Inspirational quotes with crates.
The notion that we should promote “happy” or “humane” exploitation as “baby steps” ignores that welfare reforms do not result in providing significantly greater protection for animal interests; in fact, most of the time, animal welfare reforms do nothing more than make animal exploitation more economically productive by focusing on practices, such as gestation crates, the electrical stunning of chickens, or veal crates, that are economically inefficient in any event. Welfare reforms make animal exploitation more profitable by eliminating practices that are economically vulnerable. For the most part, those changes would happen anyway and in the absence of animal welfare campaigns precisely because they do rectify inefficiencies in the production process. And welfare reforms make the public more comfortable about animal exploitation. The “happy” meat/animal products movement is clear proof of that. We would never advocate for “humane” or "happy” human slavery, rape, genocide, etc. So, if we believe that animals matter morally and that they have an interest not only in not suffering but in continuing to exist, we should not be putting our time and energy into advocating for “humane” or “happy” animal exploitation.
Forgetting takes space./Forgotten matters displace/as much anything else as/anything else. We must/skirt unlabeled crates/as thought it made sense/and take them when we go/to other states.
What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear.Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
What remains to us here, behind the Yser, is not much more than a strip of land almost impossible to defend; a few rain-soaked trenches around razed villages; roads blown to smithereens, unusable by any vehicle; a creaky old horse cart we haul around ourselves, loaded with crates of damp ammunition that are constantly on the verge of sliding into a canal, forcing us to slog like madmen for every ten yards of progress as we stifle our warning cries; the snarling officers in the larger dug-outs, walled off with boards, where the privates have to bail water every day and brush the perpetual muck off their superiors’ boots; the endless crouching as we walk the trenches, grimy and smelly; our louse-ridden uniforms; our arseholes burning with irritation because we have no clean water for washing them after our regular attacks of diarrhoea; our stomach cramps as we crawl over heavy clods of earth like trolls in some gruesome fairy tale; the evening sun slanting down over the barren expanse; infected fingers torn by barbed wire; the startling memory of another, improbable life, when a thrush bursts into song in a mulberry bush or a spring breeze carries the smell of grassy fields from far behind the front line, and we throw ourselves flat on our bellies again as howitzers open fire out of nowhere, the crusts of bread in our hands falling into the sludge at the boot-mashed bottom of the stinking trench.
His gaze glossed over a stack of wooden crates and landed on a steamer trunk that was covered with stickers from all over the world.
Kugel didn't like attics, he never did. The roofing nails overhead like fangs, waiting to sink into his skull; the cardboard boxes and plastic crates and leather trunks - tombs, sarcophagi - full of ghosts and regret and longing and loss; worse yet was the implication in all this emotional hoarding that the past was preferable to the present, that what came before bests whatever comes next, so clutch it to your chests in mourning and dread as you head into the unknowable but probably lousy future.
But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.
Often in the morning he drove a long hour or more to the markets in the city, there to behold what would determine the day’s special. With the crates of fresh selesctions snuggled into his station wagon, his thoughts on the ride back confronted the culinary equivalent of the writer’s blank page. Sometimes his head swirled with exciting ideas; other mornings he was in a panic upon returning with the same old eggplant and squash and zucchini and nothing but the dullness of the word ratatouille standing by to mock him.
Often in the morning he drove a long hour or more to the markets in the city, there to behold what would determine the day’s special. With the crates of fresh selections snuggled into his station wagon, his thoughts on the ride back confronted the culinary equivalent of the writer’s blank page. Sometimes his head swirled with exciting ideas; other mornings he was in a panic upon returning with the same old eggplant and squash and zucchini and nothing but the dullness of the word ratatouille standing by to mock him.
Eyuran,” I addressed his Node. “What was in this one?”He came closer and studied the huge case, which was easily twice the height of an adult Danna and had body slots for some kind of gear.“I don’t know for sure. I haven't seen this before. It resembles a gearbot sarx, but those are usually larger. Must be a new, compact model.” Observing the empty sarx, a wave of bad feelings came over me.“I also saw some of the weapon crates with broken locks.”“If someone is operating a gearbot, a bunch of guns will be the least of our worries. A hull repairer can’t even begin to compete with the power of an assault exomachine.” He looked around and frowned. “By the way, the whole hull repairer rack is empty. Counting the one you took out, we should have seven more roaming somewhere on the ship.
... all sorts of wonderful things got washed up on the beach – crates of clothes and cutlery and children’s toys, boxes of engine parts and television screens and electrical wires like tangled snakes in the water. I found them fascinating, like relics from a distant time, even though I knew it was us who lived in the past.
I had decided that I wanted to earn my living as a writer and the only place in Waterbury where they paid you for writing was at the local newspaper. My opportunity came when the paper had an opening for a night janitor. Opportunities are easy to miss, because they don’t always show up in their best clothes. Sometimes opportunities look like beggars in rags. After an eight-hour shift in the shop tossing thirty-pound crates I hustled down to the newspaper building and cleaned toilets, with a vague plan that it would somehow lead to a reporter’s position.
Stephen King is just one of the numerous modern engineers of human souls. This mega-writer got a mega-advance of seventeen million dollars for his latest book. The communist soul engineers would get an advance on their future historical guilt, crates of vodka, cirrhosis of the liver, and the constant possibility of a knock on the door from the KGB.
An entire aisle of cereal...hundreds of choices....Of course I had eaten cereal before. I'm not a savage....Cereal was a small, affordable luxury. An effort. A point of pride. Something special....Those crates of cereal meant that we deserved what others do not.... Here the choices that stand before me in the store aisles seem to exist only to mock me. Cereal isn't a luxury...the boxes laugh at me...Two aisles down I count 27 varieties of peanut butter....it is really necessary?
A nurse and a social worker took fifteen minutes out of their shitty thankless job in the roughest corner of town, sat on a couple of milk crates drinking coffee, flopped their real selves out of the cement and both liked what they saw.
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