Inspirational quotes with finality.
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
...he asked, "Where are you today, right now?"Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later."Very well," he said. "But you still have not answered my question about where you are.""Yes I did, remember? I told you how I got to where I am today: by hard work.""Where are you?""What do you mean, where am I?""Where Are you?" he repeated softly."I'm here.""Where is here?""In this office, in this gas station!" I was getting impatient with this game."Where is this gas station?""In Berkeley?""Where is Berkeley?""In California?""Where is California?""In the United States?""On a landmass, one of the continents in the Western Hemisphere. Socrates, I...""Where are the continents?I sighed. "On the earth. Are we done yet?""Where is the earth?""In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?""Where is the Milky Way?""Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality."And where," Socrates smiled, "is the universe?""The universe is well, there are theories about how it's shaped...""That's not what I asked. Where is it?""I don't know - how can I answer that?""That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery."My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
…is postmodernity the pastime of an old man who scrounges in the garbage-heap of finality looking for leftovers, who brandishes unconsciousnesses, lapses, limits, confines, goulags, parataxes, non-senses, or paradoxes, and who turns this into the glory of his novelty, into his promise of change?
Truth, says instrumentalism, is what works out, that which does what you expect it to do. The judgment is true when you can "bank" on it and not be disappointed. If, when you predict, or when you follow the lead of your idea or plan, it brings you to the ends sought for in the beginning, your judgment is true. It does not consist in agreement of ideas, or the agreement of ideas with an outside reality; neither is it an eternal something which always is, but it is a name given to ways of thinking which get the thinker where he started. As a railroad ticket is a "true" one when it lands the passenger at the station he sought, so is an idea "true," not when it agrees with something outside, but when it gets the thinker successfully to the end of his intellectual journey. Truth, reality, ideas and judgments are not things that stand out eternally "there," whether in the skies above or in the earth beneath; but they are names used to characterize certain vital stages in a process which is ever going on, the process of creation, of evolution. In that process we may speak of reality, this being valuable for our purposes; again, we may speak of truth; later, of ideas; and still again, of judgments; but because we talk about them we should not delude ourselves into thinking we can handle them as something eternally existing as we handle a specimen under the glass. Such a conception of truth and reality, the instrumentalist believes, is in harmony with the general nature of progress. He fails to see how progress, genuine creation, can occur on any other theory on theories of finality, fixity, and authority; but he believes that the idea of creation which we have sketched here gives man a vote in the affairs of the universe, renders him a citizen of the world to aid in the creation of valuable objects in the nature of institutions and principles, encourages him to attempt things "unattempted yet in prose or rhyme," inspires him to the creation of "more stately mansions," and to the forsaking of his "low vaulted past." He believes that the days of authority are over, whether in religion, in rulership, in science, or in philosophy; and he offers this dynamic universe as a challenge to the volition and intelligence of man, a universe to be won or lost at man’s option, a universe not to fall down before and worship as the slave before his master, the subject before his king, the scientist before his principle, the philosopher before his system, but a universe to be controlled, directed, and recreated by man’s intelligence.
For the same reason there is nowhere to begin to trace the sheaf or the graphics of differance. For what is put into question is precisely the quest for a rightful beginning, an absolute point of departure, a principal responsibility. The problematic of writing is opened by putting into question the value of the arkhe. What I will propose here will not be elaborated simply as a philosophical discourse, operating according to principles, postulates, axioms, or definitions, and proceeding along the discursive lines of a linear order of reasons. In the delineation of differance everything is strategic and adventurous. Strategic because no transcendent truth present outside the field of writing can govern theologically the totality of the field. Adventurous because this strategy is a not simple strategy in the sense that strategy orients tactics according to a final goal, a telos or theme of domination, a mastery and ultimate reappropriation of the development of the field. Finally, a strategy without finality, what might be called blind tactics, or empirical wandering if the value of empiricism did not itself acquire its entire meaning in opposition to philosophical responsibility. If there is a certain wandering in the tracing of differance, it no more follows the lines of philosophical-logical discourse than that of its symmetrical and integral inverse, empirical-logical discourse. The concept of play keeps itself beyond this opposition, announcing, on the eve of philosophy and beyond it, the unity of chance and necessity in calculations without end.
