Inspirational quotes with drum.
And now," Eric yelled into his mircophone, "we're going to sing a new song-one we just wrote. This one's for my girlfriend. We've been going out for three weeks, and, damn, our love is true. We're gonna be together forever, baby. This one's called 'Bang You Like a Drum.
If you want to build a ship, don’t drum up the men to gather wood, divide the work, and give orders. Instead, teach them to yearn for the vast and endless sea.
People are always telling me that i'm not like other girls...that i dont dress like other girls...that i dont act like other girls. But i'm my OWN person...i go to the beat of my own drum.
Dupa ce iti omori demonii, daca ai curajul sa o faci, e musai sa te intorci pe acelasi drum.
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable.If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language.Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts.It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way.You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn.This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with his corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein's monster out of parts robbed from the graves of messiahs dead and buried - a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which states their craving for values "not of this earth" - that depressing, meaningless place their consciousness must sidestep every day.
Peter was not quite like other boys; but he was afraid at last. A tremour ran through him, like a shudder passing over the sea; but on the sea one shudder follows another till there are hundreds of them, and Peter felt just the one. Next moment he was standing erect on the rock again, with that smile on his face and a drum beating within him. It was saying, "To die will be an awfully big adventure.
Your war drum ain't / louder than this breath.
i want to go to the gymand pretend the weight machines are drumsand play the longest drum solo on them
Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotelthe need gotta beso deep words can'tanswer simple questionsall night long notesstumble off the tongue& color the air indigoso deep fragments of gut& flesh cling to the songyou gotta get into itso deep salt crystalizes on eyelashesthe need gotta beso deep you can vomit up ghosts& not feel brokentill you are no morethan a half ounce of goldin painful brightnessyou gotta get into itblow that saxophoneso deep all the sex & dope in this worldcan't erase your needto howl against the skythe need gotta beso deep you can'tjust wiggle your hips& rise up out of itchaos in the cosmosmodern man in the pepperpotyou gotta get hookedinto every hungry grooveso deep the bomb lockedin rust opens like a fistinto it into it so deeprhythm is pre-memorythe need gotta be basicanimal need to see& know the terrorwe are made of honeycause if you wanna dancethis boogie be readyto let the devil use your headfor a drum
They know a million tricks, those novelists. Take Doctor Goebbels; that's how he started out, writing fiction. Appeals to the base lusts that hide in everyone no matter how respectable on the surface. Yes, the novelist knows humanity, how worthless they are, ruled by their testicles, swayed by cowardice, selling out every cause because of their greed - all he's got to do is thump on the drum, and there's his response. And he's laughing, of course, behind his hand at the effect he gets.
Music is the beat of a drum that keeps time with our emotions.
On horseback you feel as if you're moving in time to classical music a camel seems to progress to the beat of a drum played by a drunk.
Quand tu veux construire un bateau, ne commence pas par rassembler du bois, couper des planches et distribuer du travail, mais reveille au sein des hommes le desir de la mer grande et large.If you want to build a ship, don't drum up people together to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.
If you want to build a ship, don't drum up people together to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.
But you who walk facing the sun, what images drawn on the earth can hold you? You who travel with the wind, what weathervane shall direct your course? What man's law shall bind you if you break your yoke but upon no man's prison door? What laws shall you fear if you dance but stumble against no man's iron chains? And who is he that shall bring you to judgment if you tear off your garment yet leave it in no man's path? People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
They did not think politics was a great constructive process, they thought it was a kind of dog-fight. They wanted fun, they wanted spice, they wanted hits, they wanted also a chance to say "'Ear, 'ear!" in an intelligent and honourable manner and clap their hands and drum with their feet. The great constructive process in history gives so little scope for clapping and drumming and saying "'Ear, 'ear!" One might as well think of hounding on the solar system.
When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art.
The drum to which we march reveals the conductor to whom we’re listening.
Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo.(Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)
It was your body....that danced at your first drum circle; it was your body that gave birth to your child; it was your body that got down and dirty in the back seat of your dad's station wagon; it was your body that shivered, sweated, clasped its hands, fell to its knees, wept, and laughed the first time you felt the presence of the goddess in your life.
The mountains are intimations of transcendence, which he is now free to pursue, and the walking writes messages in every cell of his body, telling him that he is not locked inside a cement box, nor in a water drum, but is moving forward.
I felt a Funeral, in my Brain,And Mourners to and froKept treading – treading – till it seemedThat Sense was breaking through – And when they all were seated,A Service, like a Drum – Kept beating – beating – till I thoughtMy Mind was going numb – And then I heard them lift a BoxAnd creak across my SoulWith those same Boots of Lead, again,Then Space – began to toll,As all the Heavens were a Bell,And Being, but an Ear,And I, and Silence, some strange RaceWrecked, solitary, here – And then a Plank in Reason, broke,And I dropped down, and down – And hit a World, at every plunge,And Finished knowing – then –
If you were to put all of the world’s pain in one fifty-five gallon drum, it would look silly next to the mountains of gold and silver found in each moment with God. Our problem is that we rarely see past the drum – The Dance of the Dead
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