Quotes with enclosure

what matters is not the enclosure of the work within a harmonious figure, but the centrifugal force produced by it -- a plurality of language as a guarantee of a truth that is not merely partial.

If a man is highly sexed he's virile. If a woman is, she's a nymphomaniac. With them it's power but with us it's a disease! Even the act of sex is called penetration! Why don't they call it enclosure?

This scene expresses the basic situation of immaturity; lyricism is an attempt to face that situation: the individual expelled from the protected enclosure of childhood wishes to enter the world, but at the same time, because he is frightened of it, he fashions an artificial replacement world out of his own verse. He makes his poems revolve around him like the planets around the sun; he becomes the center of a small universe in which nothing is alien, in which he feels as much at home as a child inside its mother, for everything here is fashioned only from the substance of his soul. Here he can accomplish everything that is so difficult "outside;" here he can, like the student Wolker, march with a proletarian crowd to make a revolution and, like the virginal Rimbaud, lash his "little girlfriends" because that crowd and those girlfriends are not fashioned out of the hostile substance of an alien world but out of the substance of his own dreams, and they are thus he himself and do not shatter the unity of the universe he has constructed for himself.

So it is with the places preparing to teach us. It's only when the heart begins to beat wildly and without pattern—when it begins to realize its boundlessness—that its newly adamant pulse bangs on the walls of its cage and is bruised by its enclosure... To feel the heart pound is only the beginning. Next is to feel the hurt—the tearing of the psyche—the prelude of entry into the place one has always feared. One fears that place because of being drawn to it, loving it, and wanting to be taught by it. Without the need to be taught, who would feel the psyche rip? Without the bruise, who would know where the walls are?

From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations.In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)

One large cat bounded up the side of the outcrop to stand in full view on an overhanging boulder. She stared down at them, inside their protective enclosure, tilting her head from side to side. Her scarred yellow-brown coat was immaculately groomed, but the long tufting hair of her snout was matted with the bright red smear of uncongealed blood from a recent kill. Her upper lip curved over the top of foot-long saber teeth.

He wanted to roar like a lion on a cement floor. And bellow like a polar bear with yellow fur worn down to pink skin against the tiles of an enclosure in a zoo. The disgust must come. Let it drip down the walls. Scorch the ceiling black with hatred. Liberate rage.

You have to think if we've been visited by extraterrestrial life, it was like a zookeeper walking into the chimp enclosure: He looks around, takes some pictures, then leaves without interacting significantly with the environment. Meanwhile the chimps have no idea what the fuck just happened.

The light of love proper to faith can illumine the question of our own time-concerning truth. Truth, nowadays, is often reduced to the subjective authenticity of the individual, valid only to the life of the individual. A common truth intimidates us, for we identify it with the intransigent demands of totalitarian systems. But if truth is a truth of love, if it is a truth disclosed in personal encounter with the Other and with others, then it can be set free from its enclosure in individuals and become part of the common good. As a truth of love, it is not one that can be imposed by force; it is not a truth that stifles the individual. Since it is born of love, it can penetrate to the heart, to the personal core of each man and woman. Clearly, then, faith is not intransigent but grows in respectful coexistences with others. One who believes may not be presumptuous; on the contrary, truth leads to humility, because believers know that, rather than ourselves possessing truth, it is truth that embraces and possesses us. Far from making us inflexible, the security of faith sets us on a journey; it enables witness and dialogue with all.

Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside.Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness.I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted.I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night?("Lamia")

Trying to remember old dreams. A voice. Who came in.And meanwhile the rain, all day, all evening,quiet steady sound. Before it grew too darkwatched the blue iris leaning under the rain,the flame of the poppies guttered and went out.A voice. Almost recalled. There have been timesthe gods entered. Entered a room, a cave?A long enclosure where I was, the fourth wall of ittoo distant or too dark to see. The birds are silent,no moths at the lit windows. Only a swaying rosebushpierces the table’s reflection, raindrops gazing from it.There have been hands laid on my shoulders.What has been said to me,how has my life replied?The rain, the rain...