Inspirational quotes with featureless.
Sitting there on the heather, on our planetary grain, I shrank from the abysses that opened up on every side, and in the future. The silent darkness, the featureless unknown, were more dread than all the terrors that imagination had mustered. Peering, the mind could see nothing sure, nothing in all human experience to be grasped as certain, except uncertainty itself; nothing but obscurity gendered by a thick haze of theories. Man's science was a mere mist of numbers; his philosophy but a fog of words. His very perception of this rocky grain and all its wonders was but a shifting and a lying apparition. Even oneself, that seeming-central fact, was a mere phantom, so deceptive, that the most honest of men must question his own honesty, so insubstantial that he must even doubt his very existence.
LADY LAZARUSI have done it again.One year in every tenI manage it--A sort of walking miracle, my skinBright as a Nazi lampshade,My right footA paperweight,My face a featureless, fineJew linen.Peel off the napkinO my enemy.Do I terrify?--The nose, the eye pits, the full set of teeth?The sour breathWill vanish in a day.Soon, soon the fleshThe grave cave ate will beAt home on meAnd I a smiling woman.I am only thirty.And like the cat I have nine times to die.This is Number Three.What a trashTo annihilate each decade.What a million filaments.The peanut-crunching crowdShoves in to seeThem unwrap me hand and foot--The big strip tease.Gentlemen, ladiesThese are my handsMy knees.I may be skin and bone,Nevertheless, I am the same, identical woman.The first time it happened I was ten.It was an accident.The second time I meantTo last it out and not come back at all.I rocked shutAs a seashell.They had to call and callAnd pick the worms off me like sticky pearls.DyingIs an art, like everything else.I do it exceptionally well.I do it so it feels like hell.I do it so it feels real.I guess you could say I've a call.It's easy enough to do it in a cell.It's easy enough to do it and stay put.It's the theatricalComeback in broad dayTo the same place, the same face, the same bruteAmused shout:'A miracle!'That knocks me out.There is a chargeFor the eyeing of my scars, there is a chargeFor the hearing of my heart--It really goes.And there is a charge, a very large chargeFor a word or a touchOr a bit of bloodOr a piece of my hair or my clothes.So, so, Herr Doktor.So, Herr Enemy.I am your opus,I am your valuable,The pure gold babyThat melts to a shriek.I turn and burn.Do not think I underestimate your great concern.Ash, ash--You poke and stir.Flesh, bone, there is nothing there--A cake of soap, A wedding ring,A gold filling.Herr God, Herr LuciferBewareBeware.Out of the ashI rise with my red hairAnd I eat men like air.
My peak? Would I even have one? I hardly had had anything you could call a life. A few ripples. some rises and falls. But that's it. Almost nothing. Nothing born of nothing. I'd loved and been loved, but I had nothing to show. It was a singularly plain, featureless landscape. I felt like I was in a video game. A surrogate Pacman, crunching blindly through a labyrinth of dotted lines. The only certainty was my death.
Its a bit mad. Too bad, I mean, that getting to know each just for a fleeting second Must be replaced by unperfect knowledge of the featureless wholeLike some pocket history of the world, so generalAs to constitute a sob or wail
I think locality exercises strange influence over some minds. The peaceful meadow-scenery holds no lurking horrors in its bosom, but in the lonesome moorlands, full of curiously molded boulders, grotesque fancies must assail one there. Creatures seem to come, odd and ill-defined as their surroundings. As a child I had a peculiar horror of those tall, odd-shaped boulders, with seeming faces, featureless, it is true, but sometimes strangely resembling humans and animals. I believe the spinney may be haunted by something of this nature, terrible as the trees. ("The Haunted Spinney")
A crush of bodies surrounded the featureless monument. The enraged dead clambered atop their ghastly kin. Caiaphas tucked his knees to his chest and hugged his legs tightly, staring at the scores of ragged, flailing hands as they scratched for purchase over the edge of the cylinder. Metal thrummed and thunder roared, filling his head. Now there were words within the deafening roar. “Straaaange,” they seemed to say. “Daaaace…” “Straaaangerrrr…” Then a quick, awful chant: “CAIAPHAS! FOREVER! CAI—” And with a piercing whistle it ended as his eardrums burst.
A brusque whisper coaxed Phillip from slumber. Someone had called his name. The cot squeaked as he sat up and squinted at a featureless silhouette. “Who is it?”“Rise. Quick. Bring your medicine maker.” The ragged voice belonged to True Seeker.Tasked with keeping a watchful eye on Milly, the young man would come to Phillip at this hour for only one reason. He swung his legs to the ground. With one foot going into his trousers, he took a wide step across the narrow barracks and jostled Buck’s shoulder.His friend was on his feet and half-dressed before Phillip left the building, alarm urging his feet to a gallop. No one need tell him which direction to go. He buckled his sword belt as he went. The scabbard slapped his leg with each footfall, bringing to mind a similar night not long enough ago. His stride lengthened.This time, he would run Collins clean through.
More than that, the thought rattled uncomfortably in my child brain that I would one day become one of them. My body then was sexless. Though I had seen the curves of adults, I couldn’t fathom the chrysalis that would turn my featureless body into something with heft and gravity, curves and the inclination to use them.
