Quotes with displeasure

For any display of displeasure or anger against injustice and ungodliness, there is a reward and a godly result.

The child starts out by being attached to his mother as "the ground of all being." He feels helpless and needs the all-enveloping love of mother. He then turns to father as the new center of his affections, father being a guiding principle for thought and action; in this stage he is motivated by the need to acquire father's praise, and to avoid his displeasure. In the stage of full maturity he has freed himself from the person of mother and of father as protecting and commanding powers; he has established the motherly and fatherly principles in himself. He has become his own father and mother; he is father and mother. In the history of the human race we see—and can anticipate—the same development: from the beginning of the love for God as the helpless attachment to a mother Goddess, through the obedient attachment to a fatherly God, to a mature stage where God ceases to be an outside power, where man has incorporated the principles of love and justice into himself, where he has become one with God, and eventually, to a point where he speaks of God only in a poetic, symbolic sense.

Want to know the coolest thing about the coming? Not that the One who played marbles with the stars gave it up to play marbles with marbles. Or that the One who hung the galaxies gave it up to hang doorjambs to the displeasure of a cranky client who wanted everything yesterday but couldn't pay until tomorrow. Not that he, in an instant, went from needing nothing to needing air, food, a tub of hot water and salts for his tired feet, and, more than anything, needing somebody - anybody - who was more concerned about where he would spend eternity rather than where he would spend Friday's paycheck. Or that he resisted the urge to fry the two=bit, self-appointed hall monitors of holiness who dared suggest that he was doing the work of the devil. Not that he kept his cool while the dozen best friends he ever had felt the heat and got out of the kitchen. Or that he gave no command to the angels who begged, "Just give us the nod, Lord. One word and these demons will be deviled eggs." Not that he refused to defend himself when blamed for every sin of every slut and sailor since Adam. Or that he stood silent as a million guilty verdicts echoed in the tribunal of heaven and the giver of light was left in the chill of a sinner's night. Not even that after three days in a dark hole he stepped into the Easter sunrise with a smile and a swagger and a question for lowly Lucifer - "Is that your best punch?" That was cool, incredibly cool. But want to know the coolest thing about the One who gave up the crown of heaven for a crown of thorns? He did it for you. Just for you.

I think that in order to write really well and convincingly, one must be somewhat poisoned by emotion. Dislike, displeasure, resentment, fault-finding, imagination, passionate remonstrance, a sense of injustice--they all make fine fuel.

If you have the tendency to repress your anger, you have lost touch with an important part of yourself. Getting angry is a way to gain back that part of yourself by asserting your rights, expressing your displeasure with a situation, and letting others know how you wish to be treated. It can motivate you to make needed changes in a relationship or other areas of your life. Finally it can let others know that you expect to be respected and treated fairly.

I must be getting back to my rooms,” Silence said and stood.Mick frowned with displeasure. “Why?”“Because of Mary Darling.”He shrugged. “One o’ the maids is watchin’ her.”“But if Mary wakes she’ll want me.”“Why?” he asked again, biting into a sweetmeat. This discussion wasn’t to his fancy, but sparring with her was.“Because,” she said slowly, looking at him as if he were lack-witted, “she’s only a baby and she loves me.”“Babies,” Mick pronounced, “are a great trouble.”She shook her head, not bothering to reply this time, and started marching to the door.

In 1857, Bizet departed for Rome and spent three years there. He studied the landscape, the culture, Italian literature and art. Musically he studied the scores of the great masters. At the end of the first year he was asked to submit a religious work as his required composition. As a self-described atheist, Bizet felt uneasy and hypocritical writing a religious piece. Instead, he submitted a comic opera. Publicly, the committee accepted, acknowledging his musical talent. Privately, the committee conveyed their displeasure. Thus, early in his career, Bizet displayed an independent spirit that would be reflected in innovative ideas in his opera compos

The great fact all the while however had been the incalculability; since he had supposed himself, from decade to decade, to be allowing, and in the most liberal and intelligent manner, for brilliancy of change. He actually saw that he *had* allowed for nothing; he missed what he would have been sure of finding, he found what he would never have imagined. Proportions and values were upside-down; the ugly things he had expected, the ugly things of his far away youth, when he had too promptly waked up to a sense of the ugly--these uncanny phenomena placed him rather, as it happened, under the charm; whereas the 'swagger' things, the modern, the monstrous, the famous things, those he had more particularly, like thousands of ingenuous enquirers every year, come over to see, were exactly his sources of dismay. They were as so many set traps for displeasure, above all for reaction, of which his restless tread was constantly pressing the spring. It was interesting, doubtless, the whole show, but it would have been too disconcerting hadn't a certain finer truth saved the situation. He had distinctly not, in this steadier light, come over *all* for the monstrosities; he had come, not only in the last analysis but quite on the face of the act, under an impulse with which they had nothing to do. ("The Jolly Corner")

There should be no difficulty in understanding this love. Each one of you knows what love is. You know how restless one is to get close to whomsoever one loves; what pleasure one feels even in taking the name of the beloved and in taking that name again and again; the earnest zest with which one strives to win over one's beloved, and the extent to which one dreads the displeasure of the beloved. Just keep examining to what extent you have attained this love. Peep into your heart and see what is the place of Allah therein. The same shall be your place to Him.

When occasions present themselves in which the interests of the people are at variance with their inclinations, it is the duty of the persons whom they have appointed to be the guardians of those interests to withstand the temporary delusion in order to give them time and opportunity for more cool and sedate reflection. Instances might be cited in which a conduct of this kind has saved the people from very fatal consequences of their own mistakes, and has procured lasting monuments of their gratitude to the men who had courage and magnanimity enough to serve them at the peril of their displeasure.

The engorged moon hung full and low in the sky like a yellow skull. Misshapen clouds stretched across the floating orb with elongated hands and bony fingers grasping. As they neared the docks, the gas lamps grew fewer and the streets gloomier. The cobblestones blackened as they passed the deserted brickfields. Bottle-shaped kilns spat their outrage with orange tongues of fire into the cooling air. Mangy dogs snarled in hunger and wandering sea-gulls screamed their displeasure at the hansom’s passage.

The day was ill-omened from the beginning; one of those unlucky days when every little detail seems to go wrong and one finds oneself engaged in a perpetual and infuriating strife with inanimate objects. How truly fiendish the sub-human world can be on these occasions! How every atom, every cell, every molecule, seems to be leagued in a maddening conspiracy against the unfortunate being who has incurred its obscure displeasure!

But Tilo had crept up on him, and become a kind of compulsion, an addiction almost. Addiction has its own mnemonics – skin, smell, the length of the loved one’s fingers. In Tilo’s case it was the slant of her eyes, the shape of her mouth, the almost ­invisible scar that slightly altered the symmetry of her lips and made her look defiant even when she did not mean to, the way her nostrils flared, announcing her displeasure even before her eyes did. The way she held her shoulders. The way she sat on the pot stark naked and smoked cigarettes. So many years of marriage, the fact that she was not young any more – and did nothing to pretend otherwise – didn’t change the way he felt. Because it had to do with more than all that. It was the haughtiness (despite the question mark over her ‘stock’, as his mother had not hesitated to put it). It had to do with the way she lived, in the country of her own skin. A country that issued no visas and seemed to have no consulates.