God, unless with horror, as the prisoner thinks of the judge.
I have taken all my good deeds and all my bad deeds, and cast them … in a heap before the Lord, and fled from both, and betaken myself to the Lord Jesus Christ, and in him I have sweet peace!
He pulled away the glove, and at the first glimpse of her fragile, white hand, all thoughts of negotiation fled. "I don't see how matters could become worse," he muttered. "I am already besotted with a needle-tongued, conceited, provoking ape leader of a lady."Her head jerked up. "Besotted? You're nothing like it. Vengeful is more like it. Spiteful.
The train brings out some of the best and the worst memories of my life. I like to watch the train. It makes me sad but gives hope as well. It connects me to my family, which I abandoned many years ago. I fled away from my family and home by a train only.
The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shews in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven: and the gross air of the world has not had time to breathe upon the changing dust it hallowed.
For how imperiously, how coolly, in disregard of all one’s feelings, does the hard, cold, uninteresting course of daily realities move on! Still we must eat, and drink, and sleep, and wake again, - still bargain, buy, sell, ask and answer questions, - pursue, in short, a thousand shadows, though all interest in them be over; the cold, mechanical habit of living remaining, after all vital interest in it has fled.
Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also!Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.'Where are we?' asked Gil Gil.'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?''What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Far over the misty mountains coldTo dungeons deep and caverns oldWe must away ere break of dayTo seek the pale enchanted gold.The dwarves of yore made mighty spells,While hammers fell like ringing bellsIn places deep, where dark things sleep,In hollow halls beneath the fells.For ancient king and elvish lordThere many a gleaming golden hoardThey shaped and wrought, and light they caughtTo hide in gems on hilt of sword.On silver necklaces they strungThe flowering stars, on crowns they hungThe dragon-fire, in twisted wireThey meshed the light of moon and sun.Far over the misty mountains coldTo dungeons deep and caverns oldWe must away, ere break of day,To claim our long-forgotten gold.Goblets they carved there for themselvesAnd harps of gold; where no man delvesThere lay they long, and many a songWas sung unheard by men or elves.The pines were roaring on the height,The wind was moaning in the night.The fire was red, it flaming spread;The trees like torches blazed with light.The bells were ringing in the daleAnd men looked up with faces pale;The dragon's ire more fierce than fireLaid low their towers and houses frail.The mountain smoked beneath the moon;The dwarves, they heard the tramp of doom.They fled their hall to dying fallBeneath his feet, beneath the moon.Far over the misty mountains grimTo dungeons deep and caverns dimWe must away, ere break of day,To win our harps and gold from him!
A lot we have in our head,But things of heart are not yet dead,They have done none, but just fled,Out of us, Forgotten, just been bled..
Crowded places, I shunned them as noises too rudeAnd fled to the silence of sweet solitude.
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
Fight ever on: this earthly stuff If used God’s way will be enough. Face to the firing line o friendFight out life’s battle to the end. One soldier, when the fight was red,Threw down his broken sword and fled.Another snatched it, won the day, With what his comrade flung away.
Time was a film run backward. Suns fled and ten million moons fled after them.
For my part, the more I went forward in the study of letters, and ever more easily, the greater became the ardour of my devotion to them, until in truth I was so enthralled by my passion for learning that, gladly leaving to my brothers the pomp of glory in arms, the right of heritage and all the honours that should have been mine as the eldest born, I fled utterly from the court of Mars that I might win learning in the bosom of Minerva. And -- since I found the armory of logical reasoning more to my liking than the other forms of philosophy, I exchanged all other weapons for these, and to the prizes of victory in war I preferred the battle of minds in disputation.
The Heart of Gold fled on silently through the night of space, now on conventional photon drive. Its crew of four were ill as ease knowing that they had been brought together not of their own volition or by simple coincidence, but by some curious perversion of physics- as if relationships between people were susceptible to the same laws that governed the relationships between atoms and molecules
His body and his soul appeared to have the strange ability to repel the hours, just as, inversely, a magnet attracts metal. Everything spun about him and fled; he was always the sole centre of an enormous circumference. He kept moving forwards, body and soul, in the hope of coming close to what fled at his approach. The same thing happened with time – his position remained constant in relation to the thing which, however hard he tried to clasp it to him, stole away from him and bounded into the distance. He was the one who had no incriminating papers in his drawers, who could show his diary to anyone. He was a creator. Perhaps that was why his life did not exist
Time goes, you say? Ah no!Alas, Time stays, we go;Or else, were this not so, What need to chain the hours,For Youth were always ours?Time goes, you say?-ah no!Ours is the eyes' deceitOf men whose flying feetLead through some landscape low; We pass, and think we seeThe earth's fixed surface flee:-Alas, Time stays,-we go!Once in the days of old,Your locks were curling gold,And mine had shamed the crow. Now, in the self-same stage,We've reached the silver age;Time goes, you say?-ah no!Once, when my voice was strong,I filled the woods with songTo praise your 'rose' and 'snow'; My bird, that sang, is dead;Where are your roses fled?Alas, Time stays,-we go!See, in what traversed ways,What backward Fate delaysThe hopes we used to know; Where are our old desires?-Ah, where those vanished fires?Time goes, you say?-ah no!How far, how far, O Sweet,The past behind our feetLies in the even-glow! Now, on the forward way,Let us fold hands, and pray;Alas, Time stays,-we go!
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