When I was small, I never wanted to step in puddles. Not because of any fear of drowned worms or wet stockings; I was by and large a grubby child, with a blissful disregard for filth of any kind.It was because I couldn't bring myself believe that that perfect smooth expanse was no more than I thin film of water over solid earth. I believed it was an opening into some fathomless space. Sometimes, seeing the tiny ripples caused by my approach, I thought the puddle impossibly deep, a bottomless sea in which the lazy coil of a tentacle and gleam of scale lay hidden, with the threat of huge bodies and sharp teeth adrift and silent in the far-down depths.And then, looking down into reflection, I would see my own round face and frizzled hair against a featureless blue sweep, and think instead that the puddle was the entrance to another sky. If I stepped in there, I would drop at once, and keep on falling, on and on, into blue space.The only time I would dare walk though a puddle was at twilight, when the evening stars came out. If I looked in the water and saw one lighted pinprick there, I could slash through unafraid--for if I should fall into the puddle and on into space, I could grab hold of the star as I passed, and be safe.Even now, when I see a puddle in my path, my mind half-halts--though my feet do not--then hurries on, with only the echo of the though left b
We want to change from featureless caterpillars to become beautiful butterflies, and the change takes place wrapped up in our own little cocoons.
We can't stop reading. Compulsively we find ourselves reading significance into dreams (we construct a science upon it); into tea-leaves and the fall of cards. We look up at the shifting vapours in the sky, and see faces, lost cities, defeated armies. Isolated in the dark, with nothing to hear and no surfaces to touch, we hallucinate reading-matter. Our craving becomes generalized – for 'the meaning of life'. If we lived alone in a featureless desert we should learn to place the individual grains of sand in a moral or aesthetic hierarchy. We should long to find the greatest grain of sand in the world, and even (in order to find a fixed point of orientation in time as well as in space) the all-time greatest grain of sand; the grain of sand whose discovery changed our whole understanding of grains of sand for ever.
As a rule, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
The ultimate singularity is the Big Bang, which physicists believe was responsible for the birth of the universe. We are asked by science to believe that the entire universe sprang from nothingness, at a single point and for no discernible reason. This notion is the limit case for credulity. In other words, if you can believe this, you can believe anything. It is a notion that is, in fact, utterly absurd, yet terribly important. Those so-called rational assumptions flow from this initial impossible situation. Western religion has its own singularity in the form of the apocalypse, an event placed not at the beginning of the universe but at its end. This seems a more logical position than that of science. If singularities exist at all it seems easier to suppose that they might arise out of an ancient and highly complexified cosmos, such as our own, than out of a featureless and dimensionless mega-void.
He had never seen the ocean before; he knew it only as the featureless blue void between the detailed continents on his father’s old globe. But now he saw that it was anything but featureless; distant blue swells rising and falling, like great lungs tasked to power the surging and receding of the foamy waves washing across the shoreline beyond them.
A picture in a book, a lynching. The bland faces of men who watcha Christ go up in flames, smiling,as if he were a hookedfish, a felled antelope, some wild thing tied to boards and burned.His charred bodygives off light--a haloburns out of him. His face is scorched featureless; the hair matted to the scalp like feathers. One man stands with his hand on his hip,another with his armslung over the shoulder of a friend,as if this moment were large enoughto hold affection.
Not darkness, for that implies an understanding of light. Not silence, for that suggests a familiarity with sound. Not loneliness, for that requires knowledge of others. But still, faintly, so tenuous that if it were any less it wouldn’t exist at all: awareness. Nothing more than that. Just awareness—a vague, ethereal sense of being. Being . . . but not becoming. No marking of time, no past or future—only an endless, featureless now, and, just barely there in that boundless moment, inchoate and raw, the dawning of perception . . .
He recognised that all the period of Odette's life which had elapsed before she first met him, a period of which he had never sought to form any picture in his mind, was not the featureless abstraction which he could vaguely see, but had consisted of so many definite, dated years, each crowded with concrete incidents. But were he to learn more of them, he feared lest her past, now colourless, fluid and supportable, might assume a tangible, an obscene form, with individual and diabolical features. And he continued to refrain from seeking a conception of it, not any longer now from laziness of mind, but from fear of suffering.
Their faces were clay-coloured and featureless, yet not stupid; they might have been shrewd turnips.
She’s not happy in her marriage. Not unhappy exactly, but not happy. He doesn’t want kids, so that’s nothing to look forward to. Her life is chock-full of quiet tedium. Suddenly, she falls in love. And sure, there’s the excitement of being with her lover, but there’s also the excitement of not being with him. Of waiting and going on with her ordinary life. And all that dullness now becomes part of the drama. Because that’s her cover story. All the dreary anguish and monotony that fills ninety-eight percent of her life is electrified with meaning, since it now serves as the perfect camouflage to hide the two percent of passion. And, yes, she felt guilt and, yes, she felt shame. But those are powerful emotions too, and were all part of the glorious transformation of a featureless bland life into an adventure.
If you want a forgotten corner to be remembered, a featureless place to be loved, a shadowy emptiness to shine, put some flowers there!
He who lives in the future lives in a featureless blank he lives in impersonality he lives in Nirvana. The past is democratic because it is a people. The future is despotic because it is a caprice. Every man is alone in his prediction just as each man is alone in a dream.
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