There is something in the depths of our being that hungers for wholeness and finality. Because we are made for eternal life, we are made for an act that gathers up all the powers and capacities of our being and offers them simultaneously and forever to God. The blind spiritual instinct that tells us obscurely that our owns lives have a particular importance and purpose, and which urges us to find out our vocation, seeks in so doing to bring us to a decision that will dedicate our lives irrevocably to their true purpose. The man who loses this sense of his own personal destiny, and who renounces all hope of having any kind of vocation in life has either lost all hope of happiness or else has entered upon some mysterious vocation that God alone can understand.
Must I accept the barren Gift?-learn death, and lose my Mastery?Then let them know whose blood and breathwill take the Gift and set them free:whose is the voice and whose the mindto set at naught the well-sung Game-when finned Finality arrivesand calls me by my secret Name.Not old enough to love as yet,but old enough to die, indeed--the death-fear bites my throat and heart,fanged cousin to the Pale One's breed.But past the fear lies life for all-perhaps for me: and, past my dread,past loss of Mastery and life,the Sea shall yet give up Her dead!Lone Power, I accept your Gift!Freely I make death a part of me;By my accept it is boundinto the lives of all the Sea-yet what I do now binds to ita gift I feel of equal worth:I take Death with me, out of Time,and make of it a path, a birth!Let the teeth come! As they tear me,they tear Your ancient hate for aye--so rage, proud Power! Fail again,and see my blood teach Death to die!
The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner's accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals.
When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe.In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings?If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.
This time it was the sentence opening the last part of a story I had worked on for months: a sentence as is often worked off paper first. The pace of narrative and interest in character do not readily help the writer's hand to set down a sentence of that order. For though characters must take things in their own stride – somewhere in his story the writer cannot hold back this sentence that judges them. He wants it unobtrusive to his pace and the characters that caused him to write. The difficulty is to judge without seeming to be there, with a finality in the words that will make them casual and part of the story itself, except perhaps to another age.
The death of a dream can in fact serve as the vehicle that endows it with new form, with reinvigorated substance, a fresh flow of ideas, and splendidly revitalized color. In short, the power of a certain kind of dream is such that death need not indicate finality at all but rather signify a metaphysical and metaphorical leap forward.
The knowledge that he had left me with no intent ever to return had come over me in tiny droplets of realization spread over the years. And each droplet of comprehension brought its own small measure of hurt...He had wished me well in finding my own fate to follow, and I never doubted his sincerity. But it had taken me years to accept that his absence in my life was a deliberate finality, an act he had chosen, a thing completed even as some part of my soul still dangled, waiting for his return.
This is how you lose her.You lose her when you forget to remember the little things that mean the world to her: the sincerity in a stranger’s voice during a trip to the grocery store, the delight of finding something lost or forgotten like a sticker from when she was five, the selflessness of a child giving a part of his meal to another, the scent of new books in the store, the surprise short but honest notes she tucks in her journal and others you could only see if you look closely.You must remember when she forgets.You lose her when you don’t notice that she notices everything about you: your use of the proper punctuation that tells her continuation rather than finality, your silence when you’re about to ask a question but you think anything you’re about to say to her would be silly, your mindless humming when it is too quiet, your handwriting when you sign your name on blank sheets of paper, your muted laughter when you are trying to be polite, and more and more of what you are, which you don’t even know about yourself, because she pays attention.She remembers when you forget.You lose her for every second you make her feel less and less of the beauty that she is. When you make her feel that she is replaceable. She wants to feel cherished. When you make her feel that you are fleeting. She wants you to stay. When you make her feel inadequate. She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good.You must learn her.You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to.You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept.And, this is how you keep her.
I lie awake in bed until way past midnight, fervently hoping Ky is going make an appearance at any moment to explain his behavior. But as the clock chimes two, I have no choice but to face facts.He isn’t coming.And it feels ominous.Like the winds are changing, and destiny is altering.His absence is more than telling.It has a finality to it that scares me half to death.
