Inspirational quotes with dialog.
And enigmatic smile is worth ten pages of dialog.
Relational depth often emerges from intentional dialog
Reading is a dialog with oneself; it is self-reflection, which cultivates profound humanity. Reading is therefore essential to our development. It expands and enriches the personality like a seed that germinates after a long time and sends forth many blossom-laden branches.People who can say of a book, 'this changed my life' truly understand the meaning of happiness. Reading that sparks inner revolution is desperately needed to escape drowning in the rapidly advancing information society. Reading is more than intellectual ornamentation; it is a battle for the establishment for the self, a ceaseless challenge that keeps us young and vigorous.
We are in middle of a shift change in society. We can choose what kind of revolution this is to become. To me it is the Love Revolution. Politics of old giving way to peace and understanding. Standing as one against hate and intolerance. Reaching out to other communities to work together to help stop radicalization. Accepting others point of view. Encourage dialog and compromise. Helping those who are down on their luck. Embracing all cultures and races. Working together for a better world one random act of kindness at a time.Who is with me! Stand up for what is right and speak out when something is wrong.
The combination of the Main brain with its central nervous system, and the ancient Animal Brain with its somatic, enteric nervous system in the inner body—in the gut—and the constant dialog between them provides a self-correcting feedback system, which regulates the behavioral qualities of the organism when consciously cultivated—preferably in early youth.
The good news is that you are never alone. If you are a man, you are always with your inner feminine side. If you are a woman, you are ways with your inner masculine side. However, we are often disconnected from those inner feminine or masculine qualities. Meditation helps to establish that much needed dialog and connection with your inner self. The more we get in touch with our inner self, the more we experience peace, harmony and bliss.
When you put yourself in the customer’s shoes and begin your dialog from there, an immediate connection develops that stems beyond basic commerce and encourages loyalty.
Discover everything about your characters that you can before you write your story. If you get stuck at any point, they will write your dialog for you.
Reflection is nothing more than what it sounds, and pondering one’s own life is about as productive as talking to one’s image in a mirror: both acts are egocentric and neither produces a dialog. People who talk to themselves in public are not self-actualized; they're crazy.
I don't judge a scene or a line of dialog by whether or not it advances the plot, for example. Imagine an edit of Tarantino's Pulp Fiction wherein only dialog that advances the plot was allowed to remain. I don't obsess over the balance of conflict and interaction. I don't generally fret over the possibility that something I do may cause some reader to experience a "disconnect" (what an odious metaphor). I don't think in dramatic arcs. I don't spend a lot of time wondering if the plot is getting lost in description and conversation. To me, this all seems like a wealth of tedious confusion being introduced into an act that ought to be instinctive, natural, intuitive. I want to say, stop thinking about all that stuff and just write the story you have to tell. Let the story show you how it needs you to write it. I don't try to imagine how the reader will react to X or if maybe A, B, and C should have happened by page R. It's not that I don't want the story to be read. I desire readers as much as anyone. But I desire readers who want to read what I'm writing, not readers who approach fiction with so many expectations that they're constantly second-guessing and critiquing the author's every move, book in one hand, some workshop checklist in the other, and a stopwatch on the desk before them. If writing or reading like this seems to work for you, fine. I mean, I've always said that when you find something that works, stick with it. But, for me, it seems as though such an anal approach to creating any art would bleed from it any spark of enjoyment on the part of the artist (not to mention the audience). It also feels like an attempt to side-step the nasty issue of talent, as if we can all write equally well if we only follow the rules, because, you know, good writing is really 99% craft, not inexplicable, inconvenient, unquantifiable talent.
Herr Kafka, essen Sie keine Eier." (As one and only piece of dialog K recalls from his meeting with Rudolf Steiner - "Mr. Kafka don't eat eggs.
Don't have every dialog go in a straight line to solve the problem. Let your characters argue, be sarcastic, disagree or joke around.
If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence.'If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.'Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page?As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick.Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly.
I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
The makeup of your thoughts is exposed through your internal dialog.
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