Quotes with flapping

That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.

Happiness is excitement that has found a settling down place, but there is always a little corner that keeps flapping around.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.Silver and blue, blue and silver.Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.The voice of Volkheimer: What you could be.Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.The wind moves through his undershirt. He is a kite, a balloon.Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.Why doesn’t the wind move the light?Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.“Stop,” he calls.“Halt,” he calls.But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

In the human society, it is difficult to find all angels flapping there wings and all saints singing halleluya.

Usually, when I dream of flying I am simply flapping my arms and somehow I lift off and glide through the sky. Last night was different. I missed you so much and my yearning was so powerful that I sprouted wings like a phoenix and soared to reach you. And now I finally understand: if you see lovers on a roof, do not worry. Surely, love has metamorphosed them.

Uncle Yuichi: Something's moving up there? Hmm... I don't see anything. It was probably a satelite. Punpun (with gums flapping): Could I have discovered a new planet?!(long pause) Yuichi: Yes! This could be a great discovery! If it really is a new planet... It'll be called Planet PunPun! Punpun (slobbering again): Do you think I'll win the Nobel Prise?! Yuichi: You sure are a greedy kid.

This night is going well."Hello there."I speak too soon.Dunstan enters, his two cronies behind him. Everyone standing around goes quiet. I flinch, but not for me; he's gazing at Ivy like a lion at a piece of meat. Ivy just keeps grinning."And may I say you are the prettiest girl I've seen all night," Dunstan says, not noticing the fact Ivy's already taken.Ivy stares down at her feet, a pale blush the color of pink roses brushed across her cheeks. "You don't mean that," she whispers, not knowing she's accidentally flirting."I really do," Dunstan continues in his oily, supposedly charming voice, and I roll my eyes. I want to pull Ivy away, but if I do, Dunstan will notice me. And without Melanie breathing down his neck, who knows what he'll try to pull?"So what's your name, beautiful?"Ivy blush deepens and i feel my nails dig into my skin. I'm the one whose supposed to tell her she's pretty, not this jerk."My name is Ivy," Ivy replies."Ivy. I like it. It suits you."I feel an arm on my shoulder and turning around, I see Aidan holding me back. Unconsciously, I've stepped forward, ready to challenge him."So what is your name?" Ivy asks, still shyly peering down at her shoeless feet.Acting all surprised he got asked this, Dunstan runs a hand through his hair. "My name is Dunstan."Ivy's flush instantly vanishes, the corners of her mouth turns down, and her eyebrows knit together."Dunstan? This is your name?" Quiet as she's being, I know there's anger there. I'd hate to be the recipient of this tone.But Dunstan the egotistical baboon butt isn't aware of the change. "Yep, that's me.""What is your last name?" I feel someone shaking. Aidan's still hanging on to me, and he's nervous, too.Dunstan still doesn't detect her malice. "Why, my last name's Lebelle. Dunstan Lebelle." He chuckles. "Perhaps you've heard of me?""Oh yes," Ivy hisses, suddenly radiating ferocious fury. "I've heard much about the boy who nearly got Rylan Forester killed."Even with blaring music in the next room, you can hear a pin drop throughout the kitchen as everyone goes quiet, having lost all ability to talk due to flapping jaws. Someone whistles."Excuse me?" Dunstan sounds like he can't believe what he's hearing."You heard me." Ivy glares, knowing she has him caught. "You pushed Rylan into the swamp where the alligator attacked him. Sure, you can blame the alligator, but when you really think about, if you had not pushed him in, Rylan wouldn't have nearly died. Who, by the way," Ivy steps back, clasping my free hand in hers, "happens to be my friend and my date."Everyone bursts into titters—no one has ever spoken to Dustan Lebelle like that—as Dunstan stares at me wide-eyed, finally taking in my existence. But before he can do anything, Ivy pulls my hand."We're leaving," she declares, giving Dunstan one last stink eye. And with her nose in the air and me following, Ivy boldly walks right out the back door.

We must all make do with the rags of love we find flapping on the scarecrow of humanity.

One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away. Flooding, the Institute had called it. At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for. What I lived for.© Copyright Pippa DaCosta 2016.

A bird cannot fly upward if each wing is flapping in a different direction.

She was beginning to stir questions in me that I'd spent all my life refusing to ask, since the day I had looked down from the window at the broken body of the schoolboy on the flagstones a long way below, while a master hurried from the cloisters with his black gown flapping in the winter wind, to see what had happened: the day when I was suddenly old enough to understand that I had a choice. I could either do what that other boy had done, or I could spend the rest of my life outside society, where it was safe

It is not that I was credulous, simply that I belived in all things dark and dangerous. It was part of my young creed that the night was full of ghosts and witches, hungry and flapping and dressed completely in black.

How fickle it is, memory— preferring some days to others, granting first a blue sky, offering next the sound of laughter, swelling our remembrances until a largeness seeps into the grain of things and memory itself becomes billowed and flapping.