Easter is the final solution to the finality of death.
He had wished me well in finding my own fate to follow, and I never doubted his sincerity. But it had taken me years to accept that his absence in my life was a deliberate finality, an act he had chosen, a thing completed even as some part of my soul still dangled, waiting for his return. That, I think, is the shock of any relationship ending. It is realizing that what is still an ongoing relationship to someone is, for the other person, something finished and done with.
Long before being artists, we are artisans; and all fabrication, however rudimentary, lives on likeness and repetition, like the natural geometry which serves as its fulcrum. Fabrication works on models which it sets out to reproduce; and even when it invents, it proceeds, or imagines itself to proceed, by a new arrangement of elements already known. Its principle is that “we must have like to produce like.” In short, the strict application of the principle of finality, like that of the principle of mechanical causality, leads to the conclusion that “all is given.” Both principles say the same thing in their respective languages, because they respond to the same need.
Suppose, and the facts leave us quite free to suppose it, suppose that the latent sapiens in us succeeds in its urge to rationalize life, suppose we do satisfy our dogmatic demand for freedom, equality, universal abundance, lives of achievement, hope and cooperation throughout this still largely unexplored and undeveloped planet, and find ourselves all the better for having done so. It can be done. It may be done. Suppose it done. Surely that in itself will be good living. “But,” says that dead end; that human blight, Mr. Chamble Pewter, making his point with a squeak in his voice and tears of controversial bitterness in his eyes, “What is the good of it? Will there be any finality in your success?” he asks. None whatever, is the answer. Why should there be? Yet a vista of innumerable happy generations, an abundance of life at present inconceivable, and at the end, not extinction necessarily, not immortality, but complete uncertainty, is surely sufficient prospect for the present. We are not yet Homo sapiens, but when at last our intermingled and selected offspring, carrying on the life that is now in us, when they, who are indeed ourselves, our heredity of body, thought and will, reassembled and enhanced, have established their claim to that title — can we doubt that they will be facing things at present unimaginable, weighing pros and cons altogether beyond our scope? They will see far and wide in an ever-growing light while we see as in a glass darkly. Things yet unimaginable. They may be good by our current orientation of things; they may be evil. Why should they not be in the nature of our good and much more than our good —“beyond good and evil?
I shut my eyes, turned away for a moment, and it came: a shiver of finality like the one when you decide, in your own mind, that you’re going to have to tell someone who loves you that you don’t want to be with them anymore. Terror, and relief; relief and terror, so intermingled that they feel like the same thought.
I know one thing about men," Bunny says with finality, leaving the room to check on A. "They never die when you want them to.
That dull ache in the heart, those wistful eyes with unshed tears looking at the road waiting for the one who broke your heart to return, that sinking feeling that it’s over, the finality of the whole thing strikes you deep down within. Wake up, come to terms that there’s been a breakup and that it’s over. A breakup is no reason to breakdown, come on you are much stronger. Wipe those unshed tears, chin up, chest out, shoulders back, wear your most beautiful smile and let the world see that you are not down and out. It’s a new phase, a new day, start with a spring in your step and move on. There’s more to life than breakup and you have a long way to go on a beautiful journey.
If only there was a way to escape this reality, if only there was a way to erase all this formality, if only there was a way to figure out your mentality, if only there was a way to rid all the theatricality, if only...however sadly all we think of is practicality, so we will never reach any finality.
If only there was a way to escape this reality, if only there was a way to erase all this formality, if only there was a way to figure out your mentality, if only there was a way to rid all the theatricality,if only...however sadly all we think of is practicality, so we will never reach any finality.
Action gives a decision power and finality.
Our children form a large part of our Immortality Project. This is one of the reasons a child’s death cuts so deep; some of the future dies with them. Through them and their descendants, part of us lives on forever, just as it does in the friends we touch and the ripples our actions cause in the world. All these effects are conscripts, earthwork defences against the finality of extinction.
Feel free to write to us if you have any questions. But before you do so, please take a look on our page with Frequently Asked Questions (FAQ) and even our sitemap to get a full overview of the content on